| Good morning. Tribal leaders and lawmakers in New Mexico are sounding the alarm about threats facing the Chaco Canyon as a group of Republicans attempts to repeal federal land protections preventing new oil and gas leases around the Indigenous archaeological site. “This fight is about our identity, our spirituality, and our responsibility to future generations,” said Charles Riley, governor of the Pueblo of Acoma. Hyperallergic Staff Writer Isa Farfan has the story, with stunning photos by Editor-in-Chief Hrag Vartanian.
In more news, Meta rolls out a new Facebook feature that asks users for access to their photo libraries to “get personalized creative ideas.” Sounds pretty tame, right? But some worry that the company, which currently trains its AI on users’ public posts, could one day do so with private images.
Read on for Lori Jo Marso’s scholarship on misconceptions of the gendered gaze in film, the sensual art of Milly Thompson, and Taliesin Thomas’s latest guide on shows to see in Upstate New York. — Valentina Di Liscia, News Editor | | |
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| You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member. | | Become a Member |
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 | | Gerard Wagner’s metaphysical landscapes, Michelle Silver’s thundering abstract frenzy, a group exhibition of Chinese women artists, and more. | Taliesin Thomas |
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SPONSORED |  | | | | These institutions shrink the space between art and life by serving as places where entire communities can cohere through storytelling. Learn more |
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IN THE NEWS |  | | As Republicans attempt to repeal federal land protections surrounding the site and others, New Mexico lawmakers and tribal leaders are calling for their enforcement. | Isa Farfan |
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 | | Facebook is asking users to grant access to their camera roll, though the company denies that it is using the images to train AI technology. | Isa Farfan |
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LATEST REVIEWS |  | | Feminist film scholar Lori Jo Marso redresses misconceptions of the gendered gaze, parsing through the lessons we can learn from our exhilaration and unease. | Eileen G’Sell |
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|  | | Throughout her work, we see women attempting to free themselves from the entanglements of patriarchy. | Anna Souter |
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FROM THE ARCHIVE |  | | In 1927, Pressoir carried 30 pounds of art-making supplies on a bike ride from France to Italy. It was just the beginning of an inimitable artistic journey. | Bridget Quinn |
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| You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a member. | | Become a Member |
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