[The government] confiscated tapes, shut down parties and called us cacos [thugs]... But the biggest blessing to the genre was when it was told 'No!' It becomes legendary when you say 'no.' | | | | serpentwithfeet's "soil" is out today on Secretly Canadian.
(Burak Cingi/Redferns/Getty Images) | | | | |  | “[The government] confiscated tapes, shut down parties and called us cacos [thugs]... But the biggest blessing to the genre was when it was told 'No!' It becomes legendary when you say 'no.'”
|
| |
| | rantnrave:// If you're at BONNAROO this weekend, you can plan your schedule like clockwork. You know KHALID hits the stage at 9:30 tonight, you know CHROMEO's going on at 1:15 in the morning, and if you need to plan your weekend around BON IVER's back-to-back sets at 9:45 pm Saturday and 12:25 am Sunday, you've had plenty of time to make those arrangements. But if you're here in LA and you want to see, say, SLEEP at the WILTERN tonight, what's your strategy? Doors at 7, show at 8. That's the entire schedule. And here's what isn't going to happen at 8: Sleep. May not happen at 9 either. You can call the club and hope the info is available somewhere on the club's voicemail spiderweb, or maybe get a friendly human on the phone. Maybe SCENESTAR will eventually post set times on its oft-helpful TWITTER feed, but also maybe not. Often, you just have to guess, or know a publicist, or get there early and drink and wait. The bands know when they're playing. The clubs know. Why can't you? SCOTT ENMAN makes a passionate plea for publicizing set times in dance clubs, where the hours—and the wait—can be much longer. If your revenue model depends on fans getting there early and buying drinks, then give them actual reasons to show up for that. Don't do it by stressing them out. I know I'm whining. But I'm right... Something else you can plan for at Bonnaroo: Laundry... KANYE WEST is still recording and mixing the album he released a week ago... I used to hate old people who salivated over every newly unearthed JIMI HENDRIX recording. Now I'm an old person who salivates over every newly unearthed PRINCE recording. But seriously. You're salivating, too... QUESTLOVE on PRINCE's zen-like rehearsal regimen... Also newly unearthed: JOHN COLTRANE, 1963... STANFORD law prof ANNEMARIE BRIDY on hateful conduct policies: "Even if you think SPOTIFY should be making content moderation decisions based on artists' off-platform conduct, it’s pretty clear that they lack in-house competence and capacity to make fair judgments about that conduct"... So how's this for a hateful conduct policy?... BRUCE SPRINGSTEEN will perform at the TONY AWARDS Sunday night (8 pm ET on CBS)... It's FRIDAY and that means new music from KIDS SEE GHOSTS (KANYE WEST & KID CUDI), SNAIL MAIL, SERPENTWITHFEET, JORJA SMITH, THE MIDNIGHT HOUR (ALI SHAHEED MUHAMMAD & ADRIAN YOUNGE), SUGARLAND, ANGELIQUE KIDJO, DIERKS BENTLEY, LILY ALLEN, DAVE MATTHEWS BAND, LYKKE LI, ERIN RAE, YOB, NE-YO, KADHJA BONET, CLAPTONE, POPTONE, FREEWAY, FIONA JOY, JON HASSELL, RIVER WHYLESS, MICHAEL FRANKS, HOWLIN RAIN, JESSE DAYTON, SHANNON SHAW and the FUTURE-curated SUPERFLY soundtrack. | | | - Matty Karas, curator |
|
|
 | Rolling Stone |
| Three pioneers explain how the once-forbidden riddim set off an international pop craze. | | |
|
 | Vulture |
| Kid Cudi has always been an artist ahead of his time, and as a result many of his albums feel like missed opportunities - now he's about to release an album with Kanye, will it offer him a chance to reset? | | |
|
 | Trapital |
| Diddy's hip-hop cable network just laid off one-third of its staff, but can turn its fate around with a few strategic moves. | | |
|
 | Spotify for Artists |
| Spotify data alchemist Glenn McDonald turns numbers into music experiences. | | |
|
 | Mixmag |
| Nobody wants to stress about missing their favorite artists. | | |
|
 | The New York Times |
| Former employees and customers at the giant music retailer described problems with how it sells protection plans, particularly in Puerto Rico. | | |
|
 | MusicAlly |
| Music manager and entrepreneur Scooter Braun was the biggest keynote draw of this year’s Midem conference, interviewed by Variety executive director Shirley Halperin. | | |
|
 | BBC |
| Former punk singer Gilles Bertin spent decades on the run before handing himself in to face trial for a robbery. | | |
|
 | Nashville Scene |
| From rap, pop and rock to country and dance music, here are 24 sets you don’t want to miss. | | |
|
 | Pigeons & Planes |
| Duong Nguyen is shaping modern hip-hop lettering with work for artists like Kendrick Lamar, ASAP Rocky, Lil Uzi Vert, Nicki Minaj, and Lil Peep. | | |
|
 | Pitchfork |
| “Hereditary” is so scary that working on the film’s score gave Colin Stetson the willies. | | |
|
 | The Undefeated |
| On flag day, the most patriotic among us should be kneeling. | | |
|
 | The Quietus |
| Given that The Boss recorded Darkness between October 1977 and March 1978 you would think it would bear the influence of punk. And it does, says Michael Hann. | | |
|
 | Supervisor Wire |
| Jordan shares what makes Score a Score different from other synch companies, how they’ve had success for their artists with major brands like Taco Bell, Microsoft and Coca-Cola and film studios like Disney, Paramount, and Netflix. | | |
|
 | MetalSucks |
| We cannot tacitly support Tim Lambesis's behavior by continuing to give the band coverage. | | |
|
 | The Fader |
| One of the most spirited voices in rap got to where she is by trying on different identities. Now she just has to be herself. | | |
|
| The New York Times |
| Allee Willis writes songs, hosts outrageous parties and made her own social network before we’d even heard of the internet. Now she’s entering the Songwriters Hall of Fame. | | |
|
 | Lenny |
| An interview with Musician Ralph and Filmmaker Gemma Warren. | | |
|
 | RealClearLife |
| Songwriter Bryan Woolley on the power of "Video Killed The Radio Star," the song and video that launched MTV. | | |
|
 | NPR Music |
| ... and remembering unbridled, bold blackness. | | |
|
 | YouTube |
| | | | Ali Shaheed Muhammad and Adrian Younge |
| | From "The Midnight Hour," out today on Linear Labs. |
| | |
|
|
| © Copyright 2018, The REDEF Group |
|
|
