Everything was always possible. Nothing is impossible. That was always my theory.
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Sheck Wes at RapCaviar Live in Coney Island, N.Y., Sept. 29, 2018.
(Nicholas Hunt/Getty Images)
Thursday - October 04, 2018 Thu - 10/04/18
rantnrave:// In addition to everything else that made them special, the BEATLES, not unlike, say, MICHAEL JACKSON or DR. DRE, made records that sounded fantastic. The sonic details of all their recordings, from 1963 cradle to 1969 grave, are stunning, but it's hard not to notice an uptick smack in the middle, circa 1966, when GEOFF EMERICK was promoted to balance engineer at ABBEY ROAD and was assigned to the group. Which is not to suggest that Emerick, whose name I didn't know until many years after I had absorbed all those sounds, was one of the four or five most important people in the rooms where those albums were made. He wasn't. But as the Beatles' sixth-or-so man, he was instrumental in their move from live band to studio band, from black and white photographers to color artists. He was the guy who used a speaker as a bass microphone on "PAPERBACK WRITER" and who slowed down the backing track on "RAIN," imaginatively tweaking the low end on both songs to make the Beatles' records sound more like the MOTOWN records they loved. He was the guy who used a wool sweater and an especially close microphone to make RINGO sound like Ringo. He was the guy who ran interference so they could master their records hotter—louder—than the studio officially allowed. He was the guy who translated JOHN LENNON's desire to sound like the DALAI LAMA chanting on a mountaintop into a suitable vocal track for TOMORROW NEVER KNOWS. Nothing he did falls into the category of, say inventing multitracking or inventing sampling; his engineering legacy, rather, is a series of small everyday innovations that slowly and steadily expanded the notion of what was possible inside a studio. The Beatles, he said in a million different ways, didn't understand the word "can't," and his job, alongside producer GEORGE MARTIN, was to be their "can." His memoir, HERE, THERE AND EVERYWHERE: MY LIFE RECORDING THE MUSIC OF THE BEATLES, is a breezy, insightful and occasionally provocative account of life inside Abbey Road. He got some slack for seemingly minimizing Martin's role and for a few mean shots at GEORGE HARRISON's guitar abilities, among other things. His fellow Beatles engineer, KEN SCOTT, devoted part of his own memoir to refuting Emerick. But no one disputed Emerick's creative and technical contributions to some of the most treasured pop recordings of all. Or his skills with scissors and razor blades. RIP... Oh yeah, after the Beatles, there were BADFINGER, CHEAP TRICK, ROBIN TROWER, PAUL MCCARTNEY, KATE BUSH and ELVIS COSTELLO's IMPERIAL BEDROOM and all that, but you're all music geeks, too, and you already knew that... PANDORA takes over SOUNDCLOUD's ad sales... GIBSON BRANDS has court approval for its plan to exit bankruptcy, which includes replacing CEO HENRY JUSZKIEWICZ... Political update of the day: STORMY DANIELS dances to nothing but metal and spent time on the road with PANTERA, her second favorite band (after SLIPKNOT).
- Matty Karas, curator
artificial double tracking
Playboy
Justin Tranter's School of Pop
by Chris Martins
A queer kid from Chicago is dominating Top 40 radio. Now he's giving back & launching a music empire.
Hollywood Reporter
James Brown Family Feud: Inside a 12-Year Fight Over Bigamy, DNA Tests and Copyright Law
by Eriq Gardner
The Godfather of Soul married a woman who was married to another man, who in turn was married to three other women. Now it's up to a federal court to decide who gets millions in song royalties in a case with big implications for artists and families.
Billboard
Tencent Music's IPO Filing Reveals Its Greatest Strengths -- And Competitors -- On The Global Streaming Stage
by Cherie Hu
Tencent has grand, lucrative ambitions in shaping the future of entertainment and tech -- encompassing more flexible digital revenue streams beyond monthly subscriptions, more direct-to-fan opportunities for creators and tighter integration with existing social media platforms.
Music Business Worldwide
Tencent Music uses ‘tipping’ to rack up revenues. Why aren’t Western music streaming platforms doing the same?
by Cherie Hu
Cherie Hu on what the likes of Spotify can learn from China's biggest streaming music company.
