If someone doesn’t like you in modelling then you won’t get any work. If someone doesn’t like you in hip-hop then you just make a song dissing them and become a legend. | | | | Swamp Dogg in 1975.
(Gilles Petard/Redferns/Getty Images) | | | | |  | “If someone doesn’t like you in modelling then you won’t get any work. If someone doesn’t like you in hip-hop then you just make a song dissing them and become a legend.”
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| | rantnrave:// How many 76-year-old dudes does it take to change a light bulb on New Music Friday? Because I've got three if you need 'em. PAUL MCCARTNEY, ever youthful and pathologically unable to stop creating new music, has a new batch of songs produced by pop wunderkind GREG KURSTIN. PAUL SIMON, ever contemplative and claiming he's done both writing and touring, has a batch of re-arranged and re-recorded album tracks from throughout his solo career. And the two best-known Pauls in classic rock may be upstaged in some quarters today by their fellow 76er JERRY WILLIAMS, the ever restless R&B iconoclast better known for the past half-century as SWAMP DOGG. Topping Macca in the collaborate-with-the-kids department, Swamp Dogg's weird, startling and often dark new album was recorded with the production help of POLIÇA's RYAN OLSON and BON IVER's JUSTIN VERNON. And topping Simon in the rearranging-his-life department, his voice is heavily filtered exactly the way you'd expect of an album titled LOVE, LOSS AND AUTO-TUNE. KANYE WEST's 808S & HEARTBREAK was one of his inspirations. The album, which connects some previously unconnected dots between '50s R&B crooning and '10s R&B introspection, doesn't quite sound like any of those collaborators or influencers; it sounds, rather, like a long-running outsider working with an all-new mood board. And the results are occasionally great. MusicSET: "Auto-Tuning the Swamp (Dogg)"... McCartney, meanwhile, will livestream his album release party from a secret New York location tonight. (I'm around if anyone has a plus-one!) The show continues a lengthy streak of public appearances in which the GOAT lefty bassist has been letting his hair down both musically and personally, opening his repertoire of songs and stories and reminding us, on the odd chance we needed the reminder, why we're still here for him after all these years. MusicSET: "Fuh Yeah! Paul McCartney Is Still Rock's Macca Daddy"... You'll find a weekend's worth of Spotify reading in the mix below. Enjoy. Or not... Crackpot MICHAEL MOORE theory of the day: DONALD TRUMP started running for president because he was peeved that NBC was paying GWEN STEFANI more for THE VOICE than it was paying him for THE APPRENTICE. I doubt even Moore believes this one but hollaback, boy, if I'm wrong about that... Another PRINCE treasure from the VAULT... DOLORES O'RIORDAN drowned in a bathtub... European regulators approve APPLE's SHAZAM acquisition... It's FRIDAY and in addition to Paul, Paul and Swamp Dogg, that means new music from ESTELLE, PIG DESTROYER, ADULT., ST. PAUL & THE BROKEN BONES, SPIRITUALIZED, JOEY PURP, JEFF THE BROTHERHOOD, KILO KISH, ZHU, RUSS, LENNY KRAVITZ, EVERLAST, CRAIG ARMSTRONG, $UICIDEBOY$, SAUNA YOUTH, MNEK, THE NIGHT GAME, MOTHERS, SINGLE MOTHERS, RUSTON KELLY, THOMAS FEHLMANN, WAXAHATCHEE, DONNA MISSAL, HONEY HAHS, CHILLY GONZALES, ERIC BACHMANN, MIRAH, KORPIKLAANI, CLUTCH, GHOSTLAND OBSERVATORY, KATHY MATTEA, LAUREN DAIGLE and BUILDING 429... RIP TONY CAMILLO, RICHARD BATEMAN and BETH KRAKOWER... Best wishes to JIMMY SPICER... There will be no MusicREDEF on Monday, the first day of ROSH HASHANAH. We'll be back in your inbox Tuesday morning. Shana tovah. | | | - Matty Karas, curator |
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| | | total destruction to your mind |
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 | The New York Times |
| The streaming service has been making deals with independent artists. Could it change the music industry as we know it? | | |
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 | Bloomberg |
| Stockholm-based Spotify is about to enter talks on new contracts with all three major record labels, and the deals will determine whether the company, which went public in April, can turn its money-losing service into a profitable one. | | |
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 | WTF with Marc Maron |
| Marc talks with Paul McCartney about, well, a lot. | | |
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 | Pitchfork |
| Beyoncé, Taylor Swift, Chance the Rapper, and Nicki Minaj are taking unprecedented steps to stake their claim in today’s attention economy, bypassing traditional journalism in the process. | | |
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 | NPR |
| "In order to be well versed in the culture, you have to be an encyclopedia," 9th Wonder says. "What The HipHop Archive is doing is creating a family tree." | | |
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 | Dazed Digital |
| Meet the teenage New Yorker who’s backed by Kanye and Travis Scott, and is making hip-hop a more anarchic place. | | |
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 | The Fader |
| The sweeter, stranger side of an artist you might otherwise think was only sad. | | |
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 | Forbes |
| Private employers traditionally have wide latitude to make their workers sing the company song. But the ongoing controversies over protests by NFL players during the national anthem are demonstrating why dictating employees' on-the-job political expression is a losing proposition. | | |
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 | Trapital |
| "Astroworld" was backed by an impressive promotional strategy, but it inadvertently stalled the impact of "Birds in the Trap Sing McKnight." | | |
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 | Slate |
| The streaming era has transformed the way music--and money from music--is made, and cemented who holds most of the power. | | |
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| Pitchfork |
| Producer CashMoneyAp went from obscurity to six-figure income selling beats online. | | |
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 | Mixmag |
| The ethics of posthumous releases is a contentious subject. | | |
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| The New York Times |
| As the pre-eminent media coach in the music business, Ms. Williams has worked with Rihanna, Justin Bieber, T.I. and a constant flow of young rappers. | | |
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 | Vulture |
| The rapper and musician knows you think he’s had a bad year, but it’s more complicated than that. | | |
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 | Red Bull Music Academy |
| A firsthand account of the heady days after the fall of the Wall. | | |
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 | Music Industry Blog |
| This is the first of two thought pieces on how streaming is reshaping music from creation to consumption. These are changes that represent the start of the long-term fundamental shifts that will ultimately evolve into the future of the music business. | | |
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 | Hypebot |
| Spotify is not great if you're a fan of classical music. Not only do you have to put up with Drake on your front page, but its search can't tell between the 3572 versions of Beethoven's 5th. Primephonic has launched to solve those problems. | | |
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 | The Tennessean |
| It was supposed to be her masterpiece, but commercially, it flopped. Now Harris' 1985 country concept album is ready to be rediscovered. | | |
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 | MusicAlly |
| From labels to streaming services to brands, they’re all saying the same things: hip-hop is the hottest independent music genre in India in 2018, and it’s only going to get bigger. | | |
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 | Centuries of Sound |
| Bert Williams, Scott Joplin and the introduction of the Victrola. | | |
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 | YouTube |
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