Dear John, This message found its way to your mailbox because you’ve read Hyperallergic — probably more than once. So… you like it, no? You get to read about artists, exhibitions, and arts-infused activism that may give you pause, but they make you think. That means something in an era of media oversaturation and post-truthiness. Maybe you have felt a sense of satisfaction when someone you know gets their first review or their first article published. Or maybe you get excited when an artist you’ve always admired finally gets her due here. Hyperallergic casts the widest net of any arts publication in the country to give us a range of critical perspectives on cultural production from around the globe. And because Hyperallergic has been so fearless and unfettered in its coverage of the art world and its foibles, the art world cognoscenti have been compelled to peek outside their bubbles. Cultural power brokers read it even when they think it will piss them off. Isn’t that a good thing? Commercial art magazines have expanded their horizons to compete with a mighty — and not so little anymore — independent publication that does the finest and most comprehensive job of supporting working artists of all stripes. Touché. Hyperallergic reaches out to you. Hyperallergic is for you, for me, and for everyone who cares about art being made today. Please show Hyperallergic some love by becoming a member. Happy Holidays! Coco Fusco | Become a member | Coco Fusco is a Cuban-American interdisciplinary artist and writer based in New York. She explores gender, identity, race, and power through performance, video, interactive installations, and critical writing. | | Has Hyperallergic made an impact on your life or community? Share your story with us. PS. If you’re not able to or interested in becoming a member right now, we understand. Click here to pause our fundraising messages for 30 days. If you’ve received this email and believe you are an active member, please reply to this email or sign in to view your profile. | |
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