The First Art Newspaper on the Net    Established in 1996 Saturday, August 20, 2022


 
That painted Greek maiden at the Met: Just whose vision is she?

Reconstruction of the marble finial of a sphinx made by Vinzenz Brinkmann and Ulrike Koch-Brinkmann, 3-D print in polymethyl metacrylate, natural pigments in egg tempera, gilded copper, gilded tin, in “Chroma: Ancient Sculpture in Color," at the Metropolitan Museum of Art in New York on Aug. 11, 2022. Two German archaeologists use science to recreate the lost colors of antiquity but historians debate just how authentic their version of the past really is. Vincent Tullo/The New York Times.

by Zachary Small


NEW YORK, NY.- Roko Rumora, a young historian, could probably walk blindfolded through the Metropolitan Museum of Art’s Greek and Roman galleries without toppling statuary or sending the Athenian vases airborne. Rumora had memorized a path through these famed halls of antiquity a decade ago as a college intern, but when he returned this month, there were unfamiliar faces around every corner — boldly colored marble women, bronze men, funerary steles and a smiling sphinx that seemed garish compared with the grand marble masterpieces that have impressed the public for more than a century. “My reaction was one of startling confrontation,” Rumora said, pausing at the foot of a painted statue of a maiden named “Phrasikleia,” with large brown eyes, a crown of lotus buds and an auburn dress embossed with flowers. She was one of some 17 reconstructions — made circa 2005-2019 — in a new exhibition, “Chroma: Ancient Sculpture in Color,” which evokes how the Gree ... More



The Best Photos of the Day
Best Photos of the Day
Zeitz MOCAA has opened a monumental site-specific commission by renowned Malagasy artist Joël Andrianomearisoa. The showcase consists of six large-scale sculptures that form a suspended archipelago in the museum atrium, a sound installation and drawings.






Drumroll, please..."Making Music in Early America" opens at the Art Museums of Colonial Williamsburg   U.S. ship sunk by Germans in 1917 is found off English coast   Richard Saltoun opens a major exhibition dedicated to trailblazing feminist artists Rosa Lee and Jo Bruton


Side Drum. Freberschausen, Waldeeck region, Germany, ca. 1770-1785. Wood, skin, copper alloy. Museum purchase, 1957-29.

WILLIAMSBURG, VA.- In the 18th century, music was everywhere: in the workplace, the military campsites, the quarters of the enslaved, the church, the theater, the ballroom and the home. Music was an essential part of life that helped foster a sense of community, whether people were accompanying the organ in song at church or enjoying an impromptu concert at home. Making Music in Early America, a new exhibition to open on August 20, 2022, in the Mark M. and Rosemary W. Leckie Gallery at the DeWitt Wallace Decorative Arts Museum, one of the Art Museums of Colonial Williamsburg, will envelop visitors in the musical world of the 18th and 19th centuries. As told through more than 60 instruments and their accessories, the social history and material culture ... More
 

A photo provided by Smithsonian shows the Jacob Jones sinking after being attacked by a German submarine on Dec. 6, 1917. Seaman William G. Ellis escaped from the ship and took this photograph as it sank. Smithsonian via The New York Times.

by Jenny Gross


NEW YORK, NY.- The wreck of the first U.S. Navy destroyer lost to enemy action has been found off the coast of southwest England, 105 years after it was sunk by a German submarine. A team of British divers announced the find on Facebook last week, saying it was thrilled to have located the World War I ship, the USS Jacob Jones, about 60 nautical miles south of Newlyn, a fishing harbor in Cornwall. Rick Ayrton, a retired dentist and one of the six divers on the expedition, said that when he reached the ship, which lies nearly 400 feet (120 meters) below the ocean’s surface, he could see the base of a gun mount ... More
 

Rosa Lee, Swathe, 2003.

