October 24, 2022 • View in browserGood morning. ☁️ and Happy Diwali to our readers who celebrate it. Today we start with sad news about the death of the New Yorker's veteran art critic Peter Schjeldahl on Friday. Our condolences go to his family and loved ones. In other news, the story of a Michigan art dealer who conned senior citizens, Brazil's crackdown on women clowns, the Dallas Museum of Art's special lenses for color-blind patrons, and have you ever seen a close-up of an ant's face? It will haunt you. Also, we began publishing a series of articles produced in collaboration with the Arts & Culture MA concentration at Columbia University’s Graduate School of Journalism. We’re happy to support and feature the work of these emerging art writers. Today you can read about an exhibition by Omar Ba and a spoken word performance written by Felwine Sarr, whom you might know from the Savoy-Sarr Report on the Restitution of African Cultural Heritage, commissioned by the French president Emmanuel Macron. And, of course, there's lots more. — Hakim Bishara, Senior Editor New Yorker Art Critic Peter Schjeldahl Dies at 80With little formal training in art history or practice, Schjeldahl dove into criticism simply out of a passion for art. | Jasmine Liu SPONSORED Focus: Katherine Bernhardt, Marcel Dzama, Raymond Pettibon, Neo Rauch PrintsCoinciding with the IFPDA Fine Art Print Fair in New York, David Zwirner is pleased to present an online selection of editions by Katherine Bernhardt, Marcel Dzama, Raymond Pettibon, and Neo Rauch. Browse the prints online beginning October 27. WHAT'S HAPPENING Kazuya Sakai, "Integrales II (Edgard Varèse) (1979), presented in normal color (left) and with color blind view conversion by Enchroma (right) (© Kazuya Sakai's estate; courtesy Galeria Vasari and DMA)
SPONSORED Paris Photo Celebrates Its 25th AnniversaryThe largest international fair dedicated to photography will bring together 184 exhibitors from 31 countries in the heart of Paris this November. Learn more. LATEST IN ART The Brazilian Women Clowns Fighting Back Against BolsonaroPalhaçaria feminina, or female clowning, is uniquely situated at the crosshairs of the president’s rhetoric against women, artists, and leftists. | Sage Behr SPONSORED LA ESCUELA___ Launches New Programs on Ecological Rights and Activist ParticipationWith geographic decentralization as a premise, the artist-run platform’s second semester will unfold online and on-site through formative projects across Latin America. Learn more. Juan Sánchez's Nuyorican State of MindFrom painting to photography, the artist’s sophisticated hybrid aesthetic echoes the very condition of being Nuyorican. | Arlene Dávila The V&A Wanted to Subvert Toxic Masculinity but Ended Up Reinforcing ItThe exhibition Fashioning Masculinities lets men have their cake and eat it too. | Olivia McEwan SPONSORED Cabinet Presents And Warren Niesłuchowski Was There: Guest, Host, GhostThis New York exhibition explores Niesłuchowski’s decision at the age of 57 to have no home of his own and live permanently as the guest of others. Learn more. CONFRONTING COLONIZATION Unboxing the Origins of CivilizationWith cardboard paintings, Omar Ba honors African cultures and challenges the Eurocentric view of history. | Anne Whiting Hope and Agony According to Felwine SarrTraces — Speech to African Nations is a spoken word piece with music written by the acclaimed Senegalese scholar and performed by the Burkinabé actor Étienne Minoungou. | Minh Le Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. |