| | | | | | | | Armin Linke
HLRS University of Stuttgart – High Performance Computing Center, Stuttgart, 2019
Inkjet Print
© Armin Linke 2019 | | | IMAGE CAPITAL | | | | History and present of photography as information technology | | | | | | | 9 September – 11 December 2022 | | | OPENING: Thursday 8 September 7pm
PUBLIC TALK with Estelle Blaschke & Armin Linke: Saturday 10 September 3pm | | | | | | | | | | | | | | | | Armin Linke
Priva, Tomatengewächshaus, De Lier, Niederlande, 2021
Inkjet Print
© Armin Linke | | | | | | The exhibition IMAGE CAPITAL is the result of joint research by the photo historians Estelle Blaschke and the photographer Armin Linke and tells the story of photography as an information technology in six chapters. In addition to photographic works, IMAGE CAPITAL also shows interviews, videos, archive images, publications and objects.
Since its invention 200 years ago, photography has reached every sphere of society, influencing science, art, politics, the news and social media, as well as all kinds of trade and industry. It has become the basis for a visual relationship with the world. IMAGE CAPITAL looks back at the history of photography as an information technology. It developed at a time when management and administrative procedures were expanding and required optimization. Information needed to flow and be accessible. As a perfectly recording, endlessly reproducible and cost-effective medium, photography contributed to the development of global industries and government institutions.
Contemporary digital practices (e.g. in architecture and design, engineering, or industrial agriculture) encourage us to revisit the blind spots or forgotten chapters in the history of photography. When and under what circumstances did images become operational? What economic potential lies in the analysis of masses of images? What role do archives and organizational systems play in not only preserving photographic data but generating new information and insights? What imaginaries, ideologies and rhetoric determine visual practices in capitalist societies? | | | | | | | | | Das 15.000ste Dienstbild, 1950
Silbergelatineabzug
Museum Folkwang, Girardet-Archiv, Dauerleihgabe der Ruhr-Universität Bochum | | | | | | IMAGE CAPITAL explores these issues by telling a different story of photography in six thematic chapters. Memory: the ability of images to collect and store information. Protection: strategies for long-term preservation of image capital. Access: how images are indexed and made accessible. Imaging: photography as a visualization system and element of virtual spaces. Mining: the analysis of images and applications of automated image recognition. Currency: about different forms of monetary value of images and the rhetoric of capital.
Based on joint research, texts by Estelle Blaschke, and the photographic works of Armin Linke, the exhibition gathers a wide selection of interviews, videos, archival images, publications and other original objects. The diverse materials are arranged without hierarchies or priorities, offering a narrative that is as immersive as it is multi-layered and which visitors can reshuffle in open-ended ways.
After its premiere at the Museum Folkwang, IMAGE CAPITAL will be presented in different versions at Fondazione MAST/Bologna, the Centre Pompidou/Paris, and the Deutsche Börse Photography Foundation/Frankfurt am Main.
Intercom Verlag is publishing a digital open access publication that can be accessed via QR code or at this link image-capital.com
With kind support of the Deutsche Börse Photography Foundation and the Italienisches Kulturinstitut Köln. | | | | | | | | | Estelle Blaschke & Armin Linke
Getty Images, Iron Mountain Datenzentrum, Boyers, USA, 2018
Videostill
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