Your weekly art world low-down: news, ideas and things to see Intense photographic visions, a journey to Rome and a dealer-turned-painter – the week in art | Art and design | The Guardian
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| | | | Intense photographic visions, a journey to Rome and a dealer-turned-painter – the week in art | | A wealth of northern Renaissance drawings; photographers Julia Margaret Cameron and Francesca Woodman, and recognition for gallerist Betty Parsons – all in your weekly dispatch | | | Study of a Dog by Joannes Fijt from Breughel to Rubens: Great Flemish Drawings at the Ashmolean, Oxford. Photograph: Museum Plantin-Moretus, Antwerp 7 | | | | Exhibition of the week Bruegel to Rubens: Great Flemish Drawings Absorbing trip from Flanders to Rome and back with northern Renaissance artists whose drawings have a buttery richness. • Ashmolean Museum, Oxford, 23 March until 23 June. Also showing Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In Two great artists of the camera who both created intense visionary worlds. • National Portrait Gallery, London, until 16 June. Landscape Into Art Anya Gallaccio meets JMW Turner, and others, in this spacious survey of the landscape imagination. • Compton Verney, Warwickshire, until 16 June. Betty Parsons The art of Agnes Martin and Jackson Pollock’s gallerist is rediscovered at last. • Alison Jacques Gallery, London, until 27 April. Acts of Resistance Nan Goldin, Teresa Margolles and many others feature in a survey of feminism, protest and the camera. • South London Gallery, until 9 June. Image of the week | | | | | Banksy’s new mural of a tree painted in north London was defaced with white paint two days after it first appeared. The artwork in Finsbury Park features rough brushstrokes in green paint on a wall behind a severely pruned tree, giving the impression that it still bears foliage, with a stencilled image of a person holding a pressure hose next to it. Read the full story here. What we learned A Liverpool museum is appealing for information about the mysterious sitter in the painting The Black Boy A Piero della Francesca altarpiece has been reassembled after 450 years A new sculpture park traces the memory of 10 million Black people enslaved in the US A new neighbourhood in Lewes sounds almost too good to be true The FBI has returned centuries-old looted artefacts to Japan An artist has turned former home secretary Suella Braverman’s illegal migration speech into sinister sonic art Sharon Stone has swapped acting for art A new London gallery is bringing African artists and Yoruba culture to a global audience Damien Hirst’s backdated art did not impress the Guardian’s critic Frieda Toranzo Jaeger has brought a cosmic odyssey through feminism, botany and frisson to Oxford Masterpiece of the week Landscape: A River Among Mountains by Imitator of Pieter Bruegel the Elder, about 1600 | | | | | | You seem to have chanced on a lost country of the imagination if you stare into this addictive painting. You can lose yourself for ages in its timeless vista of abstract, unreal rock formations and glassy, still water. It is apparently by a north European artist working in Italy, under the influence of Bruegel, but you can also see strong echoes of Leonardo da Vinci. The Italian polymath wrote that an artist can get ideas for paintings by staring at a stained wall until they start seeing landscapes, faces and other images from the unconscious. This painting genuinely looks as if it could have surfaced as such a surreal vision, it is so dreamlike and uncanny: a place for the mind’s eye to inhabit. • National Gallery, London Don’t forget To follow us on X (Twitter): @GdnArtandDesign. Sign up to the Art Weekly newsletter If you don’t already receive our regular roundup of art and design news via email, please sign up here. Get in touch If you have any questions or comments about any of our newsletters please email newsletters@theguardian.com | |
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