Glory by JJ Guest. Photograph: Courtesy the artist
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This familiar image of Geoff Hurst winning the final of the 1966 World Cup for England has been turned into a Spot the Ball competition with a difference: artist JJ Guest has cut a 3.5in hole into it. “That’s the standard size of glory holes in gay clubs,” he explains, referring to the openings in walls and cubicles that allow for anonymous sexual encounters. The artwork forms a part of Guest’s exhibition The Other Team, showing at Tottenham Hotspur’s stadium in London.
Motherhood is portrayed with tender intimacy in this painting by a boldly realist medieval genius. Bouts worked in Leuven (Louvain), where he painted his notorious, terrifying masterpiece The Fall of the Damned as a warning against sin. Yet here he shows a gentler side. This Mary is not a celestial Queen of Heaven but an earthly mother, literally humanising Christ with her breast milk. It was believed that the milk women gave to babies influenced their entire lives: for instance, the artist Michelangelo said he imbibed his talent for carving marble from the milk of his wet-nurse, a quarryman’s wife. Not only is Mary’s milk earthing Christ’s human nature, but the scene itself is a real, recognisable interior, with a view of a gothic northern European city from its window. • National Gallery, London
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