March 20, 2023Good morning. 🌤️ Happy Monday! Spring is nearly here in New York, and I can almost taste it. Today, a new barrier for AI has been surpassed as Midjourney, one of the most popular AI platforms, has fixed its inability to render hands realistically. We also have a look at the art of Mark Thomas Gibson by John Yau, who is always a must-read, Eileen G'Sell's review of Cauleen Smith's re-released 1998 film Drylongso, and Vittoria Benzine writes about Kahori Kamiya's solo show. I'm also intrigued by artist Jackie Amézquita's new project, which hopes to shine a light on migrants who died in US detention. And join us tonight, Monday, March 20, at 6pm ET, for our next event with curator Angelina Lippert. We will discuss the work of innovative printmaker Amos Kennedy Jr., whose letterpress posters were created for his local Black rural community in Alabama and later Detroit, where he would eventually settle. — Hrag Vartanian, editor-in-chief MTV’s The Exhibit Needs a Cutthroat JudgeIn episode three, the artists created works about the pandemic and bonded with each other, which is cute but doesn’t really make for good TV. | Rhea Nayyar SPONSORED School of the Art Institute of Chicago Offers Summer Art and Design Courses Online and On-CampusEmerging and established artists can choose from over 50 Adult Continuing Education courses at one of the most influential art and design schools in the US. Learn more. LATEST NEWS The newest version of Midjourney created this image with the prompt, "photograph of a woman artist in an artist's studio holding her hands up." (edits Elaine Velie/Hyperallergic using Midjourney)
SPONSORED LSU School of Art Grants Highest MFA Stipends in the Southern USWith funded assistantships, full tuition waivers, and generous stipends, Louisiana State University helps students lay the groundwork for a successful lifelong art practice. Learn more. ON OUR RADAR Mark Thomas Gibson’s Cartoons See the US Going NowhereIf Thomas Nast, who is considered the “Father of the American Cartoon,” has an heir, it is Gibson, who goes one step further and elevates caricature and commentary into art. | John Yau Kahori Kamiya Transmutes Grief Into PlayThrough artworks that encourage viewers to explore varied vantages, Kamiya conveys her accrued wisdom and experiences without the weight of their pain. | Vittoria Benzine Remembering the Migrants Who Died in US DetentionArtist Jackie Amézquita will lead a caravan of trucks with the names of the deceased to LA sites representing systems of oppression and solidarity for immigrants. | Matt Stromberg WOMEN BEHIND THE LENS Maya Deren in Vivid FocusMaya Deren: Choreographed for Camera depicts how the artist’s life and ideas cemented her place as a champion and influencer of culture. | Sarah Rose Sharp Cauleen Smith’s Drylongso Depicts a Bygone OaklandSmith’s 1998 film exudes the DIY charm of a low-budget, first-time feature while keenly depicting the complexities of both race- and gender-related inequalities. | Eileen G’Sell Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. |