LONDON.- Richard Saltoun Gallery presents Haptic Vision, a major exhibition dedicated to trailblazing feminist artists Rosa Lee and Jo Bruton, which puts into focus their massive influence on the UK’s abstract and feminist art of the 1980s & 90s. It is the first time in 10 years that Lee’s work is exhibited in London, and to coincide with the show, the gallery announced exclusive representation of the artist’s estate. Inspired by the American Pattern & Decoration movement, Lee and Bruton created a new type of abstraction that made a clever use of traditionally feminine decorative elements – like patterning, beading and collage – to dismantle the hierarchy of fine art over craft. In doing so, they raised questions about the validity of the modernist conventions and reclaimed the position of women within the history of painting. As opposed to the shocking works of the YBAs - who emerged ... More


GRIMM announces the representation of London-based painter Francesca Mollett   Pérez Art Museum Miami opens 'Christo Drawings: A Gift from the Maria Bechily and Scott Hodes Collection'   List Center unveils major new public art commission by Agnieszka Kurant


Francesca Mollett in her studio. Portrait by Thierry Bal, 2022.

NEW YORK, NY.- Francesca Mollett makes abstract paintings that react to space and context. Her works are reflections of light and surface formed over a long, fluid and precise process composed through addition and subtraction. Often influenced by literature, Mollett reveals a deep relationship between the ethos of life and of time, elusive and unable to be articulated through representation alone. In this, abstraction -through colour and texture- becomes an attentive way of considering these affinities. In many of her works, we see organic subjects rendered, so their defining details of difference dissolve into new yet familiar grounds. Through this careful balance of specificity Mollett’s practice invites us into spaces of desire, understanding, and candid encounter. Of her most recent work, critic and curator Tom Morton has written: These are works much concerned with grasping the intangible... a moth, if touched, crumbles to dust. And yet, looking at Mollett’s ... More
 

This exhibition presents fine examples of Christo’s drawing practice, which constitutes a pivotal aspect of his production. Collectively, the drawings exemplify an expansive overview of Christo and Jeanne-Claude’s oeuvre, comprising their major projects spanning from the late 1960s to the early 2000s.

MIAMI, FL.- Pérez Art Museum Miami is presenting a new exhibition featuring artworks by established artist Christo, opening August 19, 2022. This exhibition presents stellar works gifted to PAMM by Christo’s longtime friends Maria Bechily and Scott Hodes, and features many drawings and collages which are fine examples of Christo’s drawing practice and methods of artistic production. Christo (born Christo Vladmirov Javacheff) and his wife and artistic partner Jeanne-Claude made an undeniable impact on the history of art since the mid-20th century. Together, these two artists have created large-scale, ephemeral, public art projects. Their works have involved dramatic interventions in carefully selected outdoor locations. During their nearly 60 year career, Christo and Jeanne- ... More
 

List Center presents new public art commission by Agnieszka Kurant made in collaboration with MIT's Computer Science and Artificial Intelligence Lab.

CAMBRIDGE, MASS.- The MIT List Visual Arts Center unveiled The End of Signature (2021–22), a newly commissioned Percent-for-Art work by Agnieszka Kurant for the Graduate Tower at Site 4 (Building E37) and at 238 Main Street in Kendall Square. Kurant will present an artist talk about this latest project on Tuesday, September 13, at 6 PM, in the MIT Welcome Center Auditorium located at 292 Main Street, Cambridge, MA. For her MIT commission, Kurant developed a new iteration of The End of Signature using artificial intelligence to create two collective signatures, each realized as a monumental light sculpture mounted on a building exterior. The two-part commission consists of one animated LED sculpture that appears to sign and re-sign the rear façade of 238 Main Street, and one large-scale neon signature on the plaza-facing cantilevered façade of Building E37. The LED sculpture at 238 Main Street aggregates ... More



CHART announces the public programme for its celebratory 10th edition   MAKI Gallery opens a solo exhibition by Kamakura-based artist Anne Kagioka Rigoulet   Academy Art Museum shows significant works in 'Fickle Mirror: Dialogues in Self-Portraiture'


John Kørner, Problem, 2021. Styrofoam, coated with paint and gloss. 100 cm x 43 cm x 44 cm. Courtesy Galleri Bo Bjerggaard.

