[R]espondent endeavors to use The Slants to supplant a racial epithet, using new insights, musical talents, and wry humor to make it a badge of pride.
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Jo Stafford in the studio with husband/arranger Paul Weston, 1950s.
(Metronome/Getty Images)
Tuesday - June 20, 2017 Tue - 06/20/17
rantnrave:// Pay to play(list)... Reports of terrestrial radio's death may or may not be exaggerated, but if you have any interest in being a country music star in 2017, be prepared to get in a bus for months at a time becoming acquainted with radio programmers at scores of stations big and small. For they remain the gatekeepers. The WASHINGTON POST's EMILY YAHR charts the grueling details of the traditional radio tour in a must-read that demonstrates the unusual sway terrestrial stations hold over the country music biz. It's "the modern day version of door-to-door sales," Yahr writes as she follows the progress of newcomer CARLY PEARCE from station to station across the ATLANTA market. "Each one can cost a label hundreds of thousands of dollars. And there's absolutely no guarantee it will work"... Country radio tours focus, for obvious reasons, on stations that report to BILLBOARD and MEDIABASE. Labels have been targeting Billboard separately with various-artist compilations that appear to have been designed to game the magazine's albums chart. Billboard this week changed the rules to game the gamers; the EPIC AF compilation is, therefore, no longer charting AF... Yes, you can trademark the name of your rock band even if it's an offensive, or potentially offensive, name. The SLANTS can return, finally, to the everyday business of being a rock band, and the professional football team from WASHINGTON, D.C., can thank them for setting a precedent that seems likely to ensure its own controversial trademark... Hi MR. CARTER: I will honor the hyphen but not all those capital letters, which is perhaps ironic considering I just all-capped your last name, but that works for first reference only here in the rantnrave. #REDEFstylebook... This is a fantastic view down streaming's long tail, courtesy SPOTIFY data wiz GLENN MCDONALD.
- Matty Karas, curator
orchestrator
The Washington Post
'Radio tour is not for the weak': Inside the first step to country music stardom
by Emily Yahr
This Nashville tradition is crucial for mainstream success. There’s no guarantee it will work.
The New Yorker
Father John Misty’s Quest to Explain Himself
by Nick Paumgarten
The indie-rock provocateur says he wants to be “authentically bogus rather than bogusly authentic.”
NewMusicBox
Is the Printed Circuit Board a Form of Musical Notation?
by Marc Weidenbaum
Is the printed circuit board a form of musical notation? And even if it isn’t, what can one glean from all those diodes, the cryptic copper lines, the tiny landscapes of circuitry?
TechCrunch
Spotify “Sponsored Songs” let labels pay for plays
by Josh Constine
A mysterious "Sponsored Content" opt-out setting recently appeared in Spotify, and now the streaming giant has confirmed to TechCrunch what it's about. Spotify is now testing a new “Sponsored Song” ad unit that a company spokesperson tells us is “a product test for labels to promote singles on the free tier.”
Rolling Stone
The Wild Life and Wounded Heart of Machine Gun Kelly
by Brian Hiatt
After years of hard knocks and hard partying, the Cleveland rapper may finally be breaking big. All he has to do is stay alive.
The New York Times
The Alanis Morissette Album From the ’90s America Needs Now
by Hanif Abdurraqib
The “Jagged Little Pill” musical can’t come soon enough.
MusicAlly
Royalty Exchange: music is 'one of the most undervalued asset classes today'
by Eamonn Forde
Royalty Exchange was set up in 2011 to act as a broker/marketplace to connect owners of copyrights with private investors looking to buy a share of the future earnings of those copyrights. The company says the model is not about surrendering control of copyrights but rather is based on an earnings-share model.
Electronic Beats
Meet DJ Nesa, A Woman Aiding Iran's Electronic Music Boom
by Tristan Bath
We interviewed the female DJ behind Deep House Tehran about the growth of the Iranian techno scene.
Guernica Magazine
Nina Simone in Liberia
by Katherina Grace Thomas
The singer went to Africa, she said, in search of peace, or a husband, or maybe the feeling of home.
furia
Songs From the Edges
by Glenn McDonald
All over the world, there is strange and wonderful music you would love if you only knew it existed. The people who know about it already love it, and are frantically and joyfully discovering more of it RIGHT NOW. But how do you find them and find out what they know?
arranger
NPR
A Band Apart
by Ned Raggett
How the members of Algiers -- four musicians in three cities on two continents -- made an album for a world as divided and unsettled as they are.
The New Yorker
Inside XXL’s Freshman Issue
by Carrie Battan
Once the hip-hop magazine picks the ten rising stars to feature in its annual issue, it must get them all together for a daylong photo shoot.
Variety
Can Gene Simmons Actually Trademark the 'Metal Horns'? A Historic and Legal Perspective
by Katherine Turman
In its 44 years as a band, Kiss' ongoing onslaught of merchandise has included everything from caskets to condoms, but band bassist and co-founder Gene Simmons' June 9 attempt to trademark rock and roll's iconic "metal horns" hand gesture is a bridge too far for musicians and fans who believe the late singer Ronnie James Dio -- among others -- can lay claim to the ubiquitous gesture.
Forbes
Mary Meeker's 2017 Internet Trends: What Do They Mean For Music?
by Cherie Hu
From interactive gaming to the rise of voice-controlled devices, Meeker's annual report lays out a compelling blueprint for where the music industry should be looking and investing.
The Washington Post
The Slants (and the Redskins) win: The government can’t deny full trademark protection to allegedly racially offensive marks
by Eugene Volokh
That's what the Supreme Court just held this morning, in Matal v. Tam.
The Spinoff
Lorde explains the backstory behind every song on her new album
by Henry Oliver and Lorde
The stories, processes and influences behind the songs.
Quartz
MIT researchers turned a strip of fabric into a high-tech musical instrument
by Hannah Yi
The experimental keyboard is made from soft layers of fabric that have sensors. It’s all sewn together with conductive thread. You can play it like a traditional keyboard, but the FabricKeyboard also responds to pressure, proximity, and stretching.
Soundfly
(Artificial) Space is the Place: A Reverb Technology Primer
by Brad Allen Williams
Learn about the different types of reverbs, their histories, the effect they have on your recordings, and the best way to achieve them!
Fast Company
Why Spotify Should Become A Social Network
by John Paul Titlow
We know: The last thing the world needs is another social app competing for our brain space. But hear us out. There’s a good reason for this one.
Sodajerker
Sodajerker on Songwriting: Jason Isbell
by Jason Isbell, Simon Barber and Brian O'Connor
Grammy Award-winning singer-songwriter and guitarist Jason Isbell joins Simon and Brian in London to mark the milestone of the 100th Sodajerker podcast.
MUSIC OF THE DAY
"Radio"
Sylvan Esso
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