The First Art Newspaper on the Net    Established in 1996 Thursday, May 11, 2023


 
After seizures, the Met sets a plan to scour collections for looted art

Antiquities on display in Gallery 249 at The Metropolitan Museum of Art, Manhattan, on July 29, 2022. Hollein said it wanted to respond to increasing concern over looted artifacts but hoped to research its collection in a deliberative manner. (Jeenah Moon/The New York Times)

by Robin Pogrebin and Graham Bowley


NEW YORK, NY.- The Metropolitan Museum of Art, facing increasing scrutiny from law enforcement officials, academics and the news media over the extent to which its collection includes looted artifacts, announced on Tuesday a major new effort to review its holdings and policies with a view toward returning items it finds to have problematic histories. The core feature of the new plan is the museum’s decision to hire a provenance research team that is as robust as any in place at an American museum. The moves come as the Met — one of the largest museums in the world, with more than 1.5 million works from the past 5,000 years in its holdings — has been buffeted in recent years by increasing calls to repatriate works that law enforcement officials and foreign governments say it has no right to. In the past year, Cambodian officials have sought the help of federal officials to secure the return of artifacts they view ... More



The Best Photos of the Day
Best Photos of the Day
Peter Halley, Paintings and Drawings 1980 - 81, Karma, New York, installation view. Courtesy of the artist and Karma.





Survey of works by American artist Peter Halley on view at Karma and Craig Starr Gallery   Exhibition reveals the process of creating the first book illustrated by Joan Miró   Now on view at Sperone Westwater: Alexis Rockman "Melancolia"


Peter Halley, The Big Jail, 1981. Acrylic and Roll-a-Tex on canvas, 72 x 72 x 3 inches.

NEW YORK, NY.- Karma and Craig Starr Gallery are presenting Paintings and Drawings 1980–81, a survey of works by American artist Peter Halley. The two-gallery exhibition is curated by Chris Byrne and runs concurrently at Craig Starr, 5 East 73rd Street, and at Karma, 22 East 2nd Street, New York, from April 27 to June 17, 2023. This exhibition complements Peter Halley. Conduits: Paintings from the 1980s at Mudam Luxembourg—Musée d’Art Moderne Grand-Duc Jean, open until October 15, 2023. Paintings and Drawings 1980–81 brings together, for the first time, an extensive group of Halley’s works from his formative years, 1980 to 1981. This period of rapid development began when Halley returned to his native New York following five years in New Orleans. It was during this time that he began to articulate the visual and critical language that would define ... More
 

Installation view of Il était une petite pie. Photo: Fundació Joan Miró, Barcelona.

BARCELONA.- Il était une petite pie. 7 chansons et 3 chansons pour Hyacinthe by Lise Hirtz was the first book illustrated by Joan Miró. In this collection of poems, Hirtz – a writer linked to the Surrealist circle – brings together a series of simple-rhyme compositions conceived as children’s songs. Miró illustrated them with eight pochoirs, a printing technique that consists in creating, from a given drawing, several stencils that allow colours to be successively applied and thus obtain short runs with results similar to those achieved through manual processes. The book was published by Éditions Jeanne Bucher in Paris in 1928, and the typography and printing of text and pochoirs were undertaken by Saudé. A year later, the composer Georges Auric, to whom the collection was dedicated, set five poems to music. Miró received the commission to illustrate this book via André ... More
 

Alexis Rockman, Arete (2023).