COPENHAGEN.- Taking place from 26 – 28 August 2022, CHART looks forward to welcoming more than 100 artists from the leading Nordic galleries, bringing together the region’s art scene and international guests for its celebratory 10th edition at Kunsthal Charlottenborg. Alongside stellar presentations by 38 exhibitors, comprising leading galleries as well as a selection of younger galleries and exhibition spaces, CHART offers a vast public programme taking place across the city of Copenhagen. For the first time this year, the event will reach to Sweden, for a collaboration with the neighboring city of Malmö’s leading museums and art institutions. In celebration of its 10th edition, CHART strengthens its locally rooted partnerships to give international guests a broad understanding of the Nordic art community. For the first time, CHART will collaborate with the iconic ... More
 

Anne Kagioka Rigoulet, Portrait-13, 2022, oil and mixed media on panel, 100.0 x 100.0 cm.

TOKYO.- MAKI Gallery is pleased to present Addition - Subtraction, a solo exhibition by Kamakura-based artist Anne Kagioka Rigoulet at the Tennoz I gallery space. The title of this exhibition refers to Kagioka’s unique method of expression in sculptural oil painting, as well as her multifaceted approach to pursue the essential nature of painting. Featuring 18 works from Portrait—a new series of paintings of people’s faces—the exhibition continues the exploration of her Figure and Element series presented at her solo exhibition in 2021, and demonstrates a new artistic dimension the artist has reached. We hope you come and see Kagioka’s latest works, which continue to evolve. Kagioka continually endeavors to bring out the invisible properties and elements that exist behind the visible, depicting abstract forms and the vitality of nature as they appear in everyday life. The artist has produced a number of works bas ... More
 

Mequitta Ahuja (American, born 1976), Mocoonama, 2012, Acrylic, colored pencil, watercolor, waxy chalk, and enamel on vellum, 87 × 73 × 2 in. (221 × 185.4 × 5.1 cm), courtesy of Crystal Bridges Museum of Art.

EASTON, MD.- The Academy Art Museum in Easton, Maryland opened an exciting exhibition: Fickle Mirror: Dialogues in Self-Portraiture. From the first staged photograph to the present day’s unceasing flow of selfies in social media, self-portraiture has expanded the possibilities of artistic production, enhancing the ability of artists to take control of their own representation, reinterpret truthfulness, and experiment with their chosen medium. When creating a self-portrait, the image-maker must exercise self-introspection, only to imagine and prepare themselves to be the subject of the viewer’s gaze. This exhibition explores the myriad ways in which artists use the theme of self-portraiture to explore, and at times manipulate their own representation. The selection has a particular focus on dialogues between works across art ... More


2022 edition of Zürcher Theater Spektakel: New works by Ragnar Kjartansson, Lina Lapelyt ė and Meg Stuart   Rare, historic powder horns, swords and pistols featured at Bonhams Skinner   LA-based nomadic art collective takes the show on the road with its first national exhibition in Denver


Lina Lapelytè, What happens with a dead fish. Performance view, Kunstenfestivaldesarts, Brussels, 2021. Photo: Bea Borgers. Courtesy of the artist and Kunstenfestivaldesarts.

ZURICH.- At this year’s edition of Zürcher Theater Spektakel, Icelandic artist Ragnar Kjartansson presents his new durational performance Schmerz. Kjartansson has sketched a forest cabin, which will stand on the Saffa islet on lake Zurich at the festival site like the remnant of a set left behind by an itinerant operetta company. While the musician Kristín Anna Valtýsdóttir plays the piano, Kjartansson and the star comedian Saga Garðarsdóttir will loop the essence of a dramatic scene. The durational performance runs on four consecutive days for three hours daily—from August 20 to August 23. Right on that same islet, the American choreographer Meg Stuart, together with her collaborators and the young Zürich-based collective The Field, premieres a new piece with seven performers dancing in the water to an audience seated on floating pontoons. Waterworks runs ... More
 

Stephen Hastings' Carved Powder Horn. Estimate: $10,000-20,000.

