September 10, 2021 • View in browser
Good morning. 🌤️ Today, the empty nationalism of many 9/11 documentaries, why we continue to need hybrid film festivals, and rethinking publishing as a radical practice.
— Jasmine Weber, Editor
Beer With a Painter: Pat Adams
Adams finds beauty in the earth and nature through layers of complication, chaos, and everyday labor. | Jennifer Samet
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"Blocked" by Alejandro Prieto. Overall Winner and Bird Photographer of the Year 2021
(courtesy of BPOTY)
Mexican photographer Alejandro Prieto’s image of a roadrunner at the US-Mexico border took home the top prize in this year's Bird Photographer of the Year awards, speaking evocatively to our most urgent humanitarian and environmental crises.
FILM & DOCUMENTARY
20 Years After the September 11th Attacks, What Does “Never Forget” Mean?
Much of what the media deems important coverage of the attacks is in fact retraumatizing gawking or empty nationalism. | Dan Schindel
In Who You Think I Am, Juliette Binoche Transcends Mid-Life Crisis Stereotypes
Binoche is ultimately accountable for herself and doesn’t pretend to be any better than she is. | Eileen G’Sell
MORE FROM HYPERALLERGIC
Why We Need Hybrid Film Festivals
The argument that online screenings devalue festivals has been repeated over the last 18 months, mostly by those devoted to the physical events. | Richard Misek
Two Books Rethink Publishing as a Radical Practice
Books from Inventory Press, the Royal Academy of Fine Arts Antwerp, and b_books reshape our understanding of publishing and librarianship. | Megan N. Liberty
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