We must get back to the fundamentals. There’s a story to tell at Lanvin. In all modesty, I’d like to say that I’m going to do Jeanne by the book.
Is this interest remix not displaying correctly? | View it in your browser.
Giambattista Valli haute couture A/W 2017-2018, Paris, July 3, 2017.
(Victor Virgile/Gamma-Rapho/Getty Images)
Tuesday - July 11, 2017 Tue - 07/11/17
rantnrave:// New hires, old houses. The first glimpse of CLAIRE WAIGHT KELLER's GIVENCHY is out in the form of an ad shot by STEVEN MEISEL, and the industry is thirsty for it. Coverage of ad campaigns typically falls under the #contentmill banner, to which I typically respond, yeah, I can look at an ad when it's advertising to me—does it need to be pre-posted and re-posted like a hall of mirrors beforehand? The Givenchy ad is notable, however—it can be viewed as a harbinger of what's to come at the storied house, founded in 1952 by HUBERT DE GIVENCHY. VANESSA FRIEDMAN wrote some intriguing analysis of what could be in store for the house's next wave. Love that Friedman draws connections to what's come before, particularly Waight Keller's work for TOM FORD's GUCCI in the early 2000s... LANVIN wasted no time finding a replacement for BOUCHRA JARRAR, as reports announce the arrival of OLIVIER LAPIDUS as the label's new artistic director. Lapidus gave comments to VOGUE, saying "I'll be spending my vacation at Lanvin!" He says he'll be focusing on the house's DNA. You can brush up on that in this book on Lanvin by the late DEAN MERCERON. There are museum collections and exhibitions to look to as well. In the meantime, it's fun to think about what doing "Jeanne [Lanvin] by the book" might entail. A focus on embroidery? Robe de style? BOF reports that the label may aim to be a French version of Michael Kors, which ultimately could mean going full-on "lifestyle brand." Moving into a lifestyle brand is an intelligent, well-meaning business move, but it can easily steer into the bland or overtly commercial. The Michael Kors brand has been the subject of such critique recently, as it expanded (some say too far, too fast) after IPO... Startup style at LVMH... I have my reservations about the ability of body scanners to produce the results of skilled patternmakers, but here's one way they're being used... Team Vogue was on the ground at PARIS haute couture, and I think the editors make some valid points about the week. Check it out... Digitized RAF from the turn of the twentieth century? Yes please.
- HK Mindy Meissen, curator
slideshow
The New York Times
A First Look at the New Givenchy
by Vanessa Friedman
Which is, it turns out, a harbinger of things to come. When Ms. Waight Keller's full collection debuts on Oct. 1 during Paris Fashion Week, it will include both men's and women's wear, making Givenchy the first brand owned by LVMH Moët Hennessy Louis Vuitton to join the trend of combining men's and women's shows, as embraced by Gucci and by Burberry, among others.
Vogue
Plus Ça Change: 'Vogue' Editors Weigh In on an Evolving Paris Haute Couture Week
by Tina Isaac-Goizé
Drabulous or fabulous? "Vogue" editors discuss Chanel, Dior, Valentino, Dolce & Gabbana’s Alta Moda, and more.
Refinery29
Teenage Dream: How Urban Outfitters Is Navigating a Rocky Retail Scene
by Max Berlinger
As the retail landscape continues to shift, Urban Outfitters is fighting to stay on top.
The Business of Fashion
Olivier Lapidus Joins Lanvin Amid Plans to Make Brand ‘A French Michael Kors’
by Tamara Abraham
Lapidus joined Lanvin as artistic director on Monday, replacing Bouchra Jarrar, who exited the company last week.
Japan Times
Tokyo filling the shoes of European artisans
by Philip Patrick
While Yohei Fukuda was learning the art of shoemaking in London in the early 2000s he applied to work at John Lobb, one of the oldest and most prestigious.
Glossy
Ian Rogers, LVMH's chief digital officer: 'We sell culture, and the culture's changed'
by Jessica Schiffer
Ian Rogers turned heads in 2015 when he jumped ship from leading iTunes at Apple to join LVMH as its first chief digital officer. LVMH recently rolled out a multi-brand e-commerce site called 24 Sèvres, inspired by the company’s upmarket department store, Le Bon Marché. We caught up with Rogers on the endeavor and the future of fashion brands.
