It seems to me what music is, is everything that you do.
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If Betty Carter isn't singing the female part, you might be listening to the wrong "Baby, It's Cold Outside."
(Ed Perlstein/Redferns/Getty Images)
Wednesday - December 12, 2018 Wed - 12/12/18
rantnrave:// It isn't weird to process art in the context of the present, rather than in the context of when it was recorded or written or painted or filmed. It would be weird not to. We don't listen to MOZART in 1783, JAMES BROWN in 1965 and CARDI B in 2018. We listen to all of them in 2018. And the music may or may not resonate in 2018 the same way it resonated in centuries past. The best music, like all good art, survives not because we freeze it in its moment, but rather because we respond to its sound and its emotion and its truth in *our* moment. It survives because it continues to resonate. Which doesn't mean we erase the circumstances of its creation or what it meant in its time. That's part of the music, too. We can appreciate how things have changed, though. We can disagree with a song's message or its arrangement or its tone and still celebrate its core beauty. We can disagree with each other. We can raise our eyebrows at a song like "BABY, IT'S COLD OUTSIDE" without condemning FRANK LOESSER, who wrote it in 1944, for not anticipating how 21st century ears would hear it. Nor do we have to condemn anyone who continues to perform or program a song originally intended as a duet to sing at parties. Because baby, it's complicated inside. The song, which morphed over time from party song to movie sync to American songbook standard to holiday classic, is a cheeky bit of social commentary. That, at least, was the intent, and that presumably is how it was heard by most midcentury ears. But in recent years, a growing chorus of listeners has heard something far uglier in the male character's overtures to his female friend. This isn't because of #MeToo; we've been debating Loesser's song for years. The #MeToo movement has added fuel to the debate, though, and we find ourselves now in the middle of competing calls to drop it from radio playlists and to un-drop it. In 2018, "Baby, It's Cold Outside" is both feminist target and feminism anthem. Is it possible both sides are right? Is it possible each side could learn something from the other? Is it possible we'll still be debating this 20 years from now? MusicSET: "Baby, It's Complicated Outside"... As for the six-letter f-word at the center of the debate over another classic 20th century Christmas song, is it that hard to acknowledge that it's both a great song and a terrible word? Is it that hard to acknowledge that the writer had a clear and honorable literary intent in using the word and that it's still, nonetheless, a terrible word? If we bleep anything on the public airwaves—as we obviously do—can't we just bleep this one, too, and move on? The writer seems to be cool with that... In other debate news, NICK CAVE writes a letter to BRIAN ENO about performing in Israel, which the former did and which the latter wishes nobody would do... DEF LEPPARD wins the fan vote for the ROCK HALL OF FAME, and finds out on Thursday if it actually gets in. A worthy candidate from an underrepresented genre. But inducting Def Leppard before JUDAS PRIEST and IRON MAIDEN risks invoking the wrath of SATAN and other dark lords, and do we really want to do that?... RIP LUCAS STARR... Happy birthday to our friend and REDEF reader IRVING AZOFF.
- Matty Karas, curator
zooey deschanel
Longreads
You Don’t Own Me
by Joe Bonomo
Some fans prefer small club shows, others like arena rock shows, but do we care what the bands prefer?
Garage Magazine
Are the Best Music Videos Actually Movies?
by Claire Shaffer
From David Bowie to Britney Spears, musicians have long been elevating their music videos to a cinematic art form.
The Guardian
Genesis P-Orridge: fantastic transgressor or sadistic aggressor?
by Lottie Brazier
The Throbbing Gristle provocateur is being hymned as she nears the end of her life. But accusations of abuse, all denied, complicate her legacy.
Vox
Why Shakira loves this African beat
by Johnny Harris and Christina Thornell
No matter how much Cumbia evolves, it always comes back to Colombia.
Slate
Halls of Fame Need Diversity, Too
by Mike Pesca and Chris Molanphy
The 2019 Rock and Roll Hall of Fame nominees are less progressive rock, more progressive politics.
