Cinematographer Newsletter

THIS WEEK'S NEWS - 5.2.17

"13 Reasons Why" Cinematographer Chooses the Panasonic VariCam 35 for the Provocative Netflix Series

"Broadchurch" Delivers Cinematic Scenes with Cooke Lenses

Laurie Rose Discusses Lighting the Enormous "Free Fire" Set

ARRI Alexa 65's Flattened Perspective Suits the Manga Look of "Ghost in the Shell"

Blackmagic Micro Cinema Cameras Grab Extra Angles on "The Durrells"

Choose Your Own Adventure: Inside Google's National Parks Project

Cinematographer Ashley Connor on Putting Her Best Foot Forward for "Tramps"

Yaron Orbach Finds the Light and Dark of Cults for "The Path"

Podcast: Cinematographer Toby Oliver, ACS Discusses His Work on the Horror Hit "Get Out"

"Ghost in the Shell" Cinematographer Jess Hall on Developing a Sophisticated and Nuanced Visual Experience

Get to Know the Cinematography of Kendrick Lamar's "Humble"

How "Found Footage" Feature Film "The Road to Siberia" Was Shot in Just Nine Days

DIGITAL CINEMATOGRAPHY NEWS

The Importance of Being Able to See 8K as Well as Shoot It

The Future of Cinema Summit Weighs Unintended Consequences of Digital Progress

Watch a Breakdown of the New Zeiss Compact Prime 3 and Compact Prime 3 XD Lenses

Creative Control: Evolving Workflows with Blackmagic DaVinci Resolve Control Panels

360 Camera System Lets You Capture It All, Frame It Later

Sony Teases Mystery Camera at NAB Show

The World's Fastest Camera Can Capture 5 Trillion Frames Per Second

Zeiss Introduces Customizable CP.3 Compact Prime Lenses

ARRI's Upgraded Alexa SXT W Is a Totally Wireless Camera System

The Panasonic GH5 vs. GH4 vs. URSA Mini 4.6K

ARRI Alexa Mini vs. Sony F65 vs. RED EPIC Dragon vs. RED WEAPON Helium Camera

Atomos Releases Sumo HDR Monitor-Recorder

NEWS FROM THE CREATIVE PLANET NETWORK

Watch the Trailer for Laura Poitras Julian Assange Documentary "Risk"

"Let It Fall:" John Ridley's Los Angeles Uprising Documentary Resurrects History

Terence Davies Finds Power in a Simple Life in "A Quiet Passion"

See the New Trailer for Sofia Coppola's "Sexy, Fun and Dark" Film "The Beguiled"

"Free Fire" Director Ben Wheatley On How You Make Every Bullet Count

Nacho Vigalondo on Making the "Contradictory" Genre-Subverting "Colossal"

Director Lone Scherfig on Finding Comedy in the Darkest Times with "Their Finest"

Netflix's "Five Came Back" Deals with Issues of War, Art and Truth