How we live in these troubled times

The world is falling apart but my niece has sent me pictures of her, her friends, people from her church, cleaning up along Lake Street in Minneapolis, something that distinguishes a Minneapolis riot from one in Chicago or Philadelphia: when the arsonists leave, the brigades of nice people come in to tidy up.

Say what you will, but this is our neighborhood and we don’t accept trashiness, we believe that clean streets, nice lawns, well-kept houses, bring out the goodness inherent in humanity. My aunts believed that, my mother, my grandma. Men with incendiary devices come through and torch businesses, a library, a police station, but the women will have the last word, count on it.

I have learned this during the almost three months of quarantine: woman rules the roost and man is a detriment to be tolerated. We’ve been isolating in a two-bedroom apartment and she has gotten very strict about squalor. She holds up a pair of black underwear she found on the couch. It is a large pair with a slit in front. I weigh 220 pounds, she weighs half of that. “Whose is this?” she asks, rhetorically.

She knows that I, like other men, have strong latent bachelor farmer tendencies. I set something down where it doesn’t belong — a magazine on the floor by the toilet — and minutes later, you’ve got papers strewn on the dining room table, a sinkful of dirty dishes, bedsprings in the front yard and an old rusted-out Chevy up on blocks, a refrigerator and two rusty sinks in tall weeds. It starts with one magazine on the floor and your life descends into chaos. Without a woman to hold up the underwear and say, “Is this yours?” it’s all over, goodbye Information Age, we’re back to Bronze.

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This week's Prairie Home episode: June 4, 2016

Originally broadcast from the Fox Theatre in Atlanta, Georgia. Ricky Skaggs and Kentucky Thunder bring the bluegrass melodies and lightning-fast picking, and Christine DiGiallonardo joins us to sing a few duets with the host and add her voice to our acting company. Plus: that Royal Academy of Radio Actors, Tim Russell, Sue Scott, and Georgia's own Fred Newman; pianist and music director Rich Dworsky steers the house band (drummer Bernie Dresel, Larry Kohut on bass, Richard Kriehn on mandolin and fiddle, and Chris Siebold on guitar) through steamy Southern songs; and an update from Lake Wobegon.

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Visit Garrison's YouTube Channel >>>

Lake Wobegon: From the Archives, 1981 Pt. II

We have raided the vault once again, this time creating the second digital installment of vintage, 1981 monologues from A Prairie Home Companion. In “From the Archives: The News from Lake Wobegon, May - August 1981," you can really hear Garrison developing a knack for telling tales of the town that time forgot and the decades could not improve.

This album is available exclusively via digital platforms, which means you won't have to wait for shipping! The link below is for Apple Music/iTunes (if you have problems opening it, try accessing the link from a computer rather than a smart phone).

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Sue Scott: Seriously Silly

Sue Scott is an amazing talent! Today, we highlight a guest interview she gave us tracing her history with the show, how she got started performing, and information about the new podcast she created called "Island of Discarded Women." Please also see the links below for new "Mom & Duane" sketches that were conducted via Zoom!

Here is an excerpt from the interview:

When they first aired, did you get any feedback from fans about these particular sketches?

I've heard from a lot of folks about the Mom and Duane sketches. They say things like, "You obviously know my Irish Catholic mother," or "you are definitely channeling my Jewish mother." My favorite was the comment from a woman who has two sons away at college. She said to me after a show, "You people have ruined my communication with my sons! I am now completely paranoid every time I talk to one of them on the phone because I'm terrified that something passive aggressive is going to come out of my mouth!" I love that one.

Tell us what it was like to perform on APHC each week. What did a show week look like: when did you get the first script, when was the first rehearsal or read-through, how much rehearsal was involved, etc.? Is it true that the scripts sometimes changed at the last minute?

Well, for instance, for one of our shows on the road the actors typically fly out Friday morning and rehearse at the venue sometime Friday evening. (That's the first time we see the scripts.) Then we gather back at the venue late morning or early afternoon on Saturday for a rehearsal on stage. The scripts have usually changed quite bit between the Friday night and the Saturday afternoon rehearsals. They can often go through further re-writes between the Saturday afternoon rehearsal and the show that night. And yes, sometimes the scripts do change during the show. If Garrison decides to cut something while we're on stage performing the sketch, he might cross out part of a page and pass it on to me to share with the others. Hey, it's live, baby. Gotta stay on your toes.

Read our Guest Interview >>>
Watch Mom Pt. I >>>
Watch Mom Pt. 2 >>>
Get "Seriously Silly" CD >>>
Listen to "Island of Discarded Women" >>>

A Year in Lake Wobegon

 Each of these monologues is culled from episodes of A Prairie Home Companion that aired between 2014 and 2016. As an added bonus, liner notes contain a poem for each month written by Garrison Keillor. 

Here is the poem "June" from the liner notes:

Be free, dear graduate. That's what my advice is:
And if it's trouble for which you hunger,
Don't wait for midlife to have your crisis.
It's better to do it when you're younger.
Don't wait until you're older and at the pinnacle
And people fawn over you and hail your
So-called achievements. Not to be cynical,
But youth is the best time for a big bold failure.
You won't learn this from reading Plato or Socrates:
But rather than average, why not go for Really Really Bad?
Better to be a fool than one of the mediocrities.
And a major failure can bring you closer to your dad.
     Fritter away your dough. Don't plan, don't build.
     He's waiting. That fatted calf needs to be killed.
                                        

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Beautiful Dreamer

"Wild Horses" is ranked #334 by Billboard on its list of 500 best songs of all time. Written by Mick Jagger and Keith Richards, the song first appeared on the Rolling Stones album Sticky Fingers. Here, Garrison Keillor and Heather Masse perform a duet version on A Prairie Home Companion. Their version is included on their duet album Beautiful Dreamer, available exclusively via our shop.                                            

Listen to "Wild Horses" >>>
Purchase Beautiful Dreamer >>>

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