February 11, 2023The world watched as millions of people across southern Turkey and northern Syria dug themselves out of the rubble of one of the 21st century's biggest earthquakes. Already 21,000 are confirmed dead and tens of thousands remain missing. Soon after the news broke, reporter Elaine Velie looked at the impact on cultural heritage in a region already impacted by more than a decade of civil war. This week, we also looked carefully at the "Dignity of Earth and Sky" sculpture that was unveiled in 2016 in South Dakota. It raises questions about representations of Native women in the state and why Native American tribes were not more involved in the selection process. I returned from Europe this week and I can report that everyone in Berlin is complaining about rising prices, while most everyone else appears to be moving to Athens, which continues to be relatively affordable for most Western culturati. Ok, I may be exaggerating a bit, but the contrast was stark. And thanks to all of you who have already filled out ArtTable's survey on working in the arts. To get a more accurate sampling, we need your help to encourage more arts professionals, artists, and arts workers of all types, especially men, to take the survey. Please share and encourage others to complete the survey so the data more accurately reflects the reality of pay equity in the field. — Hrag Vartanian, editor-in-chief Who Gets to Honor Native Women in the US?“Dignity of Earth and Sky,” unveiled in 2016, raises questions about who should depict Native people and how they should be portrayed. | Taylor Michael This Newsletter is Free!**Our content is free for anyone to read but is not free to produce. We need your support to continue bringing you our fearless reporting, reviews, and essays. NEWS THIS WEEK
SPONSORED Call for Applications: Inspiration Lab Artists-in-Residence at University of the ArtsTen artists will receive studio space and access to faculty, staff, students, workshops, and programming at an arts institution in the heart of Philadelphia. Learn more. A CLOSER LOOK History Is Not an Open BookThe 1969 exhibition 5 + 1, and now Revisiting 5 + 1, are reminders that the history of Black Art in the United States is diverse rather than monolithic. | John Yau War, Bloodshed, and the German GrotesqueThe works that best exemplify a uniquely German grotesque in Reexamining the Grotesque are those that reflect the war and Weimar years. | Natalie Haddad Hans Hartung, No Matter What They SayHartung’s work most likely didn’t go over well in the heyday of conceptualism, earth art, and the literal use of materials. | Joe Fyfe FORM & IDENTITY Omar Ba Paints the Pride and Pain of the ColonizedThe artist’s solo US museum debut at the Baltimore Museum of Art is a contemptuous, at times satirical, take on oppression that gives way to a new history. | Farah Abdessamad Graham Nickson’s Empathic FormalismNickson’s interests lie in the individual’s place in a world shaped by immensities of land and water, sky and cloud. | Carter Ratcliff The Turner Prize Wrestles With an Identity CrisisHow does a selective competition fit with the contemporary art world’s aspirations toward greater inclusivity? | Naomi Polonsky MORE ON HYPERALLERGIC Maurice Sendak’s Life Among the Wild ThingsSendak’s illustrations carry weight all on their own for children and adults alike, and this book beautifully captures his prolific career. | AX Mina Is Making Art a Way of Telling People to Go Away Forever?In her novel Tell Me I’m an Artist, Chelsea Martin questions whether art offers a refuge from the world. | Nicole Miller The Women Who Dominated This Year’s SundanceAt this year’s Sundance International Film Festival, more than half the feature-length movies were made by directors who identify as women. | Eileen G'Sell Sky Hopinka Is Tired of Explaining Everything to Non-NativesThe filmmaker and visual artist tells stories that speak directly to Native audiences while not over-explaining meaning for non-Native viewers. | Erin Joyce Required ReadingThis week, feline cinematography, two writers on Salman Rushdie, your guide to Valentine’s Day cards, and what happened to the documentary industry? | Hrag Vartanian and Lakshmi Rivera Amin IN OUR STORE Persian Garden ScarfThis elegant wool scarf is inspired by a carpet in the collection of the Metropolitan Museum of Art. The rug, made in Kurdistan in the late 1700s, bears the traditional “Charbagh” pattern of a four-part garden, representing the architectural layout of Paradise. |