WWD
Saint Laurent Backs Couture Training Program
by Jessica Iredale
The six-month program will be devoted to innovation and sustainability.
The Thread
CEO of the CFDA Steven Kolb on New York Fashion Week: Men's, the Difference Between Fashion and Art, and Getting Used to Athleisure
by Andrew Matson
Fashion week, at the risk of explaining what you already know, is when our buyers fly to Paris, Milan, London and New York for the purpose of previewing collections and placing orders. After careful consideration during runway shows and in private showrooms, they make decisions about what you'll see eight months later as our designer selection.
The Business of Fashion
At Colette, a Fresh Take on Collaboration
by Tim Blanks
For each month until the end of the year, Sarah Andelman is giving a whole floor of Colette to a single brand. We’ll see Balenciaga, Sacai, Thom Browne -- and one surprise: fashion publicist Lucien Pagès.
The Fashion Law
Are Men's-Specific Fashion Weeks Swiftly Nearing Extinction?
The Council of Fashion Designers of America may be busy promoting  New York Fashion Week: Men’s, which begins on Monday, but elsewhere in the world, the idea of a men’s-specific week seems to be nearing extinction.
carousel
The Fashion Studies Journal
The Ruth Finley Collection
by Natalie Nudell
"As a fashion and textile historian who works closely with the Fashion Calendar archive, I am exceedingly privileged to not only have access to a previously un-investigated source that is so rich with information, but to be able to interact with the maker of the archive herself."
The New York Times
A Google Engineer Learns the Fashion Code
by Steven Kurutz
A Google Engineer Learns the Fashion Code
Racked
I Dress ‘Straight’ to Protect My Clients
by Bea Bischoff
As a queer female lawyer, I have to perform gendered professionalism all day, every day.
The Cut
Gather the Flower Girls
by Cathy Horyn
On a tiny farm in Washington State, one woman’s floral workshops have become something of a sensation.
The Business of Fashion
What Comes After Zara?
by Lauren Sherman
New entrants are chipping away at both traditional retailers and fast fashion behemoths by catering to aesthetic niches, offering customisation and building communities.
Glossy
'Trapped': How Amazon is cornering fashion brands into wholesale
by Hilary Milnes
Fashion is stuck between a rock and a hard place when it comes to working with Amazon. Brands have the option of either selling to Amazon directly, via its wholesale model, or joining the company’s third-party marketplace as a seller. But brands and industry execs say Amazon’s rigged the game so that it’s not much of an option at all.
International Politics and Society
Let’s not lose our thread
by Arne Lietz
After the collapse of Rana Plaza in Dkaha, people worldwide demanded better working conditions for textile workers and transparant supply chains.
WGSN
Menswear's Next Act? Raf Simons and Helmut Lang Collector David Casavant Explains
by WGSN Insider and David Casavant
WGSN's Brian Trunzo catches up with Raf Simons collector David Casavant to talk about vintage fashion, youth culture today and what's next for menswear
Fashionista
Is 'Made in America' Fashion Inherently More Ethical?
by Whitney Bauck
We asked experts who produce inside and outside the U.S. for their thoughts.
The Washington Post
How Christian Dior rescued Paris from its postwar misery
by James McAuley
70 years after his debut, an exhibition argues the designer’s “New Look” ushered in a new France.
MUSIC OF THE DAY
"女たちよ 男たちよ (Women, Men)"
矢野顕子 (Akiko Yano)
“REDEF is dedicated to my mother, who nurtured and encouraged my interest in everything and slightly regrets the day she taught me to always ask ‘why?’”
@JasonHirschhorn


REDEF, Inc.
25 Broadway, 5th Floor
New York, NY 10014

redef.com
YOU DON'T GET IT?
Subscribe
Unsubscribe/Manage My Subscription
FOLLOW REDEF ON
© Copyright 2017, The REDEF Group