| Synopsis of the four autograph scores and the first print Enables an immediate comparison at one glance The direct study of the sources has never been so easy
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Bach, Johann Sebastian | Six Suites for Violoncello solo BWV 1007-1012 | Synoptic Facsimile | BARENREITER URTEXT Editor: Talle, Andrew | BA 5277 | EUR 69.00 | Soft-cover facsimile | 9790006569618 | The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers. Considering the works' significance, the great number of editions in existence is not surprising. However, the composer's autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing. This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bach's own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources. | |
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| Bach's immortal Cello Suites Special set at an attractive price Set includes music volume with articulation and a synoptic facsimile
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Bach, Johann Sebastian | Six Suites for Violoncello solo BWV 1007-1012 | Special Set Price | BARENREITER URTEXT Editor: Talle, Andrew | BA 5278 | EUR 84.00 | Set of BA 5257 (Urtext edition with articulation) and BA 5277 (synoptic facsimile) | 9790006569625 | In this two-volume edition of Bach's cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume (BA 5257) contains the edited musical text, which comes as close to the composers original intention as the surviving source material allows: This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore. The second volume (BA 5258) presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach's own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident. Andrew Talle's edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach's time. | |
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Updated Flyer: All you ever wanted to know about Bach's Cello Suites | |
SPA 546 | 8 pages | English | no prices | digital format only This flyer replaces SPA 174. It takes you through our various editions of Bach's Cello Suites: BA 320 (Wenzinger edition), BA 5216 (scholarly-critical edition with musical text, text booklet and facsimiles of the 5 sources), BA 5257/ BA 5258 (the Urtext edition with articulation markings) along with the newly published volume BA 5277 (a synoptic facsimile) as well as the new special set price (BA 5278). Here you can view or download this flyer.
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| With a singable German translation Comprehensive bilingual Foreword (Ger/Eng) Practical and idiomatic piano reduction |
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Handel, George Frideric | Sosarme, Re di Media HWV 30 | BARENREITER URTEXT Editor: Pacholke, Michael | Arranger: Kohs, Andreas | Libretto translator: Brenner, Peter | BA 10713-90 | EUR 49.95 | Vocal score (Ital/Ger) | 9790006558407 | Handel's three-act opera "Sosarme, Re di Media" (HWV 30) was performed for the first time in 1732 with star castrato Senesino in the title role. The plot centres on a family conflict over the succession to the throne. This edition also contains the recitatives written for the early two-act version "Fernando, Re di Castiglia" which the composer did not complete. In addition, the early versions of three arias which do not belong to "Fernando" are included. The vocal score with its well-presented layout is based on the "Halle Handel Edition" (HHA) and contains the original Italian text as well as a singable German translation. | |
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| Edited on the basis of new sources 1746 version in the main part of the edition, amendments to the 1745 version in the appendix Libretto by Voltaire
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Rameau, Jean-Philippe | Le Temple de la Gloire RCT 59 | Jean-Philippe Rameau. Opera Omnia (OOR) IV/12 Editor: Dubruque, Julien | BA 8859-01 | EUR 528.00 | linen-bound full score | 9790006558162 | Reduced subscription price available | Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series "Opera omnia Rameau" presents a complete edition which enables performances of both versions. Voltaire refers to Metastasio in his libretto in that he wishes to liberate the opera from the gallant milieu and to make it a moralizing stage work that is equally edifying and political. After a prologue dedicated to envy personified, the tyrants Belus and Bacchus are chased out of the Hall of Fame and finally Trajan is crowned with laurels for defeating the rebels, forgiving them and ultimately turning the Hall of Fame into a public temple. The music contains many remarkable passages, such as a richly orchestrated overture, the famous monologue "Profonds abimes du Tenare" with obbligato bassoons, and Trajan's artful final scene "Ramage d'oiseaux". | |
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Small-scale Orchestral Works for Hire | |
Pieces for string orchestra, chamber orchestra as well as small symphony orchestra SPA 50-91 | 34 pages | German | digital format only Do you wish to play orchestral music while keeping your distance from the other players? From the Baroque period to the present day, music history offers a rich repertoire of pieces composed for small-scale orchestras. This catalogue presents a selection of works for hire available from Barenreiter - Alkor. You can download the catalogue here.
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Small-scale Stage Works for Hire | |
SPA 50-90 | 34 pages | German | digital format only This catalogue has been compiled in order to support you in your strategies and scenarios at this time, when under difficult conditions, operas are gradually being allowed to be performed live again in front of an audience. Small-scale stage works, whether concertante or in various scenic forms, will certainly play an important role at this stage. The catalogue presents a selection of works for hire available from Barenreiter - Alkor. You can download the catalogue here.
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To order now, please e-mail to international@baerenreiter.com or print this out and fax it to +49 (0)561 3105310. Errors excepted; price changes and delivery terms subject to change without notice. Responsible for content (i.S. des § 10 Abs. 3 MDStV): Corinne Votteler. Your contact at Baerenreiter: Carolin Jetter · jetter@baerenreiter.com · Fax +49 (0)561 3105310 Baerenreiter-Verlag Karl Voetterle GmbH & Co. KG · Heinrich-Schütz-Allee 35-37 · 34131 Kassel · Germany Managing Directors: Prof. h. c. Barbara Scheuch-Vötterle, Leonhard Scheuch Firma und Registergericht: Kassel HR A 6553 · Komplementärin: Vötterle-Vermögensverwaltungs-GmbH Kassel HR B 3965 Umsatzsteuer-ID-Nr.: DE113096830 Unsubscribe
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