| | | |  | | | Anne Collier: Woman Crying #1, from the series Women Crying, 2016
© Anne Collier; Courtesy of the artist; Anton Kern Gallery, New York;
Galerie Neu, Berlin and The Modern Institute/Toby Webster Ltd., Glasgow | | | | | | Photographic | | 23 February – 26 May, 2019 | | | Opening: Friday, 22 February, 6-9pm
Artist Talk: Saturday, 23 February, 4pm
Anne Collier with Nadine Wietlisbach | | |  | | | | | | | | | |  | | | Anne Collier: Woman Crying (Comic) #3, from the series Women Crying, 2018
© Anne Collier; Courtesy of the artist; Anton Kern Gallery, New York; Galerie Neu, Berlin
and The Modern Institute/Toby Webster Ltd., Glasgow | | | | | | | The innocent image is an illusion – this is especially true for the omnipresent medium of photography. And it is this that constitutes the artistic starting point for Anne Collier. Born in Los Angeles in 1970 and currently living in New York, her conceptual works are based primarily on found materials from the pop culture of the 1970s and 1980s; on photos gleaned from magazines, advertising, record covers, book illustrations and film stills. By photographing the print materials with a large-format camera and then producing classical paper prints from them, digitising the paper prints and processing them for another round of printing, Collier arrives at a considered archaeology of photographic usages. She is interested, above all, in images with an emotive visual undertone, such as waves, eyes, clouds and romanticised sexism. With analytical elegance, the artist reflects the deceptive imagery that shapes our everyday lives and, in so doing, creates a tension between what is depicted and how it is depicted. | | | | | |  | | | Anne Collier: from the series "Women With Cameras" (Anonymous), 2016
© Anne Collier; Courtesy of the artist; Anton Kern Gallery, New York; Galerie Neu, Berlin
and The Modern Institute/Toby Webster Ltd., Glasgow | | | | | | Anne Collier’s works have already been shown at numerous international group and solo exhibitions, for example at the Museum of Contemporary Art, Chicago (2014), the San Francisco Museum of Modern Art, the Centre Pompidou, Paris, the Fondazione Prada, Milan (all 2016) and the Frac Normandie, Rouen (2018).
The exhibition and publication, published by Hartmann Projects, were created in collaboration with the Sprengel Museum Hannover.
Kindly supported by the Friends’ Association Fotomuseum Winterthur, the Paul Reinhart Foundation and the Dr. Georg and Josi Guggenheim-Foundation. | | | | | |  | | | Anne Collier: from the series "Women With Cameras" (Anonymous), 2016
© Anne Collier; Courtesy of the artist; Anton Kern Gallery, New York;
Galerie Neu, Berlin and The Modern Institute/Toby Webster Ltd., Glasgow | | | | | |  | | | Anne Collier: Positive (California), 2016 © Anne Collier
© Anne Collier; Courtesy of the artist; Anton Kern Gallery, New York;
Galerie Neu, Berlin and The Modern Institute/Toby Webster Ltd., Glasgow | | | | | | ACCOMPANYING PROGRAMME
23 February 2019, 4pm
Anne Collier in conversation with Nadine Wietlisbach
13 April 2019, 4pm
Special guided tour with Barbara Preisig, art historian and art critic, Zurich, and Nadine Wietlisbach on the representation of women in art and the potential of ephemeral material | | | | | | | | unsubscribe here
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© 13 Feb 2019 photo-index UG (haftungsbeschränkt)
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