The Red Hand Files
Nick Cave's Letter to Brian Eno on Why the Bad Seeds Played Israel
by Nick Cave
"It struck me while writing this how much more powerful a statement you could make if you were to go to Israel and tell the press and the Israeli people how you feel about their current regime, then do a concert on the understanding that the purpose of your music was to speak to the Israeli people’s better angels. That would have a much greater effect than a boycott."
Complex
Juice WRLD is Setting Himself Apart by Embracing Rap's Trends and Traditions
by Grant Rindner
Juice WRLD has topped the charts with melodic songwriting, but his freestyles show another side to the story.
The Outline
Ice Cube’s going to blow this whole Trump thing wide open
by Drew Millard
On his new album ‘Everythang’s Corrupt,’ the legendary rapper recasts himself as a member of #TheResistance.
Pollstar
The Art Of Artist Development: Knowing When To Play The Long Game Versus Skipping Steps
by Sarah Pittman
For the past three decades that Pollstar has featured rising artists as Hotstars, one constant when talking to agents or managers seems to be a philosophy of taking time to diligently build careers and fanbases through calculated room sequences, rather than fast-tracking acts to bigger stages.
Resident Advisor
Resident Advisor's Best Albums of 2018
Autechre, Julia Holter, Fatima, Leon Vynehall, Lucrecia Dalt...
will ferrell
Variety
A Female Perspective on Music Production: ‘Change Takes Time,’ Says Ex-Matrix Member
by Shirley Halperin
With Linda Perry’s Grammy nomination for Producer of the Year, it’s the first time in 14 years that a woman has been represented in the category. Perry is preceded by Lauren Christy, fo…
NME
Fender boss speaks out on the rise of female players and how 'the diversity of the guitar is beyond the advent of punk'
by Andrew Trendell
"When someone's taken the time to declare the death of the electric guitar, I wish they'd taken the time to check their facts."
The New York Times
This Provocative Band Played North Korea. Now They've Made an Album About It
by Alex Marshall
Laibach has been flirting with totalitarian symbols, and confusing audiences, for decades. Their new album of “Sound of Music” covers is puzzling, too.
i-D Magazine
What's it Like Being an Openly Gay K-Pop Artist?
by Cheryl Santos
Holland's message couldn't have come at a better moment.
Noisey
Pete Shelley's Solo Career Is Worth Shouting About as Much as The Buzzcocks
by Jeremy Allen
From club banger "Homosapien" to the doomy and disco-y “I Surrender,” his 80s electro output is long overdue a revaluation.
PopMatters
Aretha Franklin: Context, Intersectionality, and the Rock Canon
by Joshua Friedberg
Viewing Aretha Franklin's work through a focus on race, gender, and other categories of analysis can challenge us to do the same with all music, acknowledging how multiple points of oppression and privilege impact the production, consumption, and reception of a wide range of music.
NPR Music
Cleveland Orchestra At 100: The Heartland Band With The World Class Sound
by Tom Huizenga
Who knew that a little orchestra in America's Midwest, born in 1918, could grow up to be one of the world's best? Through a century of trials and triumphs, the Cleveland Orchestra still shines.
Highsnobiety
cupcakKe Was the Most Important Rapper of 2018: Here's Why
by Jake Hall
With two incredible full-lengths covering issues both hilarious and crucial, cupcakKe emerged as the MVP of rap this year.
InsideHook
11 Tips on Collecting Records, From a Guy Who Owns 100k of Them
by Reuben Brody
Dig deep, embrace imperfections and focus on the cheap stuff.
Pitchfork
Pitchfork's Best Music Books of 2018
by Daphne Carr, Jesse Jarnow, Erin MacLeod...
In our favorite music-related fiction, non-fiction, and photo books this year, Lauryn Hill, Beastie Boys, Jeff Tweedy, and Prince steal the show.
MUSIC OF THE DAY
YouTube
"Christmas on Riverside Drive"
August Darnell
“REDEF is dedicated to my mother, who nurtured and encouraged my interest in everything and slightly regrets the day she taught me to always ask ‘why?’”
@JasonHirschhorn


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