TOP STORIES: Benedict Cumberbatch Spy Thriller 'Ironbark' Sells Out International Rights (EXCLUSIV…
Variety No. 10 | May 17, 2018

Cannes Marché du Film

Cannes: 'Diamantino' Wins Critics' Week Grand Prize

By Patrick Frater


John Travolta Receives Variety Cinema Icon Award

By Christopher Vourlias


Ali Abbasi's Un Certain Regard Title 'Border' Wins Over Cannes Buyers (EXCLUSIVE)

By Elsa Keslassy


Joe Alwyn, Elizabeth Debicki Receive Trophee Chopard at Cannes Film Festival

By Elsa Keslassy


'Burning' Star Steven Yeun Gets Role He's 'Been Waiting For'

By Christopher Vourlias


John Malkovich's Mr. Mudd Boards Manuel Martin Cuenca's 'Brando'(EXCLUSIVE)

By John Hopewell


Film Movement Nabs Milad Alami's 'The Charmer' For North America (EXCLUSIVE)

By Elsa Keslassy


Cannes: ISIS-Themed Tunisian Drama 'Dear Son' Scores Sales (EXCLUSIVE)

By Nick Vivarelli


Cannes: Juan Pablo Raba, of Netflix's 'Narcos,' to Star in 'I Love Zombies' (EXCLUSIVE)

By Emiliano De Pablos


Italy's RAI Cinema Joins Lionsgate's GlobalGate

By Nick Vivarelli


Cannes: Dominican helmer Dilia Pacheco to Direct First Romanian-Dominican Republic Co-Pro, 'Vlad' (EXCLUSIVE)

By Anna Marie de la Fuente


Reviews

Cannes Film Review: 'Burning'

By Peter Debruge

Cannes Film Review: 'Whitney'

By Owen Gleiberman

Cannes Film Review: 'Fugue'

By Guy Lodge

Cannes Film Review: 'The Snatch Thief'

By Jay Weissberg

Featured Stories


'Burning' Director Lee Chang-dong: Still Angry After All These Years

By Patrick Frater


CMG's Giulia Prenna Wins 2018 Cinando Awards' Best Seller Contest

By Christopher Vourlias


Cannes' Focus CoPro Puts First-Time Features Under the Spotlight

By Christopher Vourlias


Cannes Critics' Week Highlights Morelia Fest's New Talent Focus

By John Hopewell and Jamie Lang


Arantxa Echevarría on Spanish Director's Fortnight's 'Carmen & Lola'

By Emilio Mayorga


'Robot Will Protect You' Director on How Crowdfunding, Technology have Changed Animation

By Jamie Lang


Christoph Terhechte Stands Down From Berlinale Forum Section

By Patrick Frater

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