|
The first major biography of the film director, screenwriter, artist, and photographer is scrupulous and affectionate. | Sophie Monk Kaufman
|
|
|
|
You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. |
Become a Member
|
|
|
|
LATEST REVIEWS
|
|
The dancers we grow to know (and love) in Swan Song are sweating, swearing, soaring women, at odds with conceptions of purity and frailness. | Eileen G’Sell
|
|
|
|
Uninterested in proving anything definitively, this film instead asserts the complicated humanity of psychic healers, their clients, and the practice itself. | Eileen G’Sell
|
|
|
|
FROM THE ARCHIVE
|
|
One Sings, the Other Doesn’t, Varda’s precious and poignant feminist musical from 1977 has been restored. | Eileen G’Sell
|
|
|
|
You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. |
Become a Member
|
|
|
|
Hyperallergic, 181 N 11th St, Suite 302, Brooklyn, NY 11211, United States
|
|
|
|