Joy Loewen, CEO of the National Screen Institute, spoke with Bill Roberts of Cartt.ca on a recent podcast episode.
Cartt.ca is a web-based media outlet that shares news surrounding the cable, radio, television and telecom industries in Canada.
In this episode, Joy discusses the mission behind the National Screen Institute, and why she continues to advocate for creators across the country to have their stories heard.
Joy discusses the importance of diversity in storytelling, and how the programs and alumni at the National Screen Institute reflect the true stories of our community and country.
“Our alumni reflect the diversity within the Canadian population, and I’m proud to say that the National Screen Institute has had that mandate since the get-go, and has lived that mandate.”
Still from Night Raiders; nominated for best motion picture, original screenplay, achievement in direction, John Dunning Best First Feature Film Award and more.
Awards will be presented over six days during Canadian Screen Week including the 2022 Canadian Screen Awards show which will be broadcast on CBC and CBC Gem on Sunday, April 10.
One of Ours – produced by Laura Perlmutter (NSI Drama Prize)
Best Short Documentary
Nalujuk Night– produced by Kat Baulu (NSI Drama Prize)
Best Animated Short
Angakusajaujuq – The Shaman’s Apprentice – produced by Nadia Mike (NSI Art of Business Management – Indigenous Edition)
John Dunning Best First Feature Film Award
Danis Goulet – Night Raiders
Best TV Movie
The Christmas Setup– directed by Pat Mills (NSI Drama Prize, NSI Totally Television, NSI Features First, NSI Script to Screen)
I Was Lorena Bobbitt – directed by Danishka Esterhazy (NSI Drama Prize, NSI Features First)
Best Drama Series
Coroner – written and story edited by Leah Cameron (NSI Drama Prize)
Transplant – from creator, showrunner and executive producer Joseph Kay (NSI Totally Television) and executive producer Virginia Rankin (NSI Global Marketing)
Sheona McDonald – Dead Man’s Switch: A Crypto Mystery
Best Writing, Drama Series
Floyd Kane (NSI Totally Television) – Diggstown
Joseph Kay – Transplant
Best Writing, Lifestyle or Reality/Competition
Angie Pepper O’Bomsawin (NSI Art of Business Management – Indigenous Edition) – Chuck and the First Peoples’ Kitchen – “Iqaluit- Ptarmigan”
Best Writing, Documentary
Sheona McDonald – Dead Man’s Switch: A Crypto Mystery
Best Picture Editing, Drama
Moonshine – Kimberlee McTaggart (NSI Drama Prize)
Best Web Program or Series, Fiction
The Communist’s Daughter – written and directed by Leah Cameron (NSI Drama Prize), executive produced by Lauren Corber (NSI Totally Television)
Querencia – written, directed, produced and starring Mary Galloway (TELUS STORYHIVE), produced by Jessie Anthony (NSI Art of Business Management – Indigenous Edition)
For the Record – directed by Sudz Sutherland (NSI Totally Television)
Best Direction, Web Program or Series
Leah Cameron – The Communist’s Daughter
Sudz Sutherland – For the Record
Best Immersive Experience, Fiction
The Passengers – directed by Ziad Touma (NSI Totally Television)
Best Live Production, Social Media
24th Annual Toronto Film Critics Association Awards – from Ashleigh Rains (NSI Totally Television)