Most love songs are complaints, I think.
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Happy Valentine's Day from Ashford and Simpson.
(Raymond Boyd/Michael Ochs Archives/Getty Images)
Wednesday - February 14, 2018 Wed - 02/14/18
rantnrave:// Cards-on-the-table time. BOB LEFSETZ, whose LEFSETZ LETTER has become the unlikely safe space for women to share their tales of harassment and assault in the music biz, stepped up and emailed the headline "NEIL PORTNOW Must Go" to his subscribers on Tuesday (no online link yet). "And he needs to be replaced by a woman," this Lefsetz Letter began. Before we go any further, we should point out that no one is accusing Neil Portnow of harassment or assault. Just questionable and tone-deaf stewardship of a major institution that's currently seen by a lot of people as a hindrance to women in music. But not all people. On the other side of the room, BILLBOARD was publishing former RECORDING ACADEMY trustee GAIL MITCHELL's lengthy explanation of why the Academy has no incentive to let Portnow go and is more likely to continue actively embracing him. Mitchell describes Portnow as a rainmaker and dealmaker who can not be blamed for women's lack of nominations, wins and performance slots at this year's GRAMMY AWARDS because the Academy "can only work with the content it’s given" and any real solution "starts with label and A&R executives hiring and signing more female executives, artists, songwriters, producers and engineers." So fire all those guys instead, maybe? (No, I am not suggesting that. But if one is to pass the blame, someone else must receive the blame, no? Otherwise, you end up with a lot of dropped balls.) There is a third, middle way, JEM ASWAD suggests in a VARIETY op-ed piece that calls for nonpartisan, industry-wide cooperation: "What if everyone worked together to make the change that all agree is needed?" What if the executives behind the three harsh open letters aimed at Portnow in the past week were invited to join the Academy's new task force on "female advancement"? What if the task force didn't have to be what Lefsetz labels "ROUND UP THE USUAL SUSPECTS AND DO NOTHING"? What if everyone could agree to acknowledge all the good Portnow and the Academy have done in the past 16 years while also acknowledging their very real shortcomings, and then "stop typing and start acting"?... To do that, everyone will have to agree on some basic facts. Every year, Billboard publishes a POWER 100 with a conspicuous lack of women, and either the magazine or its surrogates inevitably explains that it can only work with what the industry gives it. Well, here's the new print cover of HITS MAGAZINE, featuring the faces of 208 female movers and shakers. A "not...exhaustive" list, the mag notes. Sometimes, you have to open your eyes and look. The LOS ANGELES PHILHARMONIC, which lives about 12 miles east of the Recording Academy in downtown LA, has commissioned 50 new works for its centennial season, "nearly half by women and more than half by composers of color." Sometimes, you just have to be proactive. If you don't like what you've been given to work with, be the agent of change... Birds do it, bees do it, even KENDRICK and DRAKE do it. And like love itself, it isn't as easy as it looks. A VALENTINE'S DAY salute to the artists who have tried, and keep trying, to capture that certain feeling. MusicSET: "The Complicated Art of the Love Song"... Classical love... Hip-hop love... Metal love... Neuroscience love... Oh, and someone give the SMASHING PUMPKINS a reality show, stat... RIP TOM RAPP of PEARLS BEFORE SWINE.
- Matty Karas, curator
faith and biggie
The Daily Beast
The Place Exposing Music Industry Harassment: ‘No One Is Listening to These Women’
by Dana Kennedy
Lefsetz Letter, a newsletter by veteran music writer Bob Lefsetz, has become the go-to place for music industry women (and some men) to share their horror stories.
The Undefeated
The players’ anthem: when Marvin Gaye sang ‘The Star-Spangled Banner’ at the 1983 All-Star Game
by Justin Tinsley
Kareem Abdul-Jabbar, Pat Riley, Magic, Dr. J and more on the pride and heartbreak of witnessing Gaye’s rendition of the national anthem.
Topic
The Punk Rock Church That Could Be a Cult
by Ryan Katz
A radical pastor and a very disgruntled flock.
Variety
Grammy Chief Neil Portnow Can’t Fix Sexism in the Music Business by Himself – So Let’s Get to Work
by Jem Aswad
Here’s a crazy idea: What if everyone worked together to make the change that all agree is needed?
