| Urtext edition based on the "New Bach Edition - Revised" (NBArev)
Foreword in two languages (Ger/Eng)
Vocal score with an easy-to-play piano reduction |
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Bach, Johann Sebastian | BA 5938-90 Johannes-Passion "O Mensch, bewein" BWV 245.2 Version II (1725) | BARENREITER URTEXT Editor: Barwald, Manuel | BA 5938-90 | EUR 15.95 | Vocal score (Ger/Eng) | 9790006543991 | BA 5938 | EUR 85.00 | Full score | 9790006543984
Unlike Bach’s other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today’s standard version represents a mixture of different readings. The second version of 1725 was performed under the direction of Bach himself and can therefore be considered authentic. In addition to a change in the order of several movements, the second version differs from the earlier version by the use of the opening chorus “O Mensch, bewein”.
The performance material corresponds to the Urtext edition of Version II which was recently published as part of the "New Bach Edition - Revised" (NBArev). | | | BA 5938-74 | Violin I | EUR 10.95 | Minimum order quantity: 2 copies |
| BA 5938-75 | Violin II | EUR 10.95 | Minimum order quantity: 2 copies |
| BA 5938-79 | Viola | EUR 10.95 | Minimum order quantity: 1 copy |
| BA 5938-86 | Violoncello, Violone, Bassoon, Harpsichord, Organ | EUR 10.95 | Minimum order quantity: 2 copies |
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| Includes detailed notes on interpretation by Jean-Pierre Bartoli (Fr/Eng/Ger)
First Urtext edition to include the first version of No. 3 for piano two-hands
Medium level of difficulty, well-suited for piano lessons |
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Faure, Gabriel | Trois Romances sans paroles for Piano op. 17 N 52 | BARENREITER URTEXT Editor: Bartoli, Jean-Pierre | BA 11852 | EUR 12.50 | 9790006575718 | With this early cycle (1863/64), Faure follows in the footsteps of Mendelssohn's "Lieder ohne Worte" (Songs without Words) whilst at the same time enrolling into the French tradition of the "Romance sans paroles" as penned by composers such as Thalberg, Kalkbrenner, Gounod or Bizet before him. It was not until 1880 that the pieces, the first of his piano works, appeared in print during the same year as the Ballade op. 19. The numerous reprints, transcriptions and arrangements during Faure's lifetime testify to the great popularity of these works, which are also well-suited for piano lessons.
This Urtext edition takes all available sources into account, including the recording by Faure himself and an early four-hand version of No. 3. It is based on the musical text of the "Oeuvres instrumentales completes" of Gabriel Faure and also contains the first version of the third "Romance sans paroles" for piano two-hands in the appendix. |
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Facsimiles - reprinted and now available again |
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Bach, Johann Sebastian | The Well-Tempered Clavier I BWV 846-869
| Autograph: Staatsbibliothek zu Berlin - Preussischer Kulturbesitz Editors: Wolff, Christoph / Rebmann, Martina | BVK 2493 | EUR 268.00 | BARENREITER FACSIMILE | linen-bound | 9783761824931 | This facsimile edition replaces BVK 2368. It is now available again with a new cover and a lower price. The content is identical.
The edition presents the manuscript of the "The Well-Tempered Clavier I" in high-quality four-colour reproduction. Bach authority Christoph Wolff provides a Commentary to the work’s genesis and the characteristics of Bach’s handwriting. Martina Rebmann (Staatsbibliothek zu Berlin) describes the subsequent history of the autograph.
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Bach, Johann Sebastian | St. Matthew Passion BWV 244 | Autograph: Staatsbibliothek zu Berlin - Preussischer Kulturbesitz Editors: Wolff, Christoph / Rebmann, Martina | BVK 2494 | EUR 348.00 | BARENREITER FACSIMILE | linen-bound | 9783761824948 | This facsimile edition replaces BVK 2294. It is now available again with a new cover and a lower price. The content is identical.
The edition reproduces the autograph score of the "St Matthew Passion" in high-quality colour printing. The Bach specialist Christoph Wolff introduces the background to the work's composition and the characteristics of the manuscript. Barbara Schneider-Kempf and Martina Rebmann (Staatsbibliothek zu Berlin) provide further details regarding the history of the autograph manuscript. |
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Errors excepted; price changes and delivery terms subject to change without notice. Responsible for content (i.S. des § 10 Abs. 3 MDStV): Corinne Votteler
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