Correction: This morning's newsletter included incorrect hyperlinks to Russell Edson's feature. The correct hyperlinks appear below.
Russell Edson
The Fall

There was a man who found two leaves and came indoors holding them
out saying to his parents that he was a tree.
To which they said then go into the yard and do not grow in the livingroom
as your roots may ruin the carpet.
He said I was fooling I am not a tree and he dropped his leaves.
But his parents said look it is fall.


Antimatter

On the other side of a mirror there's an inverse world, where the insane go
sane; where bones climb out of the earth and recede to the first slime of love.

And in the evening the sun is just rising.

Lovers cry because they are a day younger, and soon childhood robs them
of their pleasure.

In such a world there is much sadness which, of course, is joy. . .
from the book LITTLE MR. PROSE POEM / BOA Editions, Ltd.
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Color image of the cover of Camille Dungy's latest book, Trophic Cascade
"Short Conversations with Poets: Camille Dungy"

"But poems also operate by what I call paralogical means. Kinds of logic that run on parallel tracks to the logic we glean from the newspaper. Sounds, rhythms, senses, metaphor, allusion and references, the palimpsests of misapprehensions and shifting meanings revealed via line breaks, even visual responses to the shape of a poem on the page: we accept all of these and more as ways poems can make meaning."

via MCSWEENEY'S
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What Sparks Poetry:
David Hinton on Li Po's "Drinking Alone Beneath the Moon"


"I’ve found that translating classical Chinese poetry is a way for me to make contemporary poetry that operates outside of the Western cosmological or mythological system, even so far as to register a very different sense of what the self is. In this poetry, identity can be so much a part of the empirical world that it actually becomes landscape." 
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