Fashion disruptors, phoney Picassos and St Paul’s goes psychedelic – the week in art
Leigh Bowery and The Face magazine get their eclectic retrospectives while St Paul’s Cathedral becomes an immersive artwork – all in your weekly dispatch
Leigh Bowery! at Tate Modern. Photograph: Nigel Parry
Jonathan Jones
Exhibition of the week
Leigh Bowery! The performance artist, alternative fashion icon and all-round iconoclast gets a retrospective that should be an emotional encounter. • Tate Modern, London, 27 February to 31 August
From the late 1950s, South African photographer Ernest Cole chronicled the horrors of racial segregation for publications such as the New York Times. He fled his home country in 1966, arriving in New York at the height of the American civil rights movement. He was initially impressed by the advances the country had made, but he soon became disillusioned by the reality of racial division in the US. His works, which were recently rediscovered and are now the focus of a new documentary, focused on the parallels between apartheid in his native country and segregation in the US.
Ulysses after the Shipwreck by Jean-Charles Cazin, circa 1800-84
The Odyssey by Homer is not just a very early literary masterpiece but a precociously modern one. Its hero Odysseus, often known, as here, by the Latin version of his name Ulysses, is driven from one peril to another as he tries to get home from the Trojan war. Meanwhile, his wife, Penelope, and son Telemachus are persecuted by suitors seeking to take over his house. There are deep psychological resonances that make it more like a novel than a string of magic tales. In this painting, a French artist from the era of Zola homes in on that realism to portray Ulysses plunged into introspective thought on a sunny but bleak beach. The harshly lit rocks and low hills covered in sparse grass add to his solitary mood as he contemplates a shipwreck that killed his crew, stranding him far from home. This painting’s blend of prosaic reality with Greek myth may seem eccentric – yet the same idea structures James Joyce’s great modernist work Ulysses. • National Gallery, London
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