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The Digital Photography Review Newsletter The most popular weekly photography newsletter, with over 400,000 subscribers Thursday, January 27, 2022 | |||||||||||||||||||
Welcome to the DPReview Newsletter This week we've been looking back 10 years to the birth of the Fujifilm X-mount, and Chris and Jordan have dusted off the original X-Pro 1 to celebrate. Meanwhile, I took a closer look at Leica's similarly modern-retro M11, alongside two genuine classics - the film-era M4-P and M7. Away from gear, Erez Marom continues his series of articles on photo composition this week, explaining the importance of balancing 'weights' in images. Finally, some admin - this will be my last newsletter! After this week, I'll be handing over the reigns to others on our talented and hard-working team. It's been a pleasure writing to you every week for so many years - thanks for keeping me company. And, as always, thanks for reading! Barney DPReview TV: Fujifilm X-mount 10th anniversary (and X-Pro1 field test) This month marks the 10th anniversary of Fujifilm's X-mount camera system. To celebrate, Chris takes a new look at the system's first camera, the Fujifilm X-Pro1, and discovers that it holds up quite well a decade later. Watch the latest episode of DPRTV Landscape Composition - Part 2: Balancing the Weights After introducing a way to look at compositional elements, nature photographer Erez Marom suggests a way of balancing these elements to enable the creation of a better composed landscape image. A closer look at the Leica M11 (photo gallery) In this photo gallery we're taking a visual tour of the M11, and comparing it against two classic M-mount rangefinders, the M4-P from the 1980s, and the M7 – Leica's first true electronic multi-mode rangefinder, from the early 2000s. Take a look at our image gallery Film Friday: Is Bulk Loaded Cine Film a Panacea for Rising Film Prices? In his latest essay on 35mmc, film photographer Matthew Wright breaks down whether or not it's worth it to bulk-load and self-develop rolls of cinema film for 35mm stills shooting in the midst of rising film stock prices and supply chain constraints. | |||||||||||||||||||
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