Pew Research Center / Sara Atske
The Verge / Jess Weatherbed
Streamlabs’ new editing tool helps streamers jump into podcasting →“Announced today by Streamlabs’ parent company Logitech, the new Podcast Editor includes AI-assisted tools like text-based editing and automatic transcript generation to help streamers record and edit their audio and video…The editor additionally provides AI-assisted tools to find clips worth highlighting within recorded footage, cut unnecessary pauses to reduce video length, and even remove filler words like ‘ums’ and ‘oohs.'”
Substack / Richard J. Tofel
New York Times / Robert D. McFadden
Reuters / Magali Druscovich and Sheila Dang
News junkies turn to TikTok to chart new paths in media →“Since the surge in popularity of the short-form video app at the start of the pandemic, people like Spehar [creator of Under the Desk News] have flocked to the platform to discuss, document and share what’s happening in the world. Many call themselves creators or influencers. They do not aspire to be traditional journalists.”
Vanity Fair / Charlotte Klein
Rest of World / Russell Brandom
The Guardian / Jim Waterson
The Guardian bans all gambling advertising →“Anna Bateson, the chief executive of Guardian Media Group, said advertising – particularly online – could trap gamblers in an ‘addictive cycle’ that caused financial distress, mental health issues and wider social problems.”
The Washington Post / Will Sommer and Elahe Izadi
The Atlantic / McKay Coppins
The gross spectacle of murder fandom →After reporters, TikTok and reddit sleuths, and true crime podcasters swarmed Moscow, Idaho to dig into the brutal murders of four students, “perhaps more disturbing than the vulturous reporters or the vortex of TikTok speculation was the way the media and the sleuths seemed to encourage and sustain each other—their priorities converging in a vicious ouroboros.”
Complex / Karla Rodriguez
Philip Lewis on turning Twitter popularity into a journalism career →“There’s usually a couple of things that I’m thinking about. Is the story underrepresented? Has it been shared in other places? Who’s involved in the story? I do sometimes think about the potential of virality. So, I’m thinking about, is this a story that resonates with a wide group of people? If it isn’t, can I word it or phrase it or do something on Twitter?”