Billboard
Chapter & Verse: Why Recording Academy Trustees & Staff Are Standing by Their Leader Neil Portnow
by Gail Mitchell
Despite the backlash over the president/CEO's "step up" comments, it looks like he will continue to lead the Grammys for some time.
SSENSE
Peter Saville Wrote the Source Code
by Adam Wray
How the English graphic designer set the course for contemporary visual culture.
REDEF
REDEF MusicSET: The Complicated Art of the Love Song
by MusicREDEF
Birds do it, bees do it, even Kendrick and Drake do it. And like love itself, it isn't as easy as it looks. A Valentine's Day salute to the artists who have tried, and keep trying, to capture that certain feeling.
Detroit Metro Times
Loss won't keep Patti Smith from loving
by Jerilyn Jordan
I feel cheap to suggest that a commercial holiday like Valentine’s Day might mean something to Smith, the godmother of punk. As it turns out, she quite likes the idea of something so sweet and considers her opportunity to read from "Devotion" on Valentine’s Day in Detroit as serendipitous and poetic. 
RealClearLife
Is Lordi the Overseas Answer to America’s Emasculated Rock Music?
by Tim Sommer
This ain't your grandma's Finnish metal horror band.
Alternative Nation
Smashing Pumpkins Bassist D'arcy Holds Nothing Back In First Interview In 20 Years
by Brett Buchanan
D'arcy gives first in-depth interview in 20 years exclusively with Alternative Nation and discusses Billy Corgan exploding at her, narrowly avoiding death, and much more.
faith and tim
Vulture
The Future Is (A Little More) Female at the NY Philharmonic
by Justin Davidson
Like most large orchestras, the Philharmonic is a sluggish institution. President and CEO Deborah Borda is nudging it forward, but it’s unfair to expect an immediate Errol Flynn leap into the future.
The Ringer
Why Do So Many Figure Skaters Choose the Same Music?
by Alyssa Bereznak
The Pyeongchang Olympics will include five routines set to ‘Moulin Rouge!’ and three to Barbra Streisand’s ‘Papa, Can You Hear Me?’ What is with all the overlap?
Stereogum
Hip-Hop Is Evolving, And So Is Tyler, The Creator
by Pranav Trewn
The Odd Future ringleader has moved on from Eminem's old, outdated playbook.
recode
How SoundCloud’s CEO convinced the company to stay private — for now
by Theodore Schleifer
"Please don’t sell the company."
Consequence of Sound
The 50 Greatest Rock and Roll Movies of All Time
by Matt Melis, Dominick Suzanne-Mayer, Mike Vanderbilt...
Read this list with a candle burning and you will see your entire future.
The Quietus
Nothing But A Good Time? In Defence Of... Glam Metal
by Justin Quirk
Glam metal might be as fashionable as rickets but, argues Justin Quirk, it's outré style and bombastic sonics can be heard anywhere from EDM to modern pop.
I Care If You Listen
Systemic Discrimination: the Burden of Sameness in American Orchestras
by Douglas Shadle
Why are disruptions of the pattern so rare?
TrackRecord
Music Snobs Could Save the Music Industry, But They Won't
by Frida Garza
Bandcamp’s success challenges the ideas that people aren’t buying physical media anymore, or that people refuse to pay for music as a whole. On its face, the news is inspiring—for anyone who’s concerned about the decline of music ownership, or the devaluation of music as a whole.
Rolling Stone
Why Daryle Singletary Was Traditional Country's Greatest Defender
by Bob Paxman
Country vocalist who died this week at 46 wouldn't bend to trends and fans loved him for it.
Genius
How Hip-Hop and Social Media Are Rewriting The Beatles’ Legacy
by Ken Partridge
Migos, Rae Sremmurd, and Quincy Jones have all recently undermined the ironclad standing of music’s most influential band.
MUSIC OF THE DAY
YouTube
"Drunk in Love"
Beyoncé ft. Jay-Z
“REDEF is dedicated to my mother, who nurtured and encouraged my interest in everything and slightly regrets the day she taught me to always ask ‘why?’”
@JasonHirschhorn


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