MARLBOROUGH, MASS.- Bonhams Skinner announced two upcoming sales from the Historic Arms & Militaria department, taking place this September. Featuring nearly 170 lots of early military arms and military objects from three principal collections, the carefully curated Early Militaria Collections live sale will take place September 28. Accompanying the live sale is a timed online auction of Militaria and Sporting Arms, taking place September 19-29. Among the collections, items from the William Rose Colonial and Revolutionary War Arms Collection and the Robert Byrne Collection feature many standout examples, including more than fifty 17th- and 18th-century swords and military pistols. This is Bonhams Skinner’s third sale of its landmark series of auctions dedicated to the private collection of colonial and revolutionary arms enthusiast William Rose. Highlights from the Rose Collection in this sale include a rare pair of 1760s New England cavalry pis ... More
 

Sean Noyce: Portal (2), 2020, digital projection, digital audio, custom code, wood, mylar, sand, flowers, and salt, 72 x 72 x 85 inches.

DENVER, CO.- The curators of High Beams (Los Angeles) have partnered with Hyperlink (Denver) for HB6: Convoy, the latest in a series of nomadic outdoor exhibitions, slated for the evening of Aug. 20, 2022, at the Rocky Mountain College of Art + Design in Lakewood, CO. The exhibition was organized by Carl Baratta (LA), Tobias Fike (Denver), and Donald Fodness (Denver), and features over 60 artists from around the West, Midwest, and California. For the sixth installment, the Los Angeles crew will be taking the show on the road and traveling to Denver, along with several other collectives from around the Midwest and the South, partaking in their own classic American road trip that is one-part logistical, one-part performance, and one-part block party. Situated on the campus of the Rocky Mountain College of Art + Design, HB6: Convoy showcases a series of experimental works that include sculpture, video, ... More




Visiting the Massachusetts Museum of Contemporary Art



More News

Cantor Art Gallery commissions large-scale painting by Justine Hill to mark the opening of its new home
WORCESTER, MASS.- The Iris and B. Gerald Cantor Art Gallery announced that it has invited Brooklyn-based artist and College of the Holy Cross alumna Justine Hill ‘08 to create the inaugural installation for the Cantor Window Commission space located in the soon-to-open Prior Performing Arts Center (PAC) on the College of the Holy Cross (Holy Cross) campus. The PAC will be in active use as of the start of the Fall 2022 semester. An official dedication celebration will be held in December. The work that will be on display at the Cantor is titled “The Travelers,” and is a monumental painting comprised of twelve shaped canvases. According to Hill, “the title and imagery push us to think outside of our present understanding, and are intended to stretch the imagination and move the voyage into a less restrictive, fantastical reality.” It will be installed in the new Cantor Window space above t ... More

Trisha Brown on the beach: Catch a wave of dancing bliss
NEW YORK, NY.- The dancers were sinking. Even the softest of waves were too much for their feet — strong as they were — to hold their own in the soggy late-afternoon sand at Rockaway Beach. “Leaning Duets II,” a work by choreographer Trisha Brown from 1971, is a classic partnering experiment in balancing while being counterbalanced. In pairs, the dancers faced each other bound by a paddle contraption — a piece of wood on each of their lower backs, looped together with a rope — as they planted their feet and leaned backward. The aim? To create opposing diagonal lines, sort of in the shape of a V. And then to keep moving. A beach, it turns out, poses certain challenges for such a task. There was a steady breeze. The surf was loud. And that sand! Before the dancers could even start to drift and swirl — the sort of delicate micro movements ... More

