View in browserOpera in space, Russia after the revolution and Wim Wenders' snaps – the week in art | Art and design | The Guardian
| Opera in space, Russia after the revolution and Wim Wenders' snaps – the week in art | Wenders bears all via Polaroid, Susan Philipsz strands some astronauts, and Rebecca Warren puts the quirk in Cornwall – all in your weekly dispatch | | The Appearance of the Collage #10, 2012, by Ilya and Emilia Kabakov from their new Tate Modern exhibition. Photograph: Kerry Ryan McFate/Pace Gallery | Jonathan Jones | Exhibition of the week Ilya and Emilia Kabakov: Not Everyone Will Be Taken Into the Future The aftermath of Russia’s October 1917 revolution is explored in some of the most haunting installations ever created. • Tate Modern, London, 18 October-28 January. Also showing Soutine’s Portraits Expressionist paintings of Paris workers from one of the most individualist and honest artists of the 20th century. • Courtauld Gallery, London, 19 October-21 January. Instant Stories: Wim Wenders’ Polaroids Snapshots by the famous film-maker that constitute a nostalgic diary of his life and work through the 70s and 80s. Read our interview with Wim Wenders here. • Photographers’ Gallery, London, 20 October-11 February. Susan Philipsz: A Single Voice A science-fiction opera about stranded astronauts is turned into a sound installation by the Turner prize winner. • Baltic, Gateshead, 20 October-4 March. Rebecca Warren: All That Heaven Allows This imaginative sculptor seems ill at ease in the big modernist new exhibition space at Tate St Ives and her quirky creations look a bit lost, but there are some corkers. Read a full review. • Tate St Ives, 14 October-7 January. Masterpiece of the week | | Landscape with a Man washing his Feet at a Fountain (c.1648) by Nicolas Poussin The landscape of the Via Appia outside Rome, where decaying tombs and monuments brood among the trees, haunts this painting. Poussin moved to Rome from France and revered its antiquties with a fervent passion. He is a painter not of nature, but history. The immense sky and shady woods of this painting convey the vastness of time and the smallness of the marks we make on it. • National Gallery, London Image of the week | | At the Edge of the World II, by Anish Kapoor London’s influential Lisson Gallery is throwing a 50th birthday party for itself, in the form of the exhibition Everything at Once at Store Studios. The show presents work by 24 of the gallery’s artists, ranging from Anish Kapoor to Arthur Jafa. Read a full review.
What we learned this week Ai Weiwei spread 300 artworks across New York to counter anti-immigrant hate … while Open House offers another door into the city
Outspoken US artist Hank Willis Thomas sees a political football in sport
Blast Theory’s vision of Hull in 2097 is an unsettling one
North Korea’s illustrators lend dynanism to its revolution
American architects will design a new concert hall for London
British-Liberian artist Lina Iris Victor has a striking golden vision of womanhood
US photographer Lucas Foglia brings us closer to nature
… while Patricia Piccinini has a particularly unsettling take on it
Polaroid fan Wim Wenders says photography is over
The Guggenheim Bilbao had a 20th birthday party
Australia’s Doug Moran portrait prize finalists have been unveiled
Film-makers unveil a movie painted in Van Gogh’s image
… and fashion illustrator Antonio Lopez gets his movie moment too
Nonsense poet Edward Lear loved drawing animals
Artists are frequently rude about other artists
The only privately owned Leonardo da Vinci painting is up for sale
The BBC and British Museum are joining forces to explore belief through objects
Neave Brown’s concrete contribution to social housing has been recognised
… and the death was announced of London Eye architect David Marks
Get involved Our A-Z of Art series continues – share your art with the theme X for Xenophilia. And check out the entries we selected for the theme W for women. Don’t forget To follow us on Twitter: @GdnArtandDesign |
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