When the Apollo 11 mission launched in 1969, NASA had many different cameras ready to record the Saturn V rocket's takeoff, including a special 16mm film camera that recorded 500fps footage.

Samsung announced its 200MP ISOCELL HP1 smartphone image sensor last fall. While it isn't yet in any smartphones, Samsung has shown off a real-world cat photo captured with the impressive sensor and made a giant 616 square meter print.

Leica Camera AG and Panasonic have a long history of cooperation, dating back to 2000. The companies have announced a new, comprehensive collaboration agreement that includes joint development of products and technology under a new L Squared Technology brand.

Canon, Fujifilm and Sony have announced APS-C cameras and lenses within a few days of each other. Does this point to a bright new dawn for the format, or is it simply coincidence? Richard Butler has thoughts. Because of course he does.

Sigma's new 16-28mm F2.8 lens offers an ultra-wide focal length range, fast continuous maximum aperture and impressive close focus capabilities. How well does it perform? Check out our new sample gallery to see for yourself.

After a couple weeks of shooting with Sony's new 11mm F1.8 ultra-wide lens for APS-C, we've rounded up some of our favorite shots in a sample gallery. Take a virtual trip to Michigan, Ohio, and even Canada to see what it has to offer.

Sony has just released a trio of impressively small, light, ultrawide lenses for APS-C. These lenses are designed for vloggers, so Chris decided to film himself and find out how they perform.

Sony's E 10-20mm F4 PZ G might be a bit more oriented towards video than stills, but it still has plenty to offer for photographers who like the wide-angle focal length range and don't mind the bonus power zoom functionality. Check out our gallery to see how it performs.

DPReview news editor Gannon Burgett has put Sony's latest G-class prime lens to the test by capturing a collection of sample photos with it attached to Sony's ZV-E10 APS-C camera.

Sony's new 10-20mm F4 PZ G lens offers an ultra-wide-angle zoom range at a constant F4 aperture, all while coming in at just 175g (6.2oz).

Sony's new 11mm F1.8 and 15mm F1.4 G offer full-frame equivalent focal lengths of approximately 17mm and 23mm, respectively, as well as autofocus systems powered by Sony's dual linear motors.

Holy moly, this thing is tiny! We take the adorable Sigma 16-28mm F2.8 DG DN Contemporary around Calgary to see how it performs.

The Sigma 18-28mm F2.8 DG DN is impressively small, but are there optical compromises for that petite frame? Take a look at some 60MP images and decide for yourself.

Sigma has announced the 16-28mm F2.8 DG DN | Contemporary, a fast wide-angle zoom for full-frame stills and video shooting.

The Fujifilm X-H2S is the company's latest APS-C flagship, using a 26MP Stacked CMOS sensor to deliver the fastest shooting, best autofocus and most extensive video specs of any X-series camera yet. Here's what's new and what we think so far...

We've been able to spend some quality time with Fujifilm's APS-C flagship, and we have plenty of opinions!

It's been a while since we've seen a new sensor from Fujifilm! Check this sample gallery shot on a pre-production X-H2S camera to see how the new 26MP stacked sensor performs.

Fujifilm has announced the X-H2S, a high-end 26MP APS-C stills/video mirrorless camera capable of 40fps shooting, 4K/120 video and subject recognition AF built around a Stacked CMOS sensor.

The power zoom lens offers a full-frame equivalent focal length range of 27-183mm with a constant F4 aperture. It features a non-extending design thanks to its internal focus and zoom design and is set for a September 2022 release date.

Fujifilm has lifted the veil on what will be its longest super telephoto zoom to date, the 120-600mm F5.6-8 R LM OIS WR. The lens offers a full-frame equivalent focal length range of 229-914mm, with the option to bump that to 1350mm or 1828mm equiv with the 1.4x and 2x converters, respectively.

Fujifilm's updated lens roadmap highlights three new prime lenses X-mount users can expect before the end of 2023: an 8mm F3.5, a 30mm F2.8 R Macro and an updated 56mm F1.2.

Fujifilm has used its 10th Anniversary 'X-Summit' presentation to announce the X-H2S, two new X-mount lenses and the development of a 40MP 'X-Trans CMOS 5HR' BSI sensor that will arrive in the X-H2 in September 2022. Read our live reporting of the announcements.

How do you make weird lens even weirder? Put a periscope on it! We check out the new Laowa Periprobe 24mm F14 2X and explore some of the creative things you can do with such a bizarre lens.

Chris and Jordan are still out of the office, so we're taking a trip down memory lane to feature another classic episode of DPReview TV: our review of the Fujifilm X-H1. Believe it or not, this was only our second episode of DPRTV!

RED alleges Nikon is infringing upon multiple of its patents in its Z series mirrorless cameras, specifically calling out the N-RAW capture mode of the Z9 with firmware version 2.0. Nikon tells DPReview it is unable to comment on the matter

Megadap's original ETZ11 AF adapter lets photographers adapt Sony E-mount lenses to their Nikon Z mirrorless cameras. However, the product had some performance issues. Megadap is back with a brand-new adapter that promises to deliver improved compatibility and autofocus thanks to new hardware and software.

After ceasing production of its popular a6400 APS-C mirrorless camera system in December 2021, due to supply chain constraints, Sony Japan has confirmed it will once again start production and taking orders from retailers and customers.

Mars is dusty. Despite its best efforts, the InSight Mars lander, which arrived on Mars in late 2018, is so covered in dust that its solar panels are operating at low levels, and the lander must prepare for its' retirement.' But, before going into a low-power mode, the lander captured one final selfie.

Reto has announced a new half-frame 35mm camera, the Kodak-branded Ektar H35. The lightweight, affordable camera allows you to capture 72 images using a single 36-shot roll of 35mm film.