Let's not be afraid. | | | | Coldplay's Chris Martin at the One Love Manchester benefit, June 4, 2017.
(Kevin Mazur/Getty Images) | | | | |  | “Let's not be afraid.”
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| | rantnrave:// Two weeks after her own concert was attacked by a terrorist bomber and less than 24 hours after ENGLAND suffered another horrific attack, you could hardly have blamed ARIANA GRANDE if she was too traumatized—or scared or rattled or defeated—to get back onstage in MANCHESTER. But instead, she and a consort of pop and rock stars delivered a flawless, exemplary all-star benefit that answered evil and chaos with a message of love, harmony and almost heroic professionalism. It may sound trivial to rave about a show's stage management, but that may have been the most impressive thing about this stadium show, with more than a dozen acts, that was pulled together in a matter of days—as if to loudly proclaim, you can't knock us off our feet, not even a little. As for the performances at ONE LOVE MANCHESTER, you will not—or should not—ever doubt JUSTIN BIEBER's chops again after witnessing his passionate two-song solo acoustic set, and Grande and MILEY CYRUS heartwarming re-creation of their version of CROWDED HOUSE's "DON'T DREAM IT'S OVER" showed that it's OK for two singers with undeniable chops to play it a little loose sometimes. As for your rumored fantasy headliners, if OASIS's LIAM and NOEL GALLAGHER can't find it in their hearts to reunite for this, perhaps it's time to put away your dreams of them reuniting for anything. But in their place, we got COLDPLAY's CHRIS MARTIN and JONNY BUCKLAND tearing through Oasis' "DON'T LOOK BACK IN ANGER" and backing a solo Liam on "LIVE FOREVER," and Liam, in an unannounced set, delivering a perfect replica of "ROCK 'N' ROLL STAR," complete with a guitarist who looked like Noel circa 1996. Grande sealed the show with a gymnastic version of "OVER THE RAINBOW" that may have made you cry Olympic tears. Beautiful. The concert raised at least $3 million for the BRITISH RED CROSS. UMG, whose roster includes Grande, donated $500,000; organizers said TWITTER, SPOTIFY and YOUTUBE pitched in, too... THOM YORKE vs. ROGER WATERS on the boycott-ISRAEL movement. Without taking sides in a deep and complicated issue, I would like to credit the two rock frontmen with debating/arguing a heated subject like adults, even through what appears to be considerable anger in both directions. Also, it should be noted they agree on two things: Their love for NIGEL GODRICH and their loathing for BENJAMIN NETANYAHU... Descendants of BOB MARLEY taking a shot at magazine publishing (guess which mag!) and American football... "Search it all you want, check your local library, you'll never find a rhyme like this in any dictionary." RIP JEFFREY CAMPBELL aka THE EDUCATED RAPPER of UTFO. | | | - Matty Karas, curator |
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 | Manchester Evening News |
| Ariana Grande was determined to return, assembling some of the world's biggest music stars in the process. | | |
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 | Musonomics |
| It’s not a secret that live music has kept many artists afloat as the recorded industry has cratered. But fifty percent of last year’s top 100 grossing acts are over 50 years old. Mick Jagger is 73. So what will happen to the live music industry when they’re no longer around? | | |
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 | Fast Company |
| In a desert town that inspired “Star Wars,” the creators of FORM Arcosanti are growing a music festival with a unique focus on community. | | |
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 | Noisey |
| PMS clumsiness is either a thing or leftover from the days when science tried to justify treating women like freaks for menstruating. | | |
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 | Concurrent Media |
| Recommendation algorithms are becoming the new DRM. | | |
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 | The Ringer |
| Jack Antonoff — the man behind Bleachers and a cowriter for Lorde and Taylor Swift — has remade Top 40 in his jubilant, slightly neurotic image. His new album is no exception. | | |
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 | Thump |
| Technology must be accessible to the next generation of artists, Gerard Behles says. | | |
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 | The New York Times |
| Artists worldwide battle illegal sales of their work. But Nigeria’s piracy is so ingrained that music thieves even worry about rip-offs of their rip-offs. | | |
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 | Rolling Stone |
| What makes a great hip-hop song? | | |
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 | Loud And Quiet |
| We stepped inside Charlotte Church's Late Night Pop Dungeon to discusses her unpretentious covers band, politics and a career less ordinary. | | |
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 | The Verge |
| The project is going to run for an entire year. | | |
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 | Vulture |
| Fifty years ago this week, a young London kid named Geoff Emerick was hearing -- from what must have seemed like every passing window -- the fruits of an odd project he had been an intimate part of over the previous five months: the recording of the Beatles’ "Sgt. Pepper’s Lonely Heart’s Club Band." | | |
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 | ADWEEK |
| Propel is testing a new ad unit that fits into a bigger fitness-themed campaign. | | |
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 | Song Exploder |
| Singer Joe Newman and keyboardist Gus Unger-Hamilton break down the song “In Cold Blood.” | | |
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 | SoundExchange |
| Daniel Glass had no idea a recession was right around the corner when he launched Glassnote Entertainment Group in 2007. Ten years later, Glassnote has become one the world’s leading indie labels. Much of that has to do with the quality of the recording artists signed to Glassnote – including Mumford & Sons, CHVRCHES, Childish Gambino and Phoenix. | | |
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 | Music Business Worldwide |
| The whopping pricetag is one of the biggest in music business history. | | |
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 | The Guardian |
| In the aftermath, the city’s underground music scenes have faced a struggle to survive with evictions and rent increases leaving them with difficult choices. | | |
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 | The Daily Beast |
| “Bitch Havens” was what Woody Guthrie called the Trump complex he moved into, and was horrified by this exclusively white “JimCrow town.” | | |
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 | The Quietus |
| Sod the first few EPs, we say a band's real hidden gems are buried at the end, among the ill-advised career moves and last grasps at fading relevance. Here, tQ writers fight the corner for their favourite unloved and underrated records from the tail-end of their favourite artists' discography. | | |
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 | 99% Invisible |
| The floorboards of Nijo Castle in Kyoto emit chirps as people pass through the hallways. The acoustic disturbance is louder than old boards creaking and occurs very much by design. So-called “nightingale floors” feature nails intentionally allowed to rub and squeak, creating a passive security device to alert residents of nighttime intruders. | | |
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 | YouTube |
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