| |
 |
| |
| |
| |
8th Triennal of Photography Hamburg 2022 |
| |
| 12 Exhibitions on "CURRENCY" |
| |
|
| |
OPENING WEEK: MAI 20 – 22, 2022
FESTIVAL WEEK: JUNI 2 – 6, 2022
EXHIBITIONS: MAI 20 – SEPTEMBER 18, 2022 |
| |
 |
| |
| |
| |
|
| |
| With twelve exhibitions starting from May 20, 2022, the 8th Triennial of Photography Hamburg will engage the theme of "Currency" from multiple angles and perspectives. From colonial-era photo albums to visual reveries, social documentary and conceptual approaches to photography, the exhibitions explore the polyphonic ways in which photographs are produced, circulated and interpreted. The exhibition parcours through Hamburg was conceived by artistic director Koyo Kouoh and her international team, alongside the curators of the ten participating museums and exhibition venues in Hamburg. The exhibitions will be accompanied by numerous events and a festival lasting several days in June 2022. |
| |
|
| |
 |
| |
Deichtorhallen Hamburg: Halle für aktuelle Kunst
Cecilia Reynoso
Gaviota serving desert
from the series The Flowers Family, 2014
© Cecilia Reynoso |
| |
At the Hall for Contemporary Art of the Deichtorhallen Hamburg, Koyo Kouoh, Rasha Salti, Gabriella Beckhurst Feijoo and Oluremi C. Onabanjo examine the "retinal age", in which images fundamentally shape acts of seeing and being seen. The exhibition Currency: Photography Beyond Capture weaves experimental modes of portrayal, documentary and multisensory evocation, as entry points into reimagining how knowledge is sought and constructed through the photographic medium.
With works by artists including Akinbode Akinbiyi » Ziad Antar » Vartan Avakian » Oroma Elewa » Anne-Marie Filaire » Alfredo Jaar » Clifford Prince King » Guevara Namer » Marilyn Nance » Otobong Nkanga » Jo Ractliffe » Cecilia Reynoso » RaMell Ross » Raed Yassin » Paul Yeung » |
| |
|
| |
Bucerius Kunst Forum
Herbert List: Unter dem Poseidontempel, Sounion 1937
Münchner Stadtmuseum, Photography Collection, Archiv List
© Herbert List Estate, Hamburg | 
Museum für Kunst und Gewerbe Hamburg
Herbert List, Instructive View of the Chest, 1944
gelatin silver print, 296 x 191 mm
© Magnum Photos / Herbert List Estate Hamburg |
|
| |
| Two of the triennial’s exhibitions are devoted to photographer Herbert List » The Magic Eye at the Bucerius Kunst Forum presents the first international survey exhibition of his work in more than two decades. The retrospective spans his career from surrealist works to his visions of life in antiquity and extensive pictorial reports of non-European cultures, all the way to the male nudes with which List avowed his own homosexuality. |
| |
| Präuschers Panoptikum. A Photo Book by Herbert List will be presented at the Museum für Kunst und Gewerbe Hamburg. The exhibition presents Herbert List’s never-before-shown photo book project, photographs from the 1930s and 1940s, as well as magazine articles, wax figures from the Vienna Wax Museum and the original book draft. The show traces the circulation of List’s photographs since their origin, revealing the historical contexts that have affected the interpretations of his work over the years. |
| |
|
| |
 |
| |
Hamburger Kunsthalle
Sara Cwynar, Glass Life (Film-Still), 2021,
6-channel video (2k) with sound, 19:02 min., variable dimensions
© Sara Cwynar, Courtesy the artist, The Approach and Foxy Production, New York. |
| |
The transfer and circulation of meaning in photography also informs the subject of the exhibition at the Hamburger Kunsthalle: Give and Take. Images upon Images describes how pictures circulate across geographical, cultural and social boundaries and thereby lose their intention; their meanings can no longer be controlled. In their recent photographs, films and installations, the artists in the group exhibition respond to images that originate in another time or were developed for a different purpose.