There's a new billboard in town, and you can walk in
LOS ANGELES, CA.- Those billboards that blight much of the American landscape are, along the Sunset Strip in West Hollywood, the landscape itself — a dense, linear forest of sizzling images advertising the hottest stars and the latest albums and movies. By the time motorists in rush hour have run the 2-mile gantlet of these glamour tapestries, some of them digital, they have learned just who’s who and what’s what in America’s now culture. For decades, billboards along this stretch of Sunset have been status symbols coveted by artists and studios, but since the advent of the smartphone, the widescreen cinematic format echoing Hollywood’s theatrical movie screen has instead transformed itself into a vertical format echoing the little screen in everyone’s palm. ... More

A conductor comes into his own in the opera pit
SANTA FE, NM.- “I was skeptical,” James Gaffigan said while waiting for huevos rancheros during a recent lunch here, where his run conducting a taut “Tristan und Isolde” at Santa Fe Opera ends Tuesday. Skepticism is not normally the emotion you hear expressed, or at least admitted, when interviewing conductors about their next big post. But Gaffigan, 43, is a congenial, quick-talking musician who is more honest and open than many of his peers. And the post in question — the one he was initially skeptical of — is at the Komische Oper Berlin, where he takes over as general music director next year. Already doing a similar job at the Palau de les Arts Reina Sofia in Valencia, Spain, where his first season included “Wozzeck” and a Romeo Castellucci staging of Mozart’s Requiem, it seemed absurd, he said, to take on a second opera house ... More

Abdul Wadud, cellist who crossed musical boundaries, dies at 75
NEW YORK, NY.- Abdul Wadud, a distinctive cellist who crossed genres and was a key collaborator with Pulitzer Prize-winning composer Anthony Davis, died Aug. 10 in Cleveland. He was 75. His son, R&B singer Raheem DeVaughn, said the death, in a hospital, was caused by complications of multiple recent illnesses. Wadud converted to Islam while in college but continued to use his given name, Ronald DeVaughn, when playing with classical ensembles, as he did with the New Jersey Symphony in the 1970s. He also performed in Broadway pit bands and with Stevie Wonder. But he is best known for his work with Davis, saxophonist and composer Julius Hemphill, and others who were central to the development of American composition and improvisation in the late 20th century. Skilled at eliciting variations of instrumental color with a bow, Wadud ... More

A Ukrainian orchestra speaks with quiet intensity
NEW YORK, NY.- Johannes Brahms’ Fourth Symphony doesn’t mean anything. Like much of the classical music repertory, it has no text, no plot. It elicits emotions but not in a rigidly defined way. At a concert, your neighbor’s experience of it, her explanation of its effect, will almost certainly be different from yours. It’s also, like much of the repertory, chameleonic — a different piece if you’ve suffered a heartbreak or celebrated a joy. On Thursday, when the Ukrainian Freedom Orchestra performed the symphony at Lincoln Center, the notes were the same as ever. But, played by dozens of Ukrainian musicians on a mild evening in Damrosch Park, the score took on an air of calm but implacable defiance, what French poet Arthur Rimbaud once called “burning patience.” There was no hysteria to this Brahms, just resolute intensity. Although the performance, ... More

J. Garrett Auctioneers announces Part 2 of items from T. Boone Pickens collection
DALLAS, TX.- A second round of period antiques, fine art and personal items from the late Texas and Oklahoma oil tycoon T. Boone Pickens (1928-2019) will be auctioned in a two-day, online-only event slated for September 10th and 11th by J. Garrett Auctioneers, based in Dallas. It was almost exactly two years ago, in September 2020, that J. Garrett held the Part 1 auction. Nearly 1,000 lots will come up for bid over the two days, with highlights that include rare signed ebeniste pieces, designer jewelry, important marble sculptures, sterling silver, fine rugs and memorabilia pertaining to the iconic financier. Also offered will be a wonderful collection of antiques from the German castle Schloss Hafenpreppach, plus many fine private consignments. Some of Mr. Pickens’ personal items include cufflinks owned and worn by the oil tycoon, engraved ... More

Columbia names a new Dean for its Architecture School
NEW YORK, NY.- Architect Andrés Jaque, 51, the founder and principal of the Office for Political Innovation, based in New York and Madrid, will be the new dean for Columbia University’s Graduate School of Architecture, Planning and Preservation. The university’s president, Lee Bollinger, announced the appointment Thursday. Jaque has taught at the graduate school since 2013 and leads the Master of Science program in Advanced Architectural Design. He succeeds Amale Andraos, who was appointed to advise Bollinger on the recently formed Columbia Climate School. Jaque’s firm, founded in 2003, has developed works with an expansiveness and exuberance of form and color that address social inclusiveness and environmental responsibility, such as in an early project converting a Catholic seminary into a home for older priests, and a nearly ... More

Art Gallery of NSW unveils new 20th-century galleries
SYDNEY.- The Art Gallery of New South Wales today opens its newly refurbished and completely re-installed 20th-century galleries which reveal the original architecture of the space and where, for the first time, audience favourites from the Australian and international collections are displayed together over two floors. The driving concept behind this new installation is that Australian artists are international artists and that their art is best appreciated in context with their international peers. The revitalised displays also reveal the Art Gallery’s commitment to recognising the work of women artists, the importance of the arts of Asia and the Pacific to our understanding of global art and our place within it, and the centrality of Aboriginal art to our identity. These key tenets are amplified by works which speak to urgent social issues such as gender, race, migration, ... More

Steve Jobs' Apple-1 Computer prototype sold for $677,196 at auction
BOSTON, MASS.- Steve Jobs' Apple-1 Computer prototype sold for $677,196, according to Boston-based RR Auction. In 1976, Jobs used this prototype to demonstrate the Apple-1 to Paul Terrell, owner of The Byte Shop in Mountain View, California, one of the first personal computer stores in the world. The demo resulted in Apple Computer's first big order and changed the course of the company—what Jobs and Woz had conceived as part of a $40 do-it-yourself kit for hobbyists became, at Terrell's request, a fully assembled personal computer to be sold at $666.66. Wozniak later placed Terrell's purchase order for fifty Apple-1s in perspective: 'That was the biggest single episode in all of the company's history. Nothing in subsequent years was so great and so unexpected.' The board has been matched to Polaroid photographs taken by Paul Terrell ... More

Apollo Art Auctions presents connoisseur's selection of expertly vetted ancient and Islamic art, August 28
LONDON.- An extraordinary selection of ancient and oriental art, including early Islamic treasures, will be offered by Apollo Art Auctions on Sunday, August 28, starting at 12 noon BST (7 a.m. US Eastern Time). The 417-lot sale, with beautiful and interesting objects to please even the most sophisticated collector, will be conducted live at Apollo’s elegant central London gallery, with international participation cordially welcomed by phone, absentee bid, or live online through LiveAuctioneers. The generously illustrated catalogue is divided in two parts. The Islamic section, which opens the sale, includes early pottery, glass and bronze works, as well as textiles, manuscripts and paintings that reflect Nishapur, Seljuk, Mamluk, Safavid and other Middle Eastern origins. The Ancient Art section features an enviable array of rare Greek, Etruscan, ... More


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Carolina Caycedo

Embodied Knowledge

MAGELLAN

Arley Hall & Gardens


Flashback
On a day like today, Finnish architect Eero Saarinen was born
August 20, 1910. Eero Saarinen (August 20, 1910 - September 1, 1961) was a Finnish American architect and industrial designer of the 20th century famous for varying his style according to the demands of the project: simple, sweeping, arching structural curves or machine-like rationalism. In this image: Eero Saarinen (1910 - 61) was one of the most prolific, unorthodox, and controversial masters of twentieth-century architecture.

  
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