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Deborah TilbyBoldBrush Recommends: Deborah Tilby
Read on boldbrush.substack.com Welcome to BoldBrush Magazine, a daily newsletter featuring today’s finest visual artists. Today's Newsletter is Brought to You by BoldBrush Art SocietyBoldBrush Art Society - a free art society where art lovers, collectors and artists can connect with each other, to see inspiring art, and to share art and business ideas. BoldBrush Recommends: Deborah TilbyGet Notified When Deborah Posts New Art BiographyI am delighted that you have taken the time to learn more about me and my work. I am often asked why it is that painting has been my passion for so long. I know it is light and shadow that initially draws me to a subject; the challenge of capturing the mood, time of day, and season in a representational yet loose way is what keeps me coming back to the easel. My aim, whether it be in the studio or in the field, is to use colour as I see it, with a particular fondness for neutrals and earth colours, soft violets, rusts, and greens. The way the paint goes on is equally as important as what I mix on the palette; my intention is to indicate and represent, without becoming bogged down in the minutiae. Weathered boats, rusty mailboxes, old brick and textured stone, crashing waves and trees in every season, all afford me the opportunity to explore my interpretation of textures with both brush and knife work. Accomplishing what I intend never ceases to be difficult, fascinating, and deeply fulfilling. It keeps me painting almost daily! Painting began for me with my first watercolour at age eighteen. I love watercolour and it held my interest for many many years, before I picked up oils. I am Canadian but, for fourteen years, England was home and European street scenes and landscapes were my subject. A move to the west coast of British Columbia turned my attention towards the beaches, boats, waves, and marinas of coastal living. Not entirely committed to trading Europe for Canada, I have travelled between the two, keeping my perspective fresh and allowing my work to straddle both continents. While my subjects oscillate across geographical borders, I now stick to oils most of the time, only occasionally reaching for my watercolours. I still love watercolour and if someone could add more hours to the day I would paint in both mediums and probably explore sculpting , printmaking, collage. I became a painter by way of being an observer - I have always noticed light and shadow, shapes, texture, composition and colour, and endeavouring to interpret my observations through painting has been a lifelong passion. That people choose my work to hang in witness of their lives is a bonus, both wonderful and humbling. Thank you for stopping by and I hope you will check out my latest paintings on my 'Available' page. Learn More About Deborah Tilby Who Does Kevin Macpherson Trust with His Website? FASO, of Course!Get Started Free for 30 Days and Learn Why. New Artwork by FASO Members Your art could be here tomorrow, for free. BoldBrush Magazine is free today. But if you enjoyed this post, you can tell BoldBrush Magazine that their writing is valuable by pledging a future subscription. You won't be charged unless they enable payments.
© 2023 Clint Watson |
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