If you were writing a novel about the life of a struggling young playwright â or a film script, or even a play â you could hardly construct a more dramatic opening scene. The place is the bar of the Traverse Theatre in Cambridge Street, Edinburgh; and the time is the mid 1990s, just on the verge of the moment when plays like Sarah Kaneâs Blasted and Mark Ravenhillâs Shopping and F***ing were about to take new British playwriting on a historic roll across Europe and beyond. |