Based in Halifax, FIN celebrates films from Atlantic Canada and around the world. The festival will run from September 16 to 23, with both in-person and online events.
Congratulations to the alumni whose films will stream at the festival:
Night Raiders – written and directed by Danis Goulet (NSI Drama Prize), executive produced by Lisa Meeches (NSI Indigenous training programs advisor and NSI Storytellers alumna) and Kyle Irving (NSI Global Marketing), associate produced by Eva Thomas (NSI Totally Television) and starring Elle-Máijá Tailfeathers
One of Ours – produced by Laura Perlmutter (NSI Drama Prize)
Run Woman Run – written and directed by Zoe Hopkins (Featuring Aboriginal Stories Program), produced by Laura Milliken (Featuring Aboriginal Stories Program) and Paula Devonshire (NSI Features First, NSI Totally Television)
Still Max – edited by Anthony Von Seck (NSI Features First)
Strong Son – directed by Ian Bawa (NSI Totally Television, NSI Business for Producers)
The festival runs September 24 and 25 at the West End Cultural Centre, featuring Indigenous comedians from across Canada.
Paul is headlining the event on September 25, along with Chad, Sage and Florence. Paul has performed at many comedy festivals, including Winnipeg Comedy Festival, Oddblock Comedy Festival, and was featured in the Just for Laughs festivals in Montreal and Vancouver.
Tickets can be purchased for online streaming and in-person viewing.
At the National Screen Institute, we’re thrilled to celebrate our alumni and their accomplishments. Through Focal Point we aim to highlight significant milestones our alumni achieve with their projects and in their careers.
Roxann is a Mohawk writer, director and producer from Kahnawake, Quebec. She began her career in 2014 with her first short film Legend of the Storm – a recollection of the 1990 Oka Crisis from the perspective of a nine-year-old girl – which premiered at the Montreal First Peoples Film Festival in 2015.
Six years later, as she accepted her award on the same stage where her first film premiered, she expressed her gratitude for the full circle moment.
“I’m really honoured and thrilled,” said Roxann. “[Montreal First Peoples Film Festival] has been supporting me as an artist and helping me build a platform for the stories I want to tell.”
Haudenosaunee Canoe Journey is the firsthand account of one Onondaga man, Hickory Edwards, who has devoted his life to the rediscovery of the path of his people. Relying on the knowledge of Elders and intuition to guide his team in the right direction, Hickory, along with his five-year-old daughter Elli, hopes to navigate the waterways and travelling routes long forgotten by his people.
This project was unlike anything Roxann had done before. She and her team spent 10 days on the Eerie Canal rediscovering forgotten Haudenosaunee waterways. Roxann faced new challenges as a filmmaker like relying on the sun as her only light source and making snap decisions to find the best shots while on the water.
Throughout filming, Roxann realized she was on a journey of her own. As a Haudenosaunee woman, it was painful to see the impact colonization has had on the environment around her. It made her want to deepen her connection to her history, land and the film.
“I don’t know the land intimately like I would have hundreds of years ago, so this was very eye opening for me,” said Roxann. “It made me want to dig deeper into our history.”
Haudenosaunee Canoe Journey screened at the 2021 Montreal First Peoples Film Festival in early August. When it was announced Roxann had won the International Emerging Filmmaker Award, she was shocked and honoured by the recognition.
“We all worked really hard on this film,” said Roxann. “You don’t make a film alone. I thanked the cast and crew; this wouldn’t be possible without them – especially Hickory and Elli.”
Roxann credits the National Screen Institute with connecting her to new opportunities throughout her career. Now-retired program manager Elise Swerhone helped Roxann find the editor who would eventually work on the Haudenosaunee Canoe Journey.
“Whenever there are funding opportunities or workshops that [the National Screen Institute] thinks I would be suited for, they send it my way. I’m really grateful to have NSI in my corner.”
Today, Roxann, Hickory and Elli are preparing for their next journey: a trip to Honolulu, Hawaii to screen their film at a powwow celebrating Indigenous cultures from around the world.
Congratulations on this award, Roxann. We are excited to see what happens next for you as you take your career to a new level and share your work around the world!
It was with heavy hearts that we learned of the passing of our friend, producer and National Screen Institute graduate, Anneli Ekborn.
Anneli passed away on July 15, 2021 in Toronto, Ontario. Read her obituary.
Anneli was an award-winning producer, having worked on over 35 shorts and three feature films. She shared her knowledge of the industry with the NSI community through her blog series Producers Corner, where she gave advice and resources to up-and-coming producers. Her personality and love for her craft leaped off the page.
Anneli participated in the 2005 NSI Features First program, alongside film partner Kirsten Carthew, with their film The Sun At Midnight.
Kirsten remembers Anneli as a generous and supportive filmmaker.
“As a filmmaker, teacher and mentor, Anneli was foremost a champion of films and filmmakers. In the most altruistic of ways, she made time for all those who wanted it; championing their dreams as she would her own.”
The Canadian Film Centre (CFC) launched the Anneli Ekborn Bursary in celebration of Anneli’s life, career and creative vision. It will provide support to a female filmmaker with a love of cinema and a commitment to independent stories and creators.
Anneli was a bright light who will be deeply missed by us and many others whose lives she touched.
