Happy Monday! Pompeii seems to yield a fascinating archaeological finding every other week, but a new PBS series intends to instead illuminate the scientific and often deeply moving behind-the-scenes process of their discovery.
Happy Monday! Pompeii seems to yield a fascinating archaeological finding every other week, but a new PBS series intends to instead illuminate the scientific and often deeply moving behind-the-scenes process of their discovery. Scholar Sarah E. Bond reports on the first episode below.
In the news, students at the School of Visual Arts stage a performance action at the institution’s Manhattan gallery with poppies bearing the names of Gazan children killed by the Israeli military, while a report reveals that top art patrons pressured police to deploy to the student encampment at Columbia University.
Read on for more, including a guide to grantmaking geared toward artists of color and the transfixing woodblocks of Hiroshige Utagawa. Have a lovely week ahead. — Lakshmi Rivera Amin, Associate Editor | |
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| Pompeii: The New Dig on PBS follows a group of archaeologists involved in the largest excavation at the ancient site in a generation. | Sarah E. Bond |
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SPONSORED | | The School of Visual Arts Continuing Education in NYC offers a diverse range of more than 200 online and on-campus courses and over 10 artist residency programs. Learn more |
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ART & MORE | | The artist subverts the status system of 19th-century Japan, foreshadowing the impact of modernization and industrialization. | Livia Caligor |
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SPONSORED | | Women figurative realist painters can propel their careers by entering to win $50,000 and a traveling solo exhibition of their work. Applications are open through October 4. Learn more |
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| Those of us in arts philanthropy need to redouble our efforts to fund artists and organizations of color and sharpen our grantmaking practices to advance racial justice. | Rocío Aranda-Alvarado and Lane Harwell |
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FROM THE ARCHIVE | | The equation of white marble with beauty is not an inherent truth of the universe; it’s a dangerous construct that continues to influence white supremacist ideas today. | Sarah E. Bond |
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