Rolling Stone
How Geoff Emerick Helped the Beatles Reinvent Music
by Rob Sheffield
The crucial collaborator in the Beatles’ glory years helped them find endless new ways to change the way music sounded.
Okayplayer
The Secret History Of 'Def Jam Vendetta,' The First Hip-Hop Game In History
by Elijah C. Watson
"Def Jam Vendetta" turned 15 this year and a new iteration of it has been teased. The creators and some of the rappers involved speak on the game's legacy.
The New York Times
Lady Gaga Isn’t Done Shape-Shifting Yet
by Rachel Syme
Lady Gaga wants to wear every costume, live out every type of known stardom. ‘‘A Star Is Born’’ is just her latest reinvention.
Vulture
When Pop Stars Attempt Movie Stardom: Gaga, Cher, and Other Film Debuts, Ranked
by Charles Bramesco
This weekend, "A Star Is Born" will AHHHH-HAAA-AHHHH its way into American cineplexes and a lot of people will praise Lady Gaga, who gives a stellar performance as the female lead, Ally. A lot of those people will express astonishment that she knocked it out of the park on her first go.
The Baffler
Unfree Agents
by Liz Pelly
Spotify pushes an Uber-like model for independent artists.
Complex
A Day With Teenage Jay-Z: The Story Behind This Lost 30-Year-Old Photo
by Shawn Setaro
Photographer Timothy White did a session with Jaz-O back in 1988 that, decades later, revealed some hidden treasures of a young Jay-Z.
varispeed
Penny Fractions
Apple Music Doesn't Care About Playlists
by David Turner
Apple Music app makes a small assumption that Spotify never makes: Music fans already know what they want.
Variety
In the Streaming Age, Does Music’s Q4 Matter Anymore?
by Roy Trakin
Record labels once backloaded their schedule with superstar releases targeting the holidays. Christmas 2018 paints a different picture.
Mixmag
We took Orbital's Phil Hartnoll to a 2018 free party in the Welsh countryside
by Dave Jenkins
He may still be there.
Vox
Kidz Bop's 'censored' songs aren't just annoying -- they're problematic
by Aditi Shrikant
A children’s media expert on what Kidz Bop censorship says about how sex and violence are perceived in America.
Music Business Worldwide
Rob Stringer talks Spotify, A&R, YouTube... and the possibility of a major label-owned streaming service
by Tim Ingham
Sony exec grilled by the BBC on modern music industry talking points.
The Fader
Ruston Kelly is an instant legend
by Marissa R. Moss
The singer Ruston Kelly (and husband to Kacey Musgraves) talks about doing mushrooms with his dad, sexism in country music, and sobriety.
Touré Show
En Vogue--We Were Born To Sing
by Touré and En Vogue
En Vogue is one of the greatest singing groups ever. And they’re still out recording and touring--they just dropped a new album called "Electric Sky." We talk about how they sing, how they manage to get along, and what ever happened to the other two members?
The New York Times
London’s Radio Pirates Changed Music. Then Came the Internet.
by Annalisa Quinn
Renegade broadcasters fostered styles from rave to grime. But competition from online and community FM stations means pirate radio is dying out.
Second Inversion
Phill Niblock at 85: Austere, Unpopular, Astounding Minimalism
by Michael Schell
As a throng of third generation minimalist composers rides the movement’s most fashionable waves, an intrepid handful of the genre’s pioneers continue to sustain it in its original, unalloyed and uncompromising form. Phill Niblock, who turns 85 today, is one of those pioneers.
Gearslutz
Q+A with Geoff Emerick
by Geoff Emerick
Legendary recording engineer & producer Geoff Emerick (The Beatles, Paul McCartney, The Zombies, Elvis Costello, Badfinger, Art Garfunkel, Gino Vannelli, Supertramp, Cheap Trick, Trevor Rabin, Ultravox, Robin Trower, Stealers Wheel, Kate Bush and many, many more) - joins us for a special Q+A.
MUSIC OF THE DAY
YouTube
"Tomorrow Never Knows"
The Beatles
“REDEF is dedicated to my mother, who nurtured and encouraged my interest in everything and slightly regrets the day she taught me to always ask ‘why?’”
@JasonHirschhorn


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