Using mostly palette knives and particular brushes, Weihs applies pigment in lush impasto layers interspersed with thin glazes that enrich colors and result in canvases that glow with mysterious light and form. If it is totally abstract or if it's abstracted racism, the vague forms and evocative spaces in her paintings become magnets that draw audiences into the mystery of creation by way of human imagination.
Her realistic works radiate anotherworldly ambience of shimmering colors and swirling shapes, representing whatever subject matter the viewer chooses to see. Drifting clouds reflected in a lake, a distant skyline of forest or city, grey fog rolling across the horizon are these forms real or imagined Weihs galvanizes her audience's natural curiosity with compositions that border between abstraction and landscape. She alludes to the familiar without telling the story. Herabstracted representational subject matter is deliberately simplified to capture the "idea" or essence of a place, not the reality of it. Weihs invents each new journey of creation by trusting her intuition completely and by following wherever her hand and intuition lead inside the very textural composition.Like memories that bubble to the surface of the mind, the images her palette knife creates as it carves, smoothes, jabs and dances across the surface eventually coalesce to form a holistic picture.
She is also anextraordinary teacher known for giving permission to students to explore their creativity, encouraging them to make marks with joyful abandon and experiment with tools and techniques that lead to individual style. Weihs studied with LaMar Dodd at the University of Georgia earning a BFA degree. His repetitive, coloristic modern style was great influence.
