Conceptual trailblazer Mel Bochner, who died last week at the age of 84, taught us that art, much like people, shouldn’t be afraid to laugh at itself.
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February 19, 2025

Good morning. Conceptual trailblazer Mel Bochner, who died last week at the age of 84, taught us that art, much like people, shouldn’t be afraid to laugh at itself. What better message to glean from his iconic stencil text paintings like the Blah! Blah! Blah! series — at once a deceptively simple rebuke of the dangers of empty words and, I’d like to think, a cheeky dig at the small talk of the art world? In this newsletter, Staff Writer Rhea Nayyar looks back at his life and legacy.

Also today, critic Seph Rodney reviews Dawoud Bey’s recent photographs at Sean Kelly gallery, Olivia McEwan dives into the je ne sais quoi of pre-internet art in a Tate Modern exhibition, and Melissa Holbrook Pierson sings the praises of Dona Ann McAdams’s new autobiography. And in the news, the National Park Service scraps references to trans and queer people from its website describing the historic Stonewall Uprising as artists push back against the NEA’s compliance with Trump’s anti-DEI policies.

— Valentina Di Liscia, News Editor

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Dawoud Bey Asks, Can Landscapes Hold Traumas?

The point is: We remember traumas, and it’s crucial that we do, and not foist off our responsibility onto mute things that do not answer when we call. | Seph Rodney

SPONSORED

Conru Art Foundation Launches $100,000 Seattle Prize Masters Fellowship

This two-year program provides classical, representational painters with strong technical foundations a stipend, a studio, supplies, mentorship, career support, and more.

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IN THE NEWS

LATEST REVIEWS

Donna Ann McAdams’s Repository of Memory

The American photographer offers a singular fusion of literary and photographic art in her autobiography Black Box.

The Analog Charm of Pre-Internet Technological Art

Electric Dreams at Tate Modern shows the sheer extent to which human imagination and inventiveness harnessed technological progressions in the infancy of computing. | Olivia McEwan

Tabitha Arnold’s Tapestries Eulogize the Working Class

Her work integrates contemporary labor strikes into the visual language of social realism, asserting that these efforts are not anomalies but regularities. | Leia Genis

FEATURED OPPORTUNITY

Storm King Art Center – Shandaken: Storm King Residency Program

Invest uninterrupted time in process while living at Storm King Art Center. Visual artists can apply for two- to four-week residencies. Participants will live together in a historic Hudson Valley farmhouse and be given a private studio cabin. The application fee is $25.
Deadline: March 16, 2025 | shandakenprojects.org

See more in this month’s list of opportunities for artists, writers, and art workers!

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