NEW YORK, NY.- Sperone Westwater is now opening new glacier paintings by Warren, Connecticut-based artist Alexis Rockman, his fifth solo at the gallery. Presented amidst the critical ecological moment of global warming and climate crisis, this exhibition delivers an urgent, if not cautionary vision of the environmental state of the planet. In these epic works, glaciers of massive scale tower forebodingly, their monumentality underscored by the inclusion of small-scale foreground elements such as traditional kayaks of Arctic indigenous peoples. Rockman simultaneously looks to the past, referencing historic shipwrecks like the ill-fated USS Jeannette in his painting of the same name, while grounding himself firmly in the present, as calving icebergs or cascading waterfalls of melting ice reflect the state of our warming climate. Exhibited alongside his glacial works are watercolor seascapes that ... More


Martos After Dark opening Giulia Messina: Narcissus Abduction   Exhibition of works by Philippe Decrauzat now open at A arte Invernizzi   Tessa Boffin's largest solo show to date now opening at Hales New York


Giulia Messina, Primary Color Thoughts (From A Fishnet Knee), 2023. Marker and ink on paper, 36 x 26 in (48.3 x 35.6 cm) framed.

NEW YORK, NY.- Where vivid still lives coalesce with erotic performance, Giulia Messina taps in and arbitrates her own theater of play. She organizes a situation to share with her willing participants, encouraging costumes as this allows for an alteration of self and submission to character. Messina prepares food and a table installation, which are offerings to her guests. In the bathroom, a makeup atelier is designed to inspire further play. These situations become a theater of improv, without prescription, but inscribed with opportunity for exploration. All the while, Messina documents the happenings, and later selects the images before committing them to her drawings. ... More
 

Philippe Decrauzat, Feedback Loop. Catalogue with an essay by Giorgio Verzotti. Image courtesy of A arte Invernizzi.

MILAN.- The A arte Invernizzi gallery opens the exhibition Feedback Loop by Philippe Decrauzat on Thursday 11 May 2023 at 6 p.m., the first solo show dedicated to the artist in the gallery. From the late 1990s, undermining the field of abstraction, the artist intends to push perception beyond the boundaries of image and through his research aims at establishing a dialogue with the viewer and stimulating the public’s gaze. On the first floor of the exhibition the series of painting “Still (Times Stand)” will be presented, that appropriates the principle of the ‘shaped canvas’ to describe an ambiguous motif, the Maltese cross. Freely interpreted, this deductive structure offers a range of pictorial variations based ... More
 

Tessa Boffin, Untitled #1, 1989. Archival inkjet print. Print: 86.4 x 71.4 c. Courtesy of the Estate of Tessa Boffin and the Gupta+Singh Archive.

NEW YORK, NY.- Hales is now opening Tessa Boffin: 1989-1993 – an exhibition of three key bodies of work never- before-seen in New York. In the largest solo show of Boffin’s work to date, the exhibition spotlights a widely unknown yet influential figure in the history of photography. Boffin (b.1960 – d. 1993 London, UK) was a pioneering artist and a key organising figure in the UK’s photography scene, working between the mid-1980s to the early 1990s. Despite a brief oeuvre, Boffin developed a complex body of photographic work which explored gender, sex positivity and societal and political issues referring to AIDS. In staged scenes Boffin championed lesbian visibility and the actualization ... More



Dancers' voices across time, in the things left behind   La volonté de la volupté exhibition by Martín Soto Climent on view in Paris   Remedios Varo: 'Encuentros' artists second solo exhibiton since 1963 now on view at Gallery Wendi Norris


Film canisters from the collection of the New York City Ballet dancer Patricia Wilde, at the home of Anya Davis in Whispering Pines, N.C., April 23, 2023. (Eamon Queeney/The New York Times)

by Meryl Cates


NEW YORK, NY.- The same five binders have traveled with Anya Davis for more than 20 years as she moved from Pennsylvania to Virginia to North Carolina. In them are personal records of her mother’s celebrated dance career and experiences in the early years of New York City Ballet. Back in 2000, when Davis and her mother, Patricia Wilde, a former City Ballet principal, first began to look through the boxes Wilde had been storing in her home in Pittsburgh, they spent half a year carefully sorting through the photographs and playbills, and enjoying the stories Wilde had packed away along with them. One ... More
 

Marea de Espuma, 2015. Piezography on Hahnemühle Photo Rag Ultra Smooth 100% Cotton paper and walnut wood. 30 x 20 cm (each).

