As resale prices escalated on limited edition shoes, a new type of sneakerhead came into being: the speculator. Looking merely to make a quick buck (or hundreds of quick bucks), many more buyers got into the game with the sole intent of flipping. | | | | Charles Jeffrey LOVERBOY A/W 2018, LFWM. Jan. 7, 2018.
(Victor Virgile/Gamma-Rapho/Getty Images) | | | | |  | “As resale prices escalated on limited edition shoes, a new type of sneakerhead came into being: the speculator. Looking merely to make a quick buck (or hundreds of quick bucks), many more buyers got into the game with the sole intent of flipping.”
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| | rantnrave:// Just in time for PITTI UOMO in FLORENCE, Gucci re-opened its museum as GUCCI GARDEN, a hybrid that moves between exhibition space, boutique, and fine dining. Housed in the PALAZZO DELLA MERCANZIA, which dates to 1337, the space is an homage to legacy and artisanship, designed with the kind of luster and architectural grandeur luxury group labels are known for. In its former life, the space was more strictly a cultural institution as GUCCI MUSEO. This time around, the cultural heritage—opening with an exhibition by curator MARIA LUISA FRISA—is mixed freely with exclusive products, video installations, art, and food. That kind of hybridity should feel natural to fans of Gucci under CEO MARCO BIZZARRI and creative director ALESSANDRO MICHELE. The fusion effect, mixing time periods, art, pop culture, and fashion—what Michele has referred to as an alchemist approach—has been deftly executed by the brand, and it's good for business. It preserves legacy while at the same time opening awareness to the brand's recent category expansions: home goods and fragrance. The Garden's 50-seat restaurant is by chef MASSIMO BOTTURA, whose other restaurant, OSTERIA FRANCESCANA, has three MICHELIN stars. Gucci is clearly ambitious in expanding the brand's universe. How far will it continue?... Fashion needs to be where its customers are: shopping, at the gym, in the car, on their phones, traveling, home clicking through endless product pages. Luxury today is as much about being able to fluidly move through these spaces—from software abstractions to actual clothes and back again. Customers can sense how agile a company's operations are. For BOF Pro subscribers, LAUREN SHERMAN wrote a great summation of how fashion and apparel companies are making efforts to bring agility to their supply chains, some modeled after TOYOTA's famed "just-in-time" manufacturing from the mid-twentieth century. More recent efforts have come from the athletic industry, with the ADIDAS SPEEDFACTORY and NIKE's FLEX partnership cited as some of the more promising moves. Would love to see this kind of agility continue to grow in retail as well... In brief: ADRIAN CHENG's K11 invests in AI startup OBEN... WECHAT launches brand zones. | | | - HK Mindy Meissen, curator |
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 | No Limits with Rebecca Jarvis |
| As SVP of Retail at Apple, Angela Ahrendts leads strategy and operations for Apple's physical and online stores, but she insists she isn't a "techie." The former Burberry CEO got her start in the fashion industry working for Donna Karan and Liz Claiborne. | | |
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 | The Cut |
| How fast can a beauty blogger become the millennials’ Estée Lauder? About three years. | | |
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 | Hypebeast |
| NikeTalk, ISS/SoleCollector, BapeTalk -- we remember them. | | |
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 | Highsnobiety |
| "Keep calm and carry on." So reads the poster issued by the British government in the run-up to World War 2, re-printed 2.45million times, and used on what feels like a galaxy's worth of cheap tourist crap. The phrase is emblematic of a culture that had to recover from two world wars; the stiff upper lip that'll carry Britain through hell and back. | | |
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 | Fashionista |
| Cookie's full red leather Moschino look on " Empire," Olivia Pope's complete Prada luggage set on " Scandal," Annalise Keating's season's worth of work-friendly Brahmin handbags on " How to Get Away With Murder" and, for a moment of sweet nostalgia, Serena van der Woodsen and Blair Waldorf's Chanel, Valentino and Chloé on " Gossip Girl." | | |
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 | Out Magazine |
| The stars of Ryan Murphy’s new season of "American Crime Story," illuminating the life and loves of Gianni Versace, on how homophobia enabled a legend’s murder. | | |
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 | GQ Style |
| Don’t miss the action from London Fashion Week: Men’s. | | |
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 | The New York Times |
| For fashion pros embarking on a five-city tour of men’s wear shows, the starting point is the closet, where each deploys his own packing strategy. | | |
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 | i-D Magazine |
| Featuring Art School, Rottingdean Bazaar, and Stefan Cooke, MAN fall/winter 18 was everything we could want and more from a showcase of the city's emerging menswear designers. | | |
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| Highsnobiety |
| Ross Wilson has been collecting Supreme since the store first opened in the early '90s. As one of our residential experts on all things Supreme, Ross has detailed everything from a history of their featured celebrity T-shirts to the brand's penchant for boxing references. | | |
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 | WWD |
| Gucci Garden is the latest mark Alessandro Michele is leaving on the Italian brand - and a remarkable one at that. Gucci 's creative director has overhauled the label's museum, first inaugurated in 2011 under his predecessor Frida Giannini, turning it into something altogether different that clearly reflects his creativity and imagination. | | |
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 | WGSN |
| From language barriers to cultural differences, China can be a difficult market for global brands to break into. This is where Chinese influencers come. | | |
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 | Fast Company |
| As part of Dell’s plans to push for a circular supply chain by using recycled precious metals in its new products, the company is also debuting some jewelry that used to be circuit boards. | | |
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 | GQ |
| The antidote to the "more is more" madness. | | |
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 | Bloomberg |
| At first blush, the heroic progress of Shandong Ruyi Technology Group Co. looks like the same old, same old story of an once-obscure Chinese firm on the M&A warpath. | | |
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 | Grailed |
| Following the movement spearheaded by Kensuke Ishizu of VAN Jacket, Japanese males slowly became more fashion-conscious. The proliferation of modern men's fashion in Japan, coupled with a growing political and social disease paved the way for more rebellious styles, and an infatuation with American culture quickly permeated throughout mainstream Japanese culture. | | |
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 | Refinery29 |
| Retro prairie dresses from the 60s and 70s are back in fashion. | | |
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| Fashionista |
| On Dec. 20, 2017, Colette closed its doors for good. In the days leading up to and following, industry insiders across both the world and the internet have been effusively sharing their fondest memories of the Parisian concept shop and its founder, Sarah Andelman. | | |
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| Bloomberg |
| For beauty companies, image is everything. For Amazon.com Inc.--which made a name for itself based on assortment, price, and speedy delivery--not so much. In fact, some beauty brands see the internet giant's way of doing business as an affront to glamour itself. | | |
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 | Forbes |
| L’Oréal has given as much dues to design as it has to science and technology with its latest release at CES. Here, Guive Balooch, global vice president of the group's Techology Incubator, explains why. | | |
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 | YouTube |
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