 | New edition to celebrate the Saint-Saens Year 2021
Notes on the Gallican pronunciation of the Latin text |
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| Saint-Saens, Camille | | Oratorio de Noel op. 12 | BARENREITER URTEXT
Editor: Stahl, Christina M. | | BA 11304 | EUR 32.95 | Full score | 9790006566143 | Saint-Saens was just 23 years old when he composed his "Oratorio de Noel" in 1858 in only twelve days. Edited by Christina M. Stahl, this choral masterpiece is now available in a comprehensive scholarly-critical Urtext edition.
In the Foreword (Ger/Eng/Fr), the editor describes the background to the premiere, explains the expansion of the work from six to ten movements as well as the composer's multiple revisions. The Critical Commentary (Eng) meticulously records these revisions.
For the first time, valuable tips are provided for the Gallican pronunciation of the Latin text, customary in France until 1903.
The piano reduction is based on the contemporary arrangement by Saint-Saens' student Eugene Gigout. |
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 | | Piano reduction by Saint-Saens' pupil Eugene Gigout |
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| Saint-Saens, Camille | | Oratorio de Noel op. 12 | BARENREITER URTEXT
Editor: Stahl, Christina M. | Arranger: Gigout, Eugene | | BA 11304-90 | EUR 12.95 | Vocal score (Lat) | 9790006566150 | | BA 11304-91 | Choral score | EUR 4.50 | Minimum order quantity: 10 copies |
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 | First modern Urtext edition of Carl Stamitz's bassoon concerto
Based on newly discovered sources |
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| Stamitz, Carl | | Concerto for Bassoon and Orchestra in C major | BARENREITER URTEXT
Editor: Sindelar, Ondrej | | BA 11563 | EUR 31.50 | Full score | 9790260109032 | The compositional legacy of Carl Stamitz (1745-1801) includes seven concertos for bassoon and orchestra. The Concerto in C major was last published by Breitkopf & Hartel between 1782 and 1784, after which it vanished into oblivion and has never been reissued since.
Now Ondrej Sindelar, the bassoonist of the Czech Philharmonic, has unearthed the historic parts of this work as well as other unique sources, such as the manuscript of a version for cello. Our Urtext edition is based on these sources and also offers a detailed Critical Commentary (Eng) as well as a new piano reduction.
Stamitz's concerto represents a welcome addition to the bassoonist's concert repertoire. |
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 | | New, managable piano reduction |
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| Stamitz, Carl | | Concerto for Bassoon and Orchestra in C major | BARENREITER URTEXT
Editor: Sindelar, Ondrej | Arranger: Koronthaly, Petr | | BA 11563-90 | EUR 23.95 | Piano reduction with bassoon part | 9790260109049 | | Orchestral parts available on hire |
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| Tchaikovsky, Pyotr Ilyich | | Nutcracker Suite for two Flutes | | Editor/Arranger: Seubel, Jennifer | | BA 10951 | EUR 17.95 | Performance score | 9790006574667 | Following the "Carnival of the Animals" and the "Moldau", Jennifer Seubel has now set her sights on the "Nutcracker Suite" by Pyotr Ilyich Tchaikovsky, and has arranged it for two flutes. This wonderful suite brimming with popular and much-loved melodies has been made available for two melody instruments in all its diversity and in its entirety.
As in the original work, enchanting melodies alternate with concise rhythms, whereby the reduced instrumentation succeeds in preserving the original flair of the work. The two flute parts are of equal importance, the melody and accompaniment constantly interchanging. These arrangements are for advanced flautists and offer many a small challenge.
About the editor:
Jennifer Seubel (*1985) is a writer, lecturer, adjudicator and flautist who also performs in the flute ensemble "Duo Noble". |
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 | Highly virtuosic coloratura aria
Includes a separate solo flute part
Ideal for chamber music performances |
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| Adam, Adolphe | | "Ah ! vous dirai-je, maman !" for Voice, Flute and Piano and for Voice and Piano | | Editor/arranger: Prevost, Paul; piano reduction by Karl-Heinz Muller | | AE 355-90 | EUR 8.95 | Vocal score with inserted flute part | 9790500078210 | Editor Paul Prevost has arranged the trio "Ah ! vous dirai-je, maman !" from Adolphe Adam's comic opera "Le Toreador ou l'Accord parfait" (full score: BA 8701-01) as a virtuoso aria for solo soprano, solo flute and orchestra. The musical theme became famous through Mozart's same-named piano variations and is well-known as the nursery rhyme "Twinkle, Twinkle, Little Star".
The edition includes the aria of Coraline which, on the one hand, is available as a standard vocal score for voice (soprano) and piano, and on the other hand, as a charming chamber music arrangement for voice (soprano), solo flute and piano. Thus, the aria can be performed by either two or three performers. A separate flute part is included.
The full score and orchestral parts for this aria are available on hire. |
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| Rameau, Jean-Philippe | Hippolyte et Aricie RCT 43
Symphonies (instrumental movements) / versions of 1733, 1742, 1757 | | Editor: Bouissou, Sylvie | | BA 8896 | EUR 58.00 | Full score | 9790006574926 | Rameau's "Hippolyte et Aricie" showcases great confusions amongst nymphs and gods. The opera represents a fascinating masterpiece of a Baroque "Tragedie en musique" by the French composer. This edition of the "Symphonies" includes all of the purely instrumental numbers of the opera in their various versions. The contents provides an overview of the movements according to keys so that an effective suite can be easily compiled for a concert performance. The expressive and diverse music encompasses some of Rameau's most popular instrumental works.
The orchestral parts are available on hire. |
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 | First operatic volume of the Bohuslav Martinu Complete Edition
Foreword and critical report (Eng/Cz) by the editor
Original beginning of the opera in the Appendix |
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| Martinu, Bohuslav | | Ariane H 370 | The Bohuslav Martinu Complete Edition I/1/12
Editor: Simon, Robert | | BA 10580-01 | EUR 300.00 | Cloth-bound full score | 9790260109070 | | Reduced subscription price available | Martinu composed the one-act opera "Ariane" over the course of a single month, in June 1958. He prepared the libretto himself according to his friend Georges Neveux's play "The Voyage of Theseus" (1943). Most of the text was taken from the second and third act, besides Ariane's lamentation at the beginning of the fourth act, which he adapted as a grand coloratura aria within the opera's finale.
Soon after its completion, in summer 1958, and hoping for a world premiere at Milan's La Scala, Martinu entered the opera into a composer's competition organised by the Italian publishing house Ricordi to celebrate the 150th anniversary of its founding. When the contest was called off, Martinu offered the work to Barenreiter in spring 1959. Both the full score and the vocal score (arranged by the composer) were published posthumously in 1960. The premiere took place at the municipal theatre in Gelsenkirchen in 1961.
The main source of this scholarly-critical edition is the autograph score, while the vocal parts are also based on the autograph vocal score as a referential source. The Appendix offers the original beginning of the work with an entirely different orchestration, which is also reproduced as a facsimile.
Please also see our flyer on the Martinu Complete Edition. | | |
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