Cinematographer Newsletter

THIS WEEK'S NEWS - 5.30.17

"American Gods:" Producing the Visceral, Visually Powerful Series

Precise, Perfect Images Define Netflix's "House of Cards"

Black and White and Wolverine: "Logan Noir"

Bearing Witness: "City of Ghosts"

"Wonderstruck" Achieves Era-Specific Looks With Era-Specific Equipment

Cinematographer Jim Frohna on Shooting "I Love Dick" Like an Indie Film

"The Handmaid's Tale:" Developing a New Vision of Dystopia

Video Explores the Color Palette for "Twin Peaks"

Before and After: How Color Tells the Two Stories of "13 Reasons Why"

Inside the Covert Production on "Inside the FBI: New York"

DIGITAL CINEMATOGRAPHY NEWS

Digital Video Announces 2017 NAB Best of Show Award Winners

HDR TV Shipments to Reach 245M in 2022

Blackmagic Design Heading Cross Country With NAB 2017 Roadshow

Webinar: From HDR to Broadcast IP, 12G and More

Why Compression is a Disaster We Should Stop Using

The Split Diopter Lens: An Appreciation

AbelCine's NAB Show in Review

Better, Sharper, Richer: The Promise of HDR

NEWS FROM THE CREATIVE PLANET NETWORK

Sofia Coppola Gives "The Beguiled" a Modern, Feminist Perspective

"In Another Life:" Film Fuses Narrative and Nonfiction Elements

Thomas Vinterberg on the Trials and Triumphs of "Commune" Life

Tracing the Life and Work of an Artist in "Burden"

Evan Peters and Jay Bahadur Take on a New Perspective With "Dabka"