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| Nine projects from 14 NSI alumni at Whistler Film Festival 2018 Posted: 05 Nov 2018 01:22 PM PST
Congratulations to the NSI alumni with projects playing at this year’s Whistler Film Festival, November 28 to December 2.
If we missed your film, let us know! In other Whistler film fest news, Darcy Waite and Roger Boyer were accepted to Whistler’s Indigenous Filmmaker Fellowship program. The post Nine projects from 14 NSI alumni at Whistler Film Festival 2018 appeared first on National Screen Institute - Canada (NSI).  |
| Posted: 29 Oct 2018 02:40 PM PDT Awkward and disheartened, 18-year-old Stacey grapples with romantic feelings for her older sister Angela. Based on the short story Gravity by Anna Leventhal from her 2014 collection Sweet Affliction. Creative teamWriters: Jess Lee, Anna Leventhal Filmmaker’s statementGrowing up as an only child, I’ve been fascinated by the intricacies of sibling relationships, particularly during teen years when life can feel most dramatic and exploratory. The power play and social cues, the hurtful tones and tentative requests, the familial commitment and shared intimacies that ground every high and low. When I first read Anna Leventhal’s short story Gravity, I immediately connected with the interior world of Stacey; her humour delivered for one, her empty float, her snarky ego. Nursing a desire she knows will never be fulfilled but still keeping it close; her hold on longing is simultaneously intense and apathetic. I also recognized Angela, a person pushing to break through the limitations of her age but ultimately only able to perform maturity, and at that pretty poorly. These characters build the tension of the film which is muted by the flatness of their sheltered and suburban lives. Henry, a caricature of masculinity, acts as the catalyst between the sisters, forcing them to confront frustrated feelings and opposition within their latent romantic dynamic. About Jess Lee
Jess Lee is an emerging filmmaker based in Tio’Tia: Ke (Montreal). Her experimental shorts, Despite Falling, Surface-Recess-Repeat and The Hurtin’ One have screened internationally and she has directed and edited over a dozen music videos including those for FOXTROTT, Elle Barbara and Heathers. Her debut narrative short, Sweet Affliction, premiered at IMAGE + NATION LGBTQueer Film Festival and was awarded the Prix du Public. It has since been screened in film festivals worldwide including those in London, Berlin, Mexico City, Mumbai, Kiev, Chicago and Houston. She is currently developing a variety of projects, including a television series in collaboration with award-winning actor/playwright Katherine Cullen and an upcoming music video for L.A. Foster. The post Sweet Affliction appeared first on National Screen Institute - Canada (NSI). |
| Posted: 29 Oct 2018 02:36 PM PDT Synthesize is a fictional story about a Ukrainian musician who travels to Canada to meet the one repairman she believes can resurrect her beloved father’s synthesizer, a Polivoks. This film is written for and created by synth lovers, featuring Jay Lemak (Toronto’s top synth repairman) and a soundtrack made with 98% analog synthesizers. Creative teamWriter/director: Matthew Edison Filmmaker’s statementSmall worlds with big hearts. I want to bring a ‘soft power’ approach to storytelling. Small, meaningful moments can be loaded with dramatic potential. Sometimes the simplest gesture moves us more than the grand gesture. This is the world of Synthesize. I want to bring the audience emotionally into the lives of Bruce and Mila through humour, subtlety of expression, and simple authentic moments built one on top of another, to culminate in a single transformative moment. Put another way, inside the seemingly mundane lies the profane and the profound. I remember stumbling on a YouTube video one night of Markus Fuller, an electrical engineer from England with a fascination for analog synths. It was the way Markus talked about these instruments, and their creators, with the same reverence some reserve for religious deities. These were instruments with “currents of energy,” a “circulatory system,” a “brain,” “voices” that “sing.” They need to “warm up” or they get “worn out” or won’t “come to life.” These analog synths were like children and he was their father. I began to think of who the musician would be and why the instrument was so special. How that would bring them together to fulfill a mutual desire. To me, Synthesize is essentially the story of a mother who brings her dying child to the one doctor she believes can save them. But in our story, the ‘child’ is a Soviet-era analog synthesizer and our ‘doctor’ is an electronic repairman. By way of ensuring a genuine representation from the fastidious analog community, I cast Canada’s top analog synthesizer repairman — Jay Lemak of SynthsWhen — to play the lead role of Bruce. The authenticity of Jay’s performance, combined with his knowledge and appreciation of the synthesizers in the film, resulted in a performance that could only be achieved by someone who IS this character. Meanwhile, Ukrainian/Canadian Lena Burmenko serves as a counterpoint to our reclusive scientist. She’s heartfelt, sensitive, emotional. While Bruce’s colour palette is a cooler temperature, Mila’s is warmer. Finally, there’s a fully analog composition by the talented and prolific Peter Chapman. The music acts like a third character in the film, a representation of Mila’s late father. About Matthew Edison
Matthew Edison has made an indelible mark on the Canadian entertainment industry both as an actor and writer. He is a graduate of Canterbury School for the Arts in Ottawa, the Stella Adler Conservatory of Acting in New York City and the Midsummer in Oxford program in England. He is also the great, great, great, grandnephew of American inventor Thomas Alva Edison. Matt has starred in over 20 films: Dirty Singles, Harriet the Spy 2, The Wild Girl, Princess, Waking Up Walter: The Walter Gretzky Story, Static, and was featured in films like Mama (with Jessica Chastain), Flash of Genius (with Greg Kinnear), Our Fathers (with Brian Dennehy) and Interstate 60 (with Gary Oldman and Christopher Lloyd). More recently, Matt appeared in the hit web series Save Me (with Brent Carver), and other TV shows like Steven Soderbergh’s The Girlfriend Experience, L.A. Complex, Saving Hope, Rookie Blue, Republic of Doyle, House Party and Murdoch Mysteries, to name a few. He played a recurring roles on A&E’s popular series Nero Wolfe, Ken Finkleman’s award-winning series At the Hotel, and the Comedy Channel’s House Party, and will soon be seen in eOne’s upcoming series The Detail, based on the hit British series Scott & Bailey. Matt made his theatrical debut in the Canadian premiere of Martin McDonagh’s play The Beauty Queen of Leenane at CanStage in Toronto and since then has gone on to star in over 35 productions. He is an accomplished voice actor, notably playing The Baron for the hit video game Thief, and the role of Nate for the audiobook Elephant in the Sky. Matthew’s stage play The Domino Heart premiered at the Tarragon Theatre to great acclaim and numerous award nominations. His adaptation for CBC Radio Drama was touted as one of the most successful productions that year. He has written and adapted several scripts for film and television including CBC’s Othello, The Law of Similars, Secret Family Recipe, Avenging Miriam and the radio comedy series Trust Inc. Recently, he wrote and directed his first short film, Synthesize, and is in development with his feature film, Hell’s Belles. He has been twice nominated for the Dora Mavor Moore Award for his play The Domino Heart and for his role in Proof. He lives in Toronto and Los Angeles. The post Synthesize appeared first on National Screen Institute - Canada (NSI). |
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