With works by artists including Viktoria Binschtok » Sara Cwynar » Arthur Jafa » Anouk Kruithof » Louise Lawler » Max Pinckers » Walid Raad » Volker Renner » Sebastian Riemer » Taryn Simon » Johannes Wohnseifer » ... |
| |
|
| |
 |
| |
Kunstverein in Hamburg
LaToya Ruby Frazier, Shea Cobb, Amber Hasan, and Her Children, Nieces, and Nephews (Zari, DJ, Jayda, Justin, Justace, Jaylen) and Their Friends Playing in the Water Moses West Is Spraying from His Atmospheric Water Generator on North Saginaw Street Between East Marengo Avenue and East Pulaski Avenue, Flint, Michigan, 2019
© LaToya Ruby Frazier. Courtesy of the artist and Gladstone Gallery. |
| |
| Two exhibitions will be dedicated to the effects of environmental disasters. The Kunstverein in Hamburg will present a solo exhibition of artist and photographer LaToya Ruby Frazier » namely, Flint is Family, Act III, the last part of her photo series in which Frazier documented the ongoing water crisis in Flint, Michigan. Her formally astute as well as politically forceful photographs show how industrial and governmental neglect toward the sanctity of the city’s water supply had an immediate impact on community member’s lives. |
| |
|
| |
 |
| |
Kunsthaus Hamburg
formafantasma, Cambio, 2020, Video Still |
| |
| And the Kunsthaus Hamburg will present Seeing the Wood for the Trees, by the Italian design duo formafantasma » , a series of visual essays that explore the development and regulation of the global timber industry. Based on extensive research, the series traces the two-hundred year old history of the industry, that began in the colonized regions of the world and shaped the perception of nature as a raw material and "currency." |
| |
|
| |
 |
| |
MARKK – Museum am Rothenbaum. World Cultures and Arts
Album with studio portraits, city views and landscape photographs from Singapore; 1868;
MARKK Photographic Collection, Inv. Nr. 84.P.1:1 © MARKK, Foto: Paul Schimweg |
| |
| The MARKK – Museum am Rothenbaum – World Cultures and Arts will re-examine its photographic collection from the perspective of its original meaning as a "currency" in global trade. The focus of Archive of Experiences is a photo album from 1868 about the city of Singapore linked to a Hamburg merchant family. The exhibition will address the multivalent memories and contested meanings of an originally private assemblage of images, inviting artist-in-residence Kelvin Haizel to respond artistically to the museum’s collection of photo albums. |
| |
|
| |
 |
| |
Museum der Arbeit
Crosses for the 34 miners shot dead in Marikana, August 16, 2013.
Foto: Alon Skuy. |
| |
The Stiftung Historische Museen Hamburg will cue historical references to the topic with three exhibitions. Macht Mittel Geld, the exhibition at the Museum für Hamburgische Geschichte, will approach "currency" literally through the museum’s significant inventory of coins that reflect particular aspects of colonial history. Coins and banknotes were an expression of colonial power, and not merely the conventional means of exchange for the economy.
Titled Strike!, the Museum der Arbeit will present a photographic history of pivotal labour struggles from the 1960s until the present moment. Through a selection of images – for example press photography – the exhibition will lens on the awareness and solidarity that were spread through the visual repository of these labour struggles, affecting at once those involved andtrade unions’ self-perception. |
| |
|
| |
 |
| |
Jenisch Haus
Hans Meyer-Veden, Bahrenfelderstrasse in Altona
Estate Hans Meyer-Veden, Stiftung F.C. Gundlach |
| |
| With Chiffren einer Stadt. Photographien von Hans Meyer-Veden » at the Jenisch Haus, the F.C. Gundlach Foundation will show the wanderer with a camera in his captures of the big city. Meyer-Veden photographed architectural ensembles and details in the narrow alleys of Altona and between the warehouses of Speicherstadt as well as technical equipment and installations in the harbour and the ever-changing water surface of the Elbe, always walking on foot, for more than three decades. |
| |
|
| |
 |
| |
Deichtorhallen Hamburg: Sammlung Falckenberg
Charlotte March: Jersey-Fashion in red and white for "twen", 1969
© Charlotte March, Deichtorhallen Hamburg / Sammlung Falckenberg |
| |
| The Deichtorhallen Hamburg will host two further exhibitions. The Falckenberg Collection presents a major survey of the Hamburg fashion and advertising photographer Charlotte March » . The large-scale retrospective focuses on photographs of Hamburg in the post-war era between colonial heritage, everyday life and modern urbanity. |
| |
|
| |
 |
| |
Deichtorhallen Hamburg: PHOXXI
Christoph Irrgang, from the series Behind the Scenes, 2021
© Christoph Irrgang |
| |
| Behind the Scenes at the PHOXXI, the temporary House of Photography, will articulate in two parts: The first will confront the F.C. Grundlach Collection with processes of exchange and change, with Christoph Irrgang’s photographs offering insights into the microcosm of this private collection, whose cultural value carries a powerful "currency." And the second part of the exhibition, inviting Photonews editors Anna Gripp and Denis Brudna to explore happenings at Paris Photo, the world’s largest photography fair, will incarnate the "stock exchange" of this medium. |
| |
|
| |
More information about the exhibitions of the Triennial parcours: here
More information about the 8th Triennial of Photography Hamburg 2022: www.phototriennale.de
More information about the events and openings: www.phototriennale.de/map
The Triennial of Photography Hamburg has taken place every three years since 1999 in collaboration with Hamburg’s major museums, exhibition houses, cultural institutions, galleries and other organisers. A large number of photo exhibitions under a common theme highlight current tendencies. Since 2014, the Triennial’s organization has been led by the Deichtorhallen Hamburg GmbH. |
| |
|
| |
unsubscribe here
Newsletter was sent to newsletter@newslettercollector.com
© 18 Nov 2021 photo-index UG (haftungsbeschränkt)
Ziegelstr. 29 . D–10117 Berlin
Editor: Claudia Stein & Michael Steinke
contact@photo-index.art . T +49.30.24 34 27 80 |
| |
