| | If we’re going to address environmental challenges, then we have to address this mind-set. We can’t say that we want to change our environment unless we understand the source. —“Capturing the Military’s Footprint on American Soil,” The Boston Globe
It’s opening weekend for Devour the Land: War and American Landscape Photography since 1970. Before you visit, find out more about this groundbreaking exhibition from curator Makeda Best by tuning in to her opening virtual lecture this Friday, September 17.
Don’t forget that the Harvard Art Museums are free to everyone on Sundays; reservations are required for all visits.
We look forward to seeing you! |
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| Now that we’ve reopened, you’ll notice some exciting changes in the galleries. Check out this Bay State Banner article on the museums’ ReFrame initiative—our latest effort to reimagine the function, role, and future of the university art museum. |
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| On view soon: Renowned artist Krzysztof Wodiczko will activate this iconic portrait of George Washington, using projection of pre-recorded videos with faces and voices commenting on the state of U.S. democracy today. Krzysztof Wodiczko: Portraitopens on October 14,in partnership with the Harvard University Graduate School of Design. Mark your calendar! |
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| Register today for an upcoming online Art Talk, on Tuesday, September 21, that shows how scientific analysis helped reconstruct the original colors on a relief fragment from Persepolis, in Iran. This online talk is part of the museums’ ReFrame initiative. |
| Visit our YouTube channel and celebrate the history, culture, and achievements of Hispanic, Latinx, and Latin American contributions to the arts. |
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Register for this upcoming virtual artist talk with multimedia artist Tomashi Jackson, offered by our friends at the Harvard Radcliffe Institute on Monday, September 20. The artist will talk about her newest exhibition, Brown II, which explores the challenges of implementing the landmark 1954 U.S. Supreme Court decision Brown v. Board of Education of Topeka. |
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| Images: (header) Stephen Tourlentes, American, Nevada Death House Prison, Carson City, NV, from the series Of Length and Measures, 2005. Digital ink jet print. Harvard Art Museums/Fogg Museum, Fund for the Acquisition of Photographs, 2021.30. © Stephen Tourlentes; image courtesy of the artist. Devour the Land lecture: Sim Chi Yin, Singaporean, Mountain range surrounding the Nevada Test Site, from the series Most People Were Silent, November 2017. Archival pigment print. Harvard Art Museums/Fogg Museum, Richard and Ronay Menschel Fund for the Acquisition of Photographs, 2020.181. © Sim Chi Yin; image courtesy of the artist. Untold Stories: Kehinde Wiley, American, Portrait of Asia-Imani, Gabriella-Esnae, and Kaya Palmer, 2020. Oil on linen. Currently on loan to the Harvard Art Museums from the Tim and Danny Art Foundation. Photo: Todd-White Art Photography.
Devour the Land is made possible in part by the generosity of the Terra Foundation for American Art and The Andy Warhol Foundation for the Visual Arts. |
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