April 26, 2022 • View in browser
Good morning. 🌧️ Today, Turkish arts philanthropist and activist Osman Kavala was sentenced to life in prison for his support of political dissent in the country, Simone Leigh and Sonia Boyce both win Golden Lions at the Venice Biennale, hundreds at the British Museum protest the institution's BP sponsorship, reviews of Grace D. Li and an exhibition on deepfakes, and much more.
This week, I’ll be leaving for a three-month sabbatical that will allow me to recharge and, in the meantime, I know you'll all be in the very able hands of Hyperallergic News co-editor and veteran journalist Hakim Bishara, who will serve as acting editor-in-chief during that time.
— Hrag Vartanian, editor-in-chief
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A Working-Class Artist Is Something to Be
Since 2019, Art Workers' Inquiry has been developing methods for everyday art workers to speak openly on capitalism and colonialism in the art world. | Billy Anania
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WHAT'S HAPPENING
Jangarh Singh Shyam, "Annihilation of Sanbarah (The Annihilation of the Boar: An Anecdote from the Gond Epic)" (1992), poster color on paper (courtesy the Museum of Art and Photography, Bengaluru)
The new MAP Encyclopedia of Art spans millennia of South Asian Art, aiming to make the region's art history accessible to all.
Turkish businessman, activist, and arts philanthropist Osman Kavala was sentenced to life in prison without parole in Istanbul yesterday.
Simone Leigh and Sonia Boyce win the Venice Biennale’s Golden Lions.
Hundreds gathered at the British Museum for a protest performance against the institution’s sponsorship by British Petroleum.
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Welcoming Artists: New York Studio School Summer Marathons
NYSS Marathons are immersive 10-day courses which offer a wide range of strategies in drawing, painting & sculpture, with the conceptual inspiration of extensive critiques. Join us In-Person or Virtually from anywhere in the world to elevate your practice and learn new approaches that will last a lifetime.
LATEST REVIEWS
How Do We Know What’s Real in the Era of the Deepfake?
The Museum of the Moving Image show Deepfakes: Unstable Evidence on Screen tries to help visitors equip themselves to discern real images from fake ones. | Eliza Levinson
The Heist (or Repatriation) of the Century
Portrait of a Thief imagines what would happen if some overly confident 20-somethings proved the life of museum objects isn’t as clear-cut as it seems. | Eva Recinos
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Granary Arts brings contemporary art, international discourse, and a different lens into a traditional landscape. | Bianca Velasquez
