Los AngelesJuly 27, 2022 • View in browserCollage as a Strategy of Cultural CollisionTroy Montes-Michie cites the US/Mexico border as his “first experience with the language of collage,” describing it as an amalgamation of “two very separate cultures colliding on every level.” | Adam Lee
WHAT TO SEE THIS WEEK Installation view of Radical Propagations / Propagaciones Radicales, 18th Street Arts Center, 2022. Rebecca Youssef, “The Vanishing Canopy” (2022) Radical Propagations / Propagaciones Radicales By proposing the labor behind environmental activism as artwork, curator Maru García moves beyond the aesthetics of nature to explore the radical possibilities of plants. Minerva Cuevas: Dark Matter Following Mexican artist Minerva Cuevas’s artist residency during the springtime, the ICA San Diego presents a solo exhibition of the artist’s work focused on petroleum. Laggardism Defined by Canary Test as “a study and application of slowness amid rapid boom and bust cycles of unfettered libidinal economies,” Laggardism includes a live performance and site-specific sound installation. LASTING LEGACIES William T. Wiley’s Wild Art LegacyNothing Is to Be Done for William T. Wiley is a roller derby of irreverent and energetic ideas and a serious revelation about Northern California’s art historical significance. | Daniel Gerwin
Support Hyperallergic's independent journalismBecome a member today to help keep our reporting and criticism free and accessible to all. CLOSING SOON Installation view of Marcus Kuiland-Nazario, “MACHO STEREO” (ongoing) in Sonic Terrains in Latinx Art, Vincent Price Art Museum, 2022 (photo by Monica Orozco) Sonic Terrains in Latinx Art Beatriz Cortez: One Eye Yes, One Eye No Matthew Thomas: Enlightenment Adam Parker Smith: Crush Deborah Roberts: I’m Clifford Prince King: Raspberry Blow Score for Here: Jimena Sarno |