PARIS.- Andréhn-Schiptjenko Paris is now opening La volonté de la volupté, Martín Soto Climent's solo exhibition which will feature previously unseen works. The launching takes place in presence of the artist on Thursday 11 May between 18-21 and the exhibition runs through July 22. Soto Climent is well known for his surrealist manipulation of images and objects. His practice refers to the forms of the body and the psychology of desire embedded within an economy of consumption. By re-contextualising ever so slightly and executing delicate re-arrangements by ways of appropriation and juxtaposition his works often have the humble quality of the ready-made or appear to be fragile assemblages exploring issues of temporality, desire, ... More
 

Remedios Varo, Naturaleza muerta resucitando, 1963.

SAN FRANCISCO, CA.- Gallery Wendi Norris presents Remedios Varo: Encuentros, the Spanish artist’s second solo gallery exhibition since her death in 1963. With approximately twelve works on display, Remedios Varo: Encuentros explores Varo’s engagement with the unexpected. A decade after organizing the artist’s first solo gallery exhibition (Indelible Fables, 2012), Gallery Wendi Norris is thrilled to deepen its commitment to the work of Remedios Varo, a vitally important modernist and pioneer of a feminist Surrealism. “This exhibition presents a rare and extraordinary opportunity to view powerful and awe-inspiring works by Remedios Varo, an imaginative artist whose mastery puts her in the ranks of the greatest painters of the 20th century,” states Wendi Norris, Varo’s gallerist and market expert. ... More


Sullivan+Strumpf present the Sydney solo exhibition debut of Naarm   Sanaz Toossi on her Pulitzer: 'This signals to Iranians our stories matter'   Landmarks announces new commission of large-scale-abstraction by artist Eamon Ore Giron


Installation view, James Lemon, Sphexishness, Sullivan+Strumpf Sydney May 2023. Image courtesy the artist and Sullivan+Strumpf. Photo: Aaron Anderson.

SYDNEY.- Sullivan+Strumpf are presenting the Sydney solo exhibition debut of one of Naarm / Melbourne’s most exciting young artists. Direct from Melbourne Now and running consecutively with his exhibition for Sullivan+Strumpf at Melbourne Design Week, James Lemon’s Sphexishness opens at their Zetland, Sydney, premises, Thursday May 11 until Saturday June 3, 2023. “Sphexishness” Lemon says, “is a term derived from observing the Sphex wasp. Weaving a web, excavating an elaborate tunnel. It is a type of behaviour describing mindless and robotic routine behaviour displayed in insects (although there are some people I could name here).” “This instinct lies at the core of my practice; an instinct to build. The production of vessels is a ceaseless pursuit spanning not only millennia but mega-annum. I toil between ancient and contemporary, crude, and ... More
 

Iranian-American playwright Sanaz Toossi at the Linda Gross Theater in Manhattan, on Feb. 14, 2022. (Haruka Sakaguchi/The New York Times)

by Michael Paulson


NEW YORK, NY.- Sanaz Toossi had just cleared security at the San Francisco airport when her cellphone rang at midday Monday. It was her agent, telling the 31-year-old playwright she had won the Pulitzer Prize in drama for “English,” her first produced play. Toossi, who had written the play as a graduate school thesis project at New York University, was in disbelief. “I asked, ‘Are you sure?’ And when she said, ‘Yes,’ I said, ‘Could you please just double-check?’” The prize was real, and as Toossi boarded the plane home to Los Angeles, her phone began buzzing with congratulatory messages not only from around the United States, but also from Iran, where her parents were born and where the play is set. “English,” which off-Broadway’s Obie Awards recently named the best new American play, is a moving, and periodically ... More
 

Eamon Ore-Giron, Study for Tras los ojos (Behind the Eyes), 2023. Digitized print after an original painting.

AUSTIN, TX.- Landmarks, the public art program of The University of Texas at Austin, has announced the commission of a new public art project by Los Angeles-based artist Eamon Ore-Giron. Opening late April, Tras los ojos (Behind the Eyes), is a 15 1/2 x 13 foot digital print that was adapted from a commissioned painting by Ore-Giron. The work will be sited in the lobby of the Sarah M. & Charles E. Seay Building, home to the Department of Psychology in the College of Liberal Arts. As part of a multi-disciplinary practice, Ore-Giron creates paintings, music, and video art. He is best known for his abstract geometric paintings that reference indigenous and Latin American craft traditions, as well as 20th-century avant-garde movements such as Russian Suprematism and the Dutch De Stijl movement. His visual language combines symbols and motifs drawn from wide-ranging sourcesfrom pre-Columbian textiles and architecture to European modernismɨ ... More




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'Natia Lemay: Nineteen Eighty-Five' opening at Yossi Millo
NEW YORK, NY.- Yossi Milo is presenting Nineteen Eighty-Five, Natia Lemay’s debut solo exhibition in New York and first with the gallery. Opening on Thursday, May 11 and on view through Saturday, June 17, the exhibition will present new works exploring psychological, metaphysical, and material spaces of ‘home.’ Natia Lemay engages her practice as a means of building new notions of home. Hailing from T’karonto (Toronto), Canada, the artist navigated much of her childhood through insecure housing and environments of drug use, impeding a firm sense of home from ever fully forming. This precarious and formative period of the artist’s life exists only in the realm of memory, as she possesses almost no photographs from those years. Revisiting and processing these memories as an adult, Lemay paints images and visions of herself ... More

Counterpublic in St. Louis pushes the public-art envelope
ST. LOUIS, MO.- Counterpublic, the innovative public art exhibition in this city that is holding its second edition this spring, cultivates its distinctiveness. Its first iteration, in 2019, was a hyperlocal concept: a triennial at storefront scale, bringing projects by St. Louis and national artists to parks, bakeries and taquerias on Cherokee Street, on the city’s south side. This year it follows again a geographic method. But its footprint is much bigger, with 37 commissions along a 6-mile axis. They range from monumental to barely-there. Some are made to stay. Damon Davis, who earned notice for his art around the 2014 Ferguson, Missouri, protests, has built a tribute to Mill Creek Valley, the bustling hub of Black St. Louis that the city abruptly razed in 1959. It is a major public sculpture with eight pillars that embed names and memories of residents. They ... More

Asked to delete references to racism from her book, an author refused
NEW YORK, NY.- It was the most personal story that Maggie Tokuda-Hall had ever written: the tale of how her grandparents met and fell in love at an incarceration camp in Idaho that held Japanese Americans during World War II. The book, called “Love in the Library,” is aimed at 6- to 9-year-olds. Published last year by a small children’s publisher, Candlewick Press, it drew glowing reviews, but sales were modest. So Tokuda-Hall was thrilled when Scholastic, a publishing giant that distributes books and resources in 90% of schools, said last month it wanted to license her book for use in classrooms. When Tokuda-Hall read the details of the offer, she felt deflated — then outraged. Scholastic wanted her to delete references to racism in America from her author’s note, in which she addresses readers directly. The decision was wrenching, Tokuda- ... More

A 19-year-old pianist electrifies audiences. But he's unimpressed.
NEW YORK, NY.- After six hours of sleep and a breakfast of milk and curry rice, Yunchan Lim, the South Korean pianist, was in a rehearsal studio at Lincoln Center on Tuesday morning working through a treacherous passage of Rachmaninoff. “A little bit faster,” Lim, in a black sweatshirt and sneakers, said casually to the conductor, James Gaffigan, as they prepared for Lim’s New York Philharmonic debut this week. Gaffigan laughed. “Usually pianists want the opposite!” the conductor said. Lim — shy, soft-spoken and bookish — stunned the music world last year when, at 18, he became the youngest winner in the history of the prestigious Van Cliburn International Piano Competition in Texas. His victory made him an immediate sensation; a video of his performance of Sergei Rachmaninoff’s Piano Concerto No. 3 in the finals has been viewed ... More

Museum of the City of New York names Angel (Monxo) Santiago-López as Curator of Community Histories
NEW YORK, NY.- Museum of the City of New York—the city’s storyteller for 100 years—announced the appointment of Angel (Monxo) Santiago-López as Curator of Community Histories. In this newly created role – funded by a recent Leadership in Art Museums grant through the Mellon Foundation – Dr. López will be responsible for projects illuminating the history of the diverse neighborhoods, communities, and cultures of New York, working in active collaboration with community members to shape the priorities, content, and interpretation of their histories. He shifts into this new position from his most recent as Associate Curator at the Museum, notably becoming the institution’s first Latinx permanent curator. An urban thinker, educator, and cartographer based in the South Bronx, Monxo first came to MCNY as a Mellon Fellow, ... More

The Art Assembly appoints Craig Brown as Director of Gallery Relations (US & Europe)
NEW YORK, NY.- The Art Assembly announced that Craig Brown has been appointed to the newly created position of Gallery Relations (US & Europe). The Art Assembly is an affiliation of major international art fairs with a particular focus on the Asia Pacific region comprising Taipei Dangdai, India Art Fair, Sydney Contemporary, PHOTOFAIRS Shanghai, ART SG and the forthcoming Tokyo Gendai. Reporting to Magnus Renfrew, Co-Chairman & Global Director of The Art Assembly, Brown will work closely with the Founders and Fair Directors to further strengthen the participation of European and American galleries across The Art Assembly’s portfolio of fairs. Brown brings extensive art fair experience, most recently as Fair Director for Masterpiece. Brown has experience working in Asia having served as Director of Galleries & Programming ... More

Setting the stage for Africa at the Venice Architecture Biennale
NEW YORK, NY.- For most of her life, Ghanaian Scottish architect and educator Lesley Lokko, curator of the forthcoming Venice Architecture Biennale, has moved between worlds. She grew up in both Accra, the capital, with its two seasons and hot steady climate, and cool coastal Dundee. “Scotland was shiver,” she recalled. “Ghana was sweat.” Her ability to inhabit and interpret multiple worlds is a talent that Lokko, 59, the Architecture Biennale’s first curator of African descent, is bringing to “The Laboratory of the Future,” an ambitious exploration of Africa’s impact on the globe — and vice versa. More than half the Biennale’s 89 participants are from Africa or the African diaspora — many of them “shape-shifters,” as Lokko calls them, whose work transcends traditional definitions of architecture as well as geography. Among ... More

A senior tradition you might not know about
NEW YORK, NY.- Fashion designer Emily Adams Bode Aujla bought her first pair of senior corduroy pants from a vintage-clothing seller in 2013 when she was a senior at the New School. The pants style had by then been around for more than a century. Senior cords seem to have first appeared at Purdue University in Indiana in the early 1900s, according to an archivist at the university, and evolved to become a sort of wearable yearbook for college and high school seniors in the state. The students would use corduroy clothes — typically pants and skirts in cream or yellow — as canvases that were illustrated with favorite activities, sweethearts’ initials and other personal details. The practice continued for decades before it started to die out in the 1970s. In 2018, about two years after Bode Aujla started her ready-to-wear brand ... More


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Flashback
On a day like today, French artist Jean-Léon Gérôme was born
May 11, 1824. Jean-Léon Gérôme (May 11, 1824 - January 10, 1904) was a French artist born in Vesoul, France. The leading Orientalist painter of his time, he was also highly regarded for his polychromed sculptures, evocations of life in ancient Rome, and depictions of events from French history. In this image: a museum technician at Hearst Castle admires ‘Napoleon before the Sphinx’ (or ‘Oedipus’), 60.3 x 101 cm, about 1886. Inv. no. 529-9-5092. Photo: Courtesy ?Hearst Castle®/California State Parks, photo by Vickie Garagliano. All rights reserved.

  
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