Latest posts from National Screen Institute - Canada (NSI)

In this poetic home movie, an unrelated family of four are connected by themes of loneliness and isolation.

Creative team

Writer/director: Seth Smith
Producer: Nancy Urich

Filmmaker’s statement

This was a bit of an excuse to play around and experiment between bigger projects. No budget, crew or gear. Just a little personal movie with my family, the most interesting folks I know.

About Seth Smith

Seth Smith is a Nova Scotia-based filmmaker and visual artist. His films have screened at festivals around the world and are praised for their dark tone and surrealist style.

In 2012 he completed his first feature, Lowlife. The $5,000 horror premiered at Fantasia, then screened at the Atlantic Film Festival where it was named “the most original feature debut in East Coast cinematic history.” It picked up the audience award at the festival, and went on to receive a crowd-sourced theatrical release.

Outside of directing shorts and features, Seth is known for his music in Dog Day, his visual art in Yorodeo, and frequently serves as a programmer for various film festivals. He is presently completing his next feature The Crescent.

The post Wind Through a Tree appeared first on National Screen Institute - Canada (NSI).

A team of amateur and professional underwater archaeologists tell the story of discovering a steamship that had been lost for over 100 years after sinking during the gold rush in the great Canadian Yukon.

Creative team

Director: Jesse Davidge
Producers: Jesse Davidge, Jon Busby

Filmmaker’s statement

This film is the result of three years of work.

Bringing to light the hard work and determination shown by everyone involved with the Goddard, it was an honor to document this story.

I also wanted to make a film that would introduce the world of underwater archaeology to people young and old.

About Jesse Davidge

Jesse is an award-winning producer and director. He has worked in the animation field for over 10 years and been attached to projects ranging from TV programs to movies and video games.

He is also an accomplished illustrator for comic books and has had several works published.

The post Finding the AJ Goddard appeared first on National Screen Institute - Canada (NSI).

Having lost her beloved mum, Tilley moves from the country to the city to pursue a life in music and care for a friend’s aged Dawg.

A confrontation on the wrong side of the harbour tests Tilley’s mettle as she fights to say a proper goodbye to Dawg and finally mourn her mother.

Creative team

Writer/director: Shelley Thompson
Producer: Gay Hauser

Filmmaker’s statement

The loss of a beloved parent seems to be the transition place to adulthood at any age: a time when there is stocktaking and a profound confrontation of one’s own mortality.

Losing my mother in 1999, I realised years later that I’d never properly mourned her, never finished whatever unfinished business we had. That can become a handicap, and sometimes some kind of shock, some quite unrelated event allows us to finally address and lay to rest that central relationship, and let the love move to a new place.

To imagine that same stocktaking in such a young person as Tilley, already full of questions and poised for change, is to recognize that youth is tough enough without losing someone you’d hoped would be a guide for a little longer.

Dawg has come, in part, from a desire to create something as a tribute to my own mother whom I lost before all the questions I had for her were answered.

I’m interested in simple stories, gently told. Stories that move and resonate for everyone.

About Shelley Thompson

A Calgarian, Shelley Thompson trained at the Royal Academy of Dramatic Art (RADA) UK, the Canadian Film Centre in Toronto (2015) and is a recent participant of Women In the Director’s Chair (WIDC 2016) program.

Before settling in Nova Scotia in 1997, Shelley worked extensively in the UK including at the Royal National Theatre, the West End and regions, on series for Thames TV and the BBC; and extensive radio work for BBC and BBC World Service.

Since settling in Nova Scotia, she has portrayed Barb Lahey for 11 seasons on Trailer Park Boys, as well as varied roles in features and television.

Her playwriting includes A Kind of Faith (2004), Leaving Wonderland (2015) and various plays for children (Belinda the Bicycle Witch, Lost and Found, Bluenose Billy).

Dawg (2015), her first short film, won hearts at family festivals across North America.

Leaving Wonderland, her first feature, was developed from her stage play of the same name. Dawn, Her Dad and the Tractor, a feature supported by the Canada Council, is continuing development supported by WIDC. Her feature ensemble comedy, The Benefit, was developed during her time at the Atlantic Film Festival Script Development Program (2016); and her short film Bats (2016) debuted at the Atlantic Film Festival.

Shelley is the proud parent of singer/songwriter T. Thomason and a keen advocate for LGBTQ issues.

The post Dawg appeared first on National Screen Institute - Canada (NSI).