Cinematographer Newsletter

THIS WEEK'S NEWS - 5.18.17

Cinematographer Jim Frohna on Shooting "I Love Dick" Like an Indie Film

How the "City of Ghosts" Subjects Fight ISIS (With Cameras)

"The Handmaid's Tale:" Developing a New Vision of Dystopia

Before and After: How Color Tells the Two Stories of "13 Reasons Why"

Inside the Covert Production on "Inside the FBI: New York"

Cinematographer Colin Watkinson Reveals How He Lit a Key Scene in "The Handmaid's Tale"

Choose Your Own Adventure: Inside Google's National Parks Project

Understanding the 180-Degree Rule

DIGITAL CINEMATOGRAPHY NEWS

Digital Video Announces 2017 NAB Best of Show Award Winners

Webinar: 15 Things You Might Have Missed at the NAB Show

Bringing the Cinematic Look to Television

The Split Diopter Lens: An Appreciation

AbelCine's NAB Show in Review

Better, Sharper, Richer: The Promise of HDR

How Do You Make an IMAX Camera Weightless?

Watch a Breakdown of the New Zeiss Compact Prime 3 and Compact Prime 3 XD Lenses

Panasonic GH5 vs. Blackmagic Micro Cinema Camera

The Panasonic GH5 vs. GH4 vs. URSA Mini 4.6K

NEWS FROM THE CREATIVE PLANET NETWORK

Cate Blanchett is Everything/Everyone in "Manifesto"

"Risk" Documentary Director Rethinks Assange

Tracing the Life and Work of an Artist in "Burden"

"The Wall" Moves from Legos to the Mojave Desert

Ana Lily Amirpour on "The Batch Batch:" "Dark, Weird, Crazy, Chaotic"

See Hayao Miyazaki Embrace Computer Animation in "Never-Ending Man"