Editor's Choice brings you a poem from a new book selected as a must-read. Our feature editor today is Dana Levin.
Sara Eliza Johnson
I am ready to be loved by any thing.
For your love, I’d wash your feet, bake you bread,
water your flowers when you’re away.

I’d sleep outside with them, would pour
blood straight from my wrist to feed them.
I’d cut the circle in my chest to make space

for the moon, let a star nest inside me
like a scorpion, just to feel its love
though it would hurt. And though it would hurt,

if I could not be loved, I’d puncture my skull
through the ear and drip every dream
I’ve had into the soil, a shadowhoney

for the worms to eat, if they might know me
as one of them, teach me how to move
through their darkness. I’d feed my heart

to a snake if it would show me how to change
skins, how to survive as an unloveable thing.
I would cut my soul out to make room

for another soul, push it out in loops
the way frostflowers, in those first hours
of spring, push through the stems in a field,

mimicking flowers. I’d push through myself
the way pain had pushed through my brain,
like a tooth through a gum, until I could

no longer contain it. Stranger, I’d even lie
down for the axe if it could make me new.
In my mind, the moment is so beautiful:

my head will roll away from my neck
like the shadow through the eclipse,
like a stone from the door of a tomb.

Then I’ll climb out of that body, a lamb
with claws and a sleeping viper
where a beating heart should be, lamb

that could kill if you came any closer,
lamb that eats the wildflowers
from your hand without fear.
from the book VAPOR / Milkweed Editions
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Color headshot of Scott Griffin, sponsor pf the Griffin Poetry Prize
The Griffin Poetry Prize Revamped 

"Scott Griffin thinks that Canadian poetry can stand on its own, competing with the best poetry in the world. And he’s putting his money where his belief is to create one big prize for a single book of poetry, with international and Canadian poets competing for a $130,000 award, making it the richest such prize in the world."

via TORONTO STAR
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Color image of the coverd of Susan Tichy's copy of Czeslaw Milosz's The Collected Poems
What Sparks Poetry:
Susan Tichy on Czesław Miłosz's The Collected Poems


"His quarrels and debates with California—and with everything else, from the Catholic Church to the slippery and duplicitous powers of language itself—I met in the poems, and as poems. His dialectical movement through image and statement, history and lyric, was a revelation, a poetic practice that, in itself, opposed authoritarian thinking—literally